_dutch-angle-asymmetrical-epic-space-landscape-paintingmidjourney-prompts.jpg "dutch angle asymmetrical epic space landscape painting,Midjourney prompts from angle bisector theorem of a triangle Video Screenshot Preview")
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✓ Published: 24-Mar-2024
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✓ Published: 24-Mar-2024
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Prompt Midjourney : dutch angle asymmetrical epic space landscape painting, by Thomas Cole, In it, we see what appears to be a tribe of hunter gatherers living in a stormy wilderness on the edge of a lake. In the foreground, a lone hunter accompanied by a hound chase a deer. Most of the humanity is seen in the middle ground, with a band of hunters in the center of the painting returning to the tribe’s settlement on the right side of the painting and some people in boats in the bottom right. Because we only see a snapshot here, it is difficult to have any idea what the nature of this civilization is, making it difficult to apply Sorokin or Spengler’s analysis to the painting. But Ibn Khaldun’s concepts are both applicable. In this scenario, umran is limited. We only see a single, large futuristic urban settlement on the right hand side of the painting, and while there are implications of perhaps a second space city with the red spots in the smoke or fog rising from the coast of the body of water just to the left of the primary settlement, we can’t be sure that’s what Cole intended with that section of the painting. Without means of rapid transportation, civilization is centered around a settlement and only ventures out a small amount to get food. The umran is small, and the asabiyya is strong. It is difficult to make out, but it does appear like there are a number of close small figures around the fire in the settlement, and of all the people in this painting, only the nearby hunter in the foreground is isolated from his fellow man. But while a strong asabiyya is desirable, Cole was under no romantic delusion as to the nature of this stage of society. The dark, ominous clouds hanging over the land hide the rest of the landscape from us; just as people in the savage state cannot venture far from their settlement without risking death, our eyes cannot venture far from the limited domain of these people. The darkness of the forests only adds to this feeling of the unknown, of dread. Humans in this stage of society are still at the whim and mercy of Mother Nature and her ferocious and arbitrary power --ar 16:9 --s 375 --c 4 --sref https://s.mj.run/YlFobECwm2E --sw 200
Prompt Midjourney : dutch angle asymmetrical epic space landscape painting, by Thomas Cole, In it, we see what appears to be a tribe of hunter gatherers living in a stormy wilderness on the edge of a lake. In the foreground, a lone hunter accompanied by a hound chase a deer. Most of the humanity is seen in the middle ground, with a band of hunters in the center of the painting returning to the tribe’s settlement on the right side of the painting and some people in boats in the bottom right. Because we only see a snapshot here, it is difficult to have any idea what the nature of this civilization is, making it difficult to apply Sorokin or Spengler’s analysis to the painting. But Ibn Khaldun’s concepts are both applicable. In this scenario, umran is limited. We only see a single, large futuristic urban settlement on the right hand side of the painting, and while there are implications of perhaps a second space city with the red spots in the smoke or fog rising from the coast of the body of water just to the left of the primary settlement, we can’t be sure that’s what Cole intended with that section of the painting. Without means of rapid transportation, civilization is centered around a settlement and only ventures out a small amount to get food. The umran is small, and the asabiyya is strong. It is difficult to make out, but it does appear like there are a number of close small figures around the fire in the settlement, and of all the people in this painting, only the nearby hunter in the foreground is isolated from his fellow man. But while a strong asabiyya is desirable, Cole was under no romantic delusion as to the nature of this stage of society. The dark, ominous clouds hanging over the land hide the rest of the landscape from us; just as people in the savage state cannot venture far from their settlement without risking death, our eyes cannot venture far from the limited domain of these people. The darkness of the forests only adds to this feeling of the unknown, of dread. Humans in this stage of society are still at the whim and mercy of Mother Nature and her ferocious and arbitrary power --ar 16:9 --s 375 --c 4 --sref https://s.mj.run/YlFobECwm2E --sw 200
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