_jodi-dekho-ii-souls-ii-50-years-of-souls-preview-1.jpg "Jodi Dekho II Souls II 50 Years of Souls from tomar oi mon ta Video Screenshot Preview 1")
Gallery_jodi-dekho-ii-souls-ii-50-years-of-souls-preview-3.jpg "Jodi Dekho II Souls II 50 Years of Souls from tomar oi mon ta Video Screenshot Preview 3")
Gallery_jodi-dekho-ii-souls-ii-50-years-of-souls-preview-hqdefault.jpg "Jodi Dekho II Souls II 50 Years of Souls from tomar oi mon ta Video Screenshot Preview hqdefault")
GalleryPlay Video:
(Note: The default playback of the video is HD VERSION. If your browser is buffering the video slowly, please play the REGULAR MP4 VERSION or Open The Video below for better experience. Thank you!)
Jump To Video Parts
⏲ Duration: 4 minutes 3 seconds
👁 View: 21K times
Play Audio:👁 View: 21K times
Description:
Partha Barua official
Partha Barua official
Share with your friends:
Whatsapp | Viber | Telegram | Line | SMS
Email | Twitter | Reddit | Tumblr | Pinterest
Related Videos
_tomar-oy-montake.webp "Parto Barua - Topic")
_julien-creuzet-92-french-pavilion-at-venice-art-biennale-2024.webp "Julien Creuzet / French Pavilion at Venice Art Biennale 2024. <br/>Official description: The sight of the matoutou falaise is a gift when it appears in dense forests, on the bark of the Zamana trees or the rocks of the Martinique shores. It requires a deep connection to the environment; an eye that sweeps the contours and glides over the textures. It is about appearances and disappearances, what is given, protected, and also unseen... This way of seeing is undoubtedly what Julien Creuzet strives to offer through the experience of his work. It describes an immersion in a poetry of forms and sounds, volumes and lines in movement, colourful encounters forming new languages: an experience to be lived deeply. This tarantula, endemic to Martinique, could well be the symbol of a way of being with art that history has yet to write. It nourishes, and protects, in the teaching of a sensible and poetic understanding of the world it offers a softer gaze to approach the many ecologies of life. Creuzet’s forms stem from a locus of emancipation, which must be felt to truly see. It is a moment of learning and unlearning as a reconciliation with our senses, as well as a space to be untranslated and liberated.<br/><br/>Julien Creuzet: Attila cataracte ta source aux pieds des pitons verts finira dans la grande mer gouffre bleu nous nous noyâmes dans les larmes marées de la lune. French Pavilion at Venice Art Biennale 2024. Venice (Italy), April 19, 2024.")
_jekhane-shimanto-tomar-124-124-kumar-bishwajit-124-evergreen-bangla-song.webp "G Series Music")
⏲ 5 minutes 55 seconds 👁 1.8M
_tomar-oi-mon-ta-ke-live-version.webp "Sourav Dewan")
_bondhu-tomar-preme-124-124-wasi-124-mitu-124-akash-124-bangla-baul-studio-124-nagorik-music.webp "Nagorik Music")
⏲ 4 minutes 49 seconds 👁 3.4M
_ami-nodike-bolechi-ii-souls.webp "Partha Barua official")
_bengalboys-124-bondhu-tomay-mone-pore-124-124-naim-murtoza-ft-nishita-barua.webp "Deepto Music")
⏲ 5 minutes 55 seconds 👁 359.7K
_noble-man-jekhane-shimanto-tomar-originally-by-kumar-biswajit-composed-by-lucky-akhand.webp "Mahid Hasan")
⏲ 4 minutes 31 seconds 👁 324.9K
_tomar-oy-montake.jpg)
_julien-creuzet-92-french-pavilion-at-venice-art-biennale-2024.jpg)
_jekhane-shimanto-tomar-124-124-kumar-bishwajit-124-evergreen-bangla-song.jpg)
_tomar-oi-mon-ta-ke-live-version.jpg)
_bondhu-tomar-preme-124-124-wasi-124-mitu-124-akash-124-bangla-baul-studio-124-nagorik-music.jpg)
_ami-nodike-bolechi-ii-souls.jpg)
_bengalboys-124-bondhu-tomay-mone-pore-124-124-naim-murtoza-ft-nishita-barua.jpg)
_noble-man-jekhane-shimanto-tomar-originally-by-kumar-biswajit-composed-by-lucky-akhand.jpg)
![[+]](/images/menu.gif){kind=small}