_julien-creuzet-92-french-pavilion-at-venice-art-biennale-2024.jpg "Julien Creuzet \French Pavilion at Venice Art Biennale 2024 from france la chambre transformations Video Screenshot Preview")
GalleryPlay Video:
(Note: The default playback of the video is HD VERSION. If your browser is buffering the video slowly, please play the REGULAR MP4 VERSION or Open The Video below for better experience. Thank you!)
⏲ Duration: 10:1
✓ Published: 25-Apr-2024
✓ Published: 25-Apr-2024
Description:
Julien Creuzet / French Pavilion at Venice Art Biennale 2024. <br/>Official description: The sight of the matoutou falaise is a gift when it appears in dense forests, on the bark of the Zamana trees or the rocks of the Martinique shores. It requires a deep connection to the environment; an eye that sweeps the contours and glides over the textures. It is about appearances and disappearances, what is given, protected, and also unseen... This way of seeing is undoubtedly what Julien Creuzet strives to offer through the experience of his work. It describes an immersion in a poetry of forms and sounds, volumes and lines in movement, colourful encounters forming new languages: an experience to be lived deeply. This tarantula, endemic to Martinique, could well be the symbol of a way of being with art that history has yet to write. It nourishes, and protects, in the teaching of a sensible and poetic understanding of the world it offers a softer gaze to approach the many ecologies of life. Creuzet’s forms stem from a locus of emancipation, which must be felt to truly see. It is a moment of learning and unlearning as a reconciliation with our senses, as well as a space to be untranslated and liberated.<br/><br/>Julien Creuzet: Attila cataracte ta source aux pieds des pitons verts finira dans la grande mer gouffre bleu nous nous noyâmes dans les larmes marées de la lune. French Pavilion at Venice Art Biennale 2024. Venice (Italy), April 19, 2024.
Julien Creuzet / French Pavilion at Venice Art Biennale 2024. <br/>Official description: The sight of the matoutou falaise is a gift when it appears in dense forests, on the bark of the Zamana trees or the rocks of the Martinique shores. It requires a deep connection to the environment; an eye that sweeps the contours and glides over the textures. It is about appearances and disappearances, what is given, protected, and also unseen... This way of seeing is undoubtedly what Julien Creuzet strives to offer through the experience of his work. It describes an immersion in a poetry of forms and sounds, volumes and lines in movement, colourful encounters forming new languages: an experience to be lived deeply. This tarantula, endemic to Martinique, could well be the symbol of a way of being with art that history has yet to write. It nourishes, and protects, in the teaching of a sensible and poetic understanding of the world it offers a softer gaze to approach the many ecologies of life. Creuzet’s forms stem from a locus of emancipation, which must be felt to truly see. It is a moment of learning and unlearning as a reconciliation with our senses, as well as a space to be untranslated and liberated.<br/><br/>Julien Creuzet: Attila cataracte ta source aux pieds des pitons verts finira dans la grande mer gouffre bleu nous nous noyâmes dans les larmes marées de la lune. French Pavilion at Venice Art Biennale 2024. Venice (Italy), April 19, 2024.
Share with your friends:
Whatsapp | Viber | Telegram | Line | SMS
Email | Twitter | Reddit | Tumblr | Pinterest
Related Videos
_dan-terrrifies-me.webp "The Chateau Diaries")
_algiers-124-public-domain-movies.webp "Algiers is a 1938 American drama film directed by John Cromwell and starring Charles Boyer, Sigrid Gurie, and Hedy Lamarr. Written by John Howard Lawson, the film is about a notorious French jewel thief hiding in the labyrinthine native quarter of Algiers known as the Casbah. Feeling imprisoned by his self-imposed exile, he is drawn out of hiding by a beautiful French tourist who reminds him of happier times in Paris. The Walter Wanger production was a remake of the successful 1937 French film Pépé le Moko, which derived its plot from the Henri La Barthe novel of the same name.<br/>Algiers was a sensation because it was the first Hollywood film starring Hedy Lamarr, whose beauty became the main attraction for film audiences. The film is notable as one of the sources of inspiration to the screenwriters of the 1942 Warner Bros. film Casablanca, who wrote it with Hedy Lamarr in mind as the original female lead. Charles Boyer's depiction of Pepe le Moko inspired the Warner Bros. animated character Pepé Le Pew. In 1966, the film entered the public domain in the United States because the claimants did not renew its copyright registration in the 28th year after publication.")
_we-bought-an-abandoned-chateau-then-amp-now-2-year-renovation-in-20-minutes-timelapse.webp "Escape To The Dream, Restoring The Château.")
⏲ 20 minutes 49 seconds 👁 2.4M
_5-years-in-20-minutes-inspiring-renovation-of-a-crumbling-french-castle-into-dream-home.webp "How To Renovate A Chateau")
⏲ 21 minutes 34 seconds 👁 867.1K
_ukraine-la-magie-du-mensonge-amricain-jt-du-mardi-23-avril-2024.webp "Chaîne officielle TVL")
_we-risked-our-life-savings-on-an-abandoned-convent.webp "The Pethericks")
_amazing-transformation-un-jardin-de-luxe-pour-une-maison-de-constructeur.webp "M A R V I N Atmoss")
⏲ 19 minutes 12 seconds 👁 4.3M
_jour-3-124124-transformation-glorieuse-124124-gck.webp "DCLM French")
_dan-terrrifies-me.jpg)
_algiers-124-public-domain-movies.jpg)
_we-bought-an-abandoned-chateau-then-amp-now-2-year-renovation-in-20-minutes-timelapse.jpg)
_5-years-in-20-minutes-inspiring-renovation-of-a-crumbling-french-castle-into-dream-home.jpg)
_ukraine-la-magie-du-mensonge-amricain-jt-du-mardi-23-avril-2024.jpg)
_we-risked-our-life-savings-on-an-abandoned-convent.jpg)
_amazing-transformation-un-jardin-de-luxe-pour-une-maison-de-constructeur.jpg)
_jour-3-124124-transformation-glorieuse-124124-gck.jpg)
![[+]](/images/menu.gif){kind=small}