_netflix39s-the-witcher-cinematography-with-jean-philippe-gossart-gcs218-preview-1.jpg "Netflix's The Witcher Cinematography (with Jean-Philippe Gossart) GCS218 from gossart Video Screenshot Preview 1")
Gallery_netflix39s-the-witcher-cinematography-with-jean-philippe-gossart-gcs218-preview-3.jpg "Netflix's The Witcher Cinematography (with Jean-Philippe Gossart) GCS218 from gossart Video Screenshot Preview 3")
Gallery_netflix39s-the-witcher-cinematography-with-jean-philippe-gossart-gcs218-preview-hqdefault.jpg "Netflix's The Witcher Cinematography (with Jean-Philippe Gossart) GCS218 from gossart Video Screenshot Preview hqdefault")
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_the-burgos-tapestry-a-study-in-conservation.webp "The Met")
_vhils-124-explosive-street-art.webp "Crane.tv")
_reach.webp "Lost between a canyon and a deadly desert, a young woman tries to survive. Her only hope is a home made radio station. While she struggles to ration her supplies, an unwanted surprise forces her to fight for her life. nnA short by nnBrieuc Cornet - brieuc.ce@gmail.com nEulalie Deruy - eulalie.deruy@hotmail.comnPauline Gossart - gossart.pauline@gmail.comnBernny Mwamba - w.i.bernny@hotmail.comnnReach is a short movie created in six months by four students from the school « Ecole Supérieu")
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_heart-to-heart.webp "SYNOPSIS: Two people are magnetically drawn together by a beating heart.nDIRECTOR: Vera SölvadóttirnPRODUCER: Vera Sölvadóttir, Ester Bíbí ÁsgeirsdóttirnDOP:Jean-Philippe GossartnSCRIPT: Vera SölvadóttirnMUSIC: Jarþrúður KarlsdóttirnEDITOR: Vera SölvadóttirnRELEASE: 2010nLENGTH: 6 minnCAST: Damon Younger, Vera Wonder, Jarþrúður Karlsdóttir, Snorri Magnússon, Viðar Magnússon, Aron Bergmann")
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_steadicam-vehicle-mount-polar-commercial.webp "JP Gossart was shooting a commercial / viral for the new Polar computer. He kindly asked me to Steadicam for him. TheseProfessional cyclists are often able to hit speeds of 50mph. I can’t run that fast so the only option was to vehicle mount onto a tracking vehicle supplied by Bickers. nnThe SI2K camera was chosen for this job: which worked well. I was particularly impressed by Pier Hausemer s work pulling focus. There are a few tight shots of the Polar sensors which we must have done on a 5")
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