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Vore in Media
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_vampire-dormitory-episode-5-english-subbed.webp "Mito Yamamoto is a handsome man, so much so that women swarm the restaurant he works at daily. When the restaurant owner decides that he has had enough, he fires Mito, leaving him unemployed and with no place to call home. Soon after, Mito happens upon a cafe and receives a cut on the hand from broken glass. A strange man named Ruka Saotome takes Mito aside to presumably tend to the injury, but instead, he licks away Mito's blood, remarking that it tastes disgusting before asking Mito to leave. Later that night, Mito accidentally slips off the roof of a building and is caught by Ruka, who reveals himself to be a vampire. Ruka explains that a man's blood tastes disgusting, and the blood of someone unloved has an even worse flavor. However, Ruka cannot drink from girls, so he has been looking for a beautiful boy to become his thrall. He proposes that Mito fill this role and that he allow Ruka's affections to \")
_girl-ate-boy-9234vore9234-the-order-is-repeated-but-slightly-changed.webp "Yuni")
_drama-seriesborn-to-run-trailer.webp "45 MINS x 8 EPS.| 2024 | FAMILY,<br/><br/>DIRECTOR:TENG CONG-CONG<br/>CAST: MA YI-LI, ZHOU YI-RAN, YU SHI, HUANG XIAO-JUAN<br/><br/>Li Wenxiu, a Han girl who grew up in a small village in Altay, is determined to pursue her literary dream in a big city. However, she repeatedly faces obstacles and is forced to return to her hometown, where she relies on her mother's provision store for a living. After getting acquainted with a Kazakh boy Batay, Wenxiu gradually discovers the beauty of the local area and follows a nomadic Kazakh family into the pastoral area. Life in the pastoral area is very difficult, but Wenxiu, who is pursuing her dreams wholeheartedly, finds creative inspiration in the magnificent nature of northern Xinjiang, and gradually develops feelings for Batay. Unfortunately, her romantic endeavors are fraught with setbacks, and she hesitates to express her true feelings, leading to numerous misunderstandings with Batay. Under constant cultural collision and natural enlightenment, Wenxiu confronts her inferiority complex and figures out where she truly belongs and who she really is. In the end, Wenxiu musters up the courage to confess to Batay and her love is reciprocated, and her literary work is also finally published. .")
_the-suction-method-the-hunger-s2e22-124-vore-in-media.webp "Vore in Media")
_uta-and-xeriara-vore-animation-part-2.webp "Pyr Zero")
_tu-jhoothi-main-makkaar-romantic-full-movie---ranbir-kapoor-shraddha-kapoor.webp "Madness ensues when a 'Player' in the world of romantic relationships finds a girl who's a worthy opponent. Tu Jhoothi Main Makkaar is a film that believes Love is a battle of wits.<br/>Mickey, a carefree businessman and womaniser, helps couples break up. However, things change for him when he falls for Tinni, a witty and beautiful chartered accountant.<br/>Cast: Ranbir Kapoor, Shraddha Kapoor, Anubhav Singh Bassi, Dimple Kapadia, Boney Kapoor<br/><br/>In a normal universe, Tu Jhoothi Main Makkaar is about a ‘boy’ and a ‘girl’ who fall in love only to realize that they want different things from life. Breaking up is a problem because they’re not Gen Z enough to ghost each other. At most, they hang around in the relationship until the love dissipates. Anything to not have “the talk”. In this normal universe, the film is certainly not called Tu Jhoothi Main Makkaar, or anything on the lines of Sonu Ke Titu Ki Pyaar Ka Punchnama. But in Luv Ranjan’s universe, this same story is a bitter battle of sexes between a good-looking boy and a gorgeous girl who tries to leave him because – horror of horrors – she likes her independence and his family is too overbearing.<br/><br/>You can’t say Ranjan isn’t trying. If anything, this is him reacting to the criticism – that is, the (correct) accusations of casual misogyny bubble-wrapped in crowd-pleasing comedy – of his previous movies. You see, the women in those movies (Pyaar Ka Punchnama, Sonu Ke Titu Ki Sweety) were scheming, conniving caricatures who forced their boyfriends to choose between bromance and romance. Love was a messy war of ownership. But here, the conflict is centered on the woman’s inability to be cruel and manipulative; she is too evolved to be the quintessential Luv Ranjan heroine. (Coincidentally, actress Shraddha Kapoor’s breakout film, from 2011, was called Luv Ka The End). Her Nisha in this film is so nice that, rather than force poor Rohan (Ranbir Kapoor) to choose between his family and her, she attempts to do the nobler thing: Gaslight him into believing he’s the issue. Nisha would rather have Rohan reject her than the other way around. You see, her dishonesty is merely an expression of compassion. This is Luv Ranjan being progressive.<br/><br/>Never mind that Rohan, like his Kartik Aaryan-esque predecessors, decides to turn her predicament into a game. At stake is the incorruptible Indian idea of marrying not just the person, but also the family. In the pink corner lies Rohan’s courage to go from cold Casanova to heartbreaking martyr, and his pride of being a Momma’s Boy. In the blue corner lies Nisha’s reluctance to sacrifice her own ambitions at the altar of Rohan’s Barjatya-shaped love. There can be only one winner. At one point, he subjects Nisha to a sexist rant about women and jobs – except that he’s only pretending to be a horrible man. He’s pretending to be a Kabir Singh so that nobody blames her. For a moment, I was almost impressed by Luv Ranjan’s self-awareness to use toxic masculinity as a smokescreen.")
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_the-suction-method-the-hunger-s2e22-124-vore-in-media.jpg)
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