_ceramic-pro-9h-permanent-car-paint-protection-designed-for-professionals-detailers-only.jpg "Ceramic PRO 9H Permanent car paint protection. Designed for professionals detailers only! from the matrix Video Screenshot Preview")
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⏲ Duration: 1 min 45 sec
✓ Published: 10-Nov-2012
✓ Published: 10-Nov-2012
Description:
Ceramic PRO 9H creates a Permanent Bonding strength to the substrate by using this revolutionary 3D matrix technology.
Ceramic PRO 9H creates a Permanent Bonding strength to the substrate by using this revolutionary 3D matrix technology.
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_trickster-the-matrix-fan-film.webp "Hi!nnTrickster is a small Live-action short film based on the Matrix movie, it's a fan-made film to see how far we can go with our skills in Film making and Visual effects.nnThe project was born in 2013 when Antonio, a friend of mine, suggested to make a video with a Sentinel 3D model that i made some time ago for fun. I was hooked since the beginning with the idea, i wrote a small synopsis and then a 3 page script, the project started to grow more than i expected. At the beginning we only thoug")
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_the-matrix-oracle-scene.webp "THESSALONIAN31N")
_super-mario-bros-on-an-8x8-led-matrix.webp "This is a game project for S10-05833 - Gadgets, Sensors, and Activity Recognition in HCI taught by Scott Hudson at Carnegie Mellon University.I created a simple version of Super Mario Bros using an 8x8 LED matrix (one color), an Arduino Nano, two buttons for the input (forward and jump), and a piezo sensor hooked to a separate Arduino for the theme song.nnCredits:nScrolling code: Oomlout 8x8 Scrolling Message (http://oomlout.com/8X8M/8X8M-Guide.pdf)nLevel maps: Super Pixel Bros (http://bit.ly/")
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_canon-5d-mark-ii-vs-mark-iii-vs-nikon-d800-candlelight-high-iso.webp "http://NoFilmSchool.comnnhttp://nofilmschool.com/2012/04/markii-vs-markiii-vs-d800-candlelight/nn5D Mark II vs. 5D Mark III vs. D800nCandlelight/Ambient Light TestnISO 500-25,600nnThe only light in the room besides the candle was some ambient light from streetlights outside. The f-stop was kept consistent throughout. The Canon footage was converted to ProRes HQ using 5DtoRGB, with the Mark II set to 601 color matrix and the Mark III set to 709.nnNikon 85mm f/1.4 lens (Only one lens was used, not")
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