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JustinGuitar
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_ead-gad-124-e-a-d-g-a-d-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/ead-gad/ | “A high-slackened tuning that essentially forms a ‘half-DADGAD’ layout (6-5-4str=Standard, 3-2-1str=DADGAD). This gives an ambiguous ‘open harmony’ – it can be seen as either a seventhless D9sus4, fifthless Emin11, thirdless G6/9, secondless Am11, or rootless C6/9 – or an A7sus4 from the parallel octaves on 5+2str. Great for creating complex chord inversions with the 2nd in the bass. Also also feel how the slackened 1+2str")
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_5-movable-chord-shapes-to-play-everything-on-fretboard.webp "Neil Chan Music")
_ghost-reveries-124-d-a-d-f-a-e-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/ghost-reveries/ | “A spacious Open Dm variant, which retains Standard’s E1str tone to give a minor 9th open harmony. Great for chord voicings which combine intricate high extensions with robust bass structures – with note-shuffling added by the tuning’s irregular interval sequence (a 4th, min. 3rd, and a maj. 3rd, sandwiched by two 5ths). Hear how the tighter 1str stands out. Like its major counterpart (D-A-D-F#-A-E: Yvette’s Dadd9), thi")
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_yvettes-dadd9-124-d-a-d-f-a-e-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/yvette/ | “A melodious Open D variant, which retains Standard’s high E1str tone to give a spacious Dadd9 voicing. Pleasingly, the 6-2str intervals are arranged in descending order of width, narrowing in neat sequence as you ascend (7/5/4/3: 5th / 4th / maj. 3rd / min. 3rd) – until you encounter the unexpectedly wide 5th jump at the very top (2-1str). This layout retains many of the Open D family’s strengths – including one-finger power c")
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_the-easy-f-major-chord-and-easy-f-minor-chord-for-guitar.webp "Lauren Bateman")
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