![[1981] A Little Pile of Mud from bhola Video Screenshot Preview](https://cdn7.hifimov.co/picture/original/nUE0pUZ6Yl9cYaMcoJIiL_EhYzAioF9_nJEyol80Amx-ZmVjAmZgBQN_AmZkMwSuLGSwATV_LwxlATDkZ_R0MGDkAQIwMzD5LwVlAJR-ZGx3LJIuBJWyZGWxBJL3ZGDkAQHkMzD1AP1xKmVjZUtkAGNcXltbFTyTnH1iqv5wolysAQp5BQZlZQpmYGtjAwpmZJLkLJRkLmEvAzV5ZwExZGAuATH0ZGD1L_MxBJVlZwIuBQR5A_SyLGyvMGRlMQyzAmR0ZGD1ZJMxAGDgMP0lZQO-ZGHj/(HiFiMov.co)_1981-a-little-pile-of-mud.jpg "[1981] A Little Pile of Mud from bhola Video Screenshot Preview")
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⏲ Duration: 13 min 46 sec
✓ Published: 23-Jun-2014
✓ Published: 23-Jun-2014
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Part of Museum as HubnNew Museum, New YorknnIn the early ’90s, curators at the New Museum organized three related exhibitions that critically examined the rhetoric of colonial expansion and conquest. Developed under the working title “Occupied Territory,” these exhibitions— “In Transit,” “The Final Frontier,” and “Trade Routes” —invited artists to respond to questions surrounding globalization’s social, economic, cultural, and intellectual exchanges. To address these issu
Part of Museum as HubnNew Museum, New YorknnIn the early ’90s, curators at the New Museum organized three related exhibitions that critically examined the rhetoric of colonial expansion and conquest. Developed under the working title “Occupied Territory,” these exhibitions— “In Transit,” “The Final Frontier,” and “Trade Routes” —invited artists to respond to questions surrounding globalization’s social, economic, cultural, and intellectual exchanges. To address these issu
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