Roti Maker Machine PRM 4.0 *NEW MODEL*- Gol roti banane ka tarika - Roti banane ki machine from rotimatic roti maker uk Watch Video

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Humaira's Kitchen

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I starring Chiyaan Vikram, Amy Jackson, Santhanam, Suresh Gopi, Ramkumar, Upen Patel, Powerstar Srinivasan, Yogi Babu and Ojas Rajani.<br/>I, the film, has three distinct acts. The first is of Lingesan (Vikram) obsessing over supermodel Diya (Amy Jackson), who smiles down at him from billboards and through the television and in newspapers. His fascination for her results in some bizarre manifestations like the song sequence where his handset and motorcycle (and even a fish in a supermarket) take Diya’s form.<br/><br/>When he is not being just a tad bit leery, Lingesan trains at Arnold Gym (very subtle nod to his idol) to prepare for the Mr. Tamil competition. When a bulky rival tries to scare him away, Lingesan challenges him to beat him at his game and not ask him to back away like a woman. (Bombast dialogue = 1. Notions of gender = 0). The competition plays with the standard masala humourthroughsongs like ‘Made in India’ and ‘Marhaba’to jolt you out of the staleness-induced stupor.<br/><br/><br/>There is a fight scene after that with a few muscled competitors and the hero, because winning graciously is a lost art on them. After punches and bodies fly thick through the air, there is a moment when the men regroup on the hero to jiggle their moobs at him. That is only beginning of the cringe-worthy scenes that are to follow.<br/>Meanwhile, Diya is constantly badgered by her co-model John (Upen Patel) for a date. She does not comply and he uses his clout to remove her from key assignments. Act 2 has Diya grooming Lingesan into Lee, a more enticing professional counterpart. Here, the makers throw in a transgender makeup artist (Ojas M Rajani), the stereotyping making the most hardened viewer recoil. Act 3 features a gruesome sabotage of the hero’s appearance, which morphs into a revenge drama. Lingesan, seething, disfigured and vengeful, will give it as good as he has gotten.<br/><br/><br/>I may not have an original concept, but a less tiresome execution could have worked immensely in its favour. The beginning may seem made with the quintessential flair of a standard potboiler, but the sequences shot in China are truly breathtaking. This happens in Act 2,when the proceedings are still light and Diya-Lee team up for a perfume advertisement. A fight scene shot on the rooftops, with murderous cyclists, is the only one that stands out in the entire film.<br/>Despite being a love story, the romance angle is uninspired. Diya does not seem drawn to Lingesan, except for his machismo.<br/><br/><br/>The dramatic scenes in the latter half of the film are heavy-handed and replete with ham moments that could give a butcher a complex. Lavishly shot song sequences to dot the narrative, end up stretching the film’s running time and the audience’s patience. Despite some stunning visuals, the songs offer little by way of melody.<br/><br/>Even Santhanam, as Lingesan’s friend, can do little to lighten up the dull story. The film is anchored by a good performance from Vikram in Quasimodo mode (that’s some great makeup there), which
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Some of Yorkshire’s most inspiring craftspeople are being profiled in a special series of short films and magazine features thanks to a pioneering new collaboration.<br/><br/>The Yorkshire Post and Hull-based video production company Nova Studios have produced a new series called Meet The Makers, shining a light on some of the region’s most remarkable craftspeople.<br/><br/>Nova has created a series of high-quality short films and profile features, which will run on The Yorkshire Post website and in its award-winning Saturday Magazine from May 18. The work is accompanied in print by pictures taken by The Yorkshire Post’s skilled photographers.<br/><br/>Those featured in the series include a jeweller, a potter, a bicycle maker and a fashion designer.<br/><br/>The collaboration has been almost a year in the making after Nova pitched the idea to Yorkshire Post editor James Mitchinson.<br/><br/>Matt Stephenson, director of Nova, said: “With two newspaper-trained journalists on the team, we loved bringing together our journalistic and editorial skills with everything we know about digital film-making.<br/><br/><br/>“The makers in the films we’ve produced really care about craft and tradition - and we’re very proud to be associated with them - their values reflect our own. There’s so much disposable product and content out there, it’s great to make films that are anything but disposable - we wanted to emphasise enduring quality, and to do that for the Yorkshire Post, a publication that is so embedded in the cultural life of our region.”<br/><br/>Catherine Scott, Yorkshire Post Magazine editor, said: “This has been an inspiring project to work on and we have been blown away by the quality of Nova’s work. The films they have produced are essentially The Yorkshire Post Magazine in video form - profiling the human stories of inspiring people from our area.<br/><br/>“We can’t wait for people to see the finished films and features over the coming weeks.”
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Over the past few years we've seen some bike makers step backwards in the technology that they're building into their bikes. However, we think that it could be taken another step further. We don't think anyone would ever complain about having a threaded bottom bracket, a 27.2 seatpost and a bar and stem which is easily adjustable and interchangeable should the desire strike them. In theory, the things listed in this video should actually be seen as upgrades as current bike tech can be slightly temperamental.
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