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Du0026E's Edu Corner
Du0026E's Edu Corner
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_word-2016-inserting-clipart.webp "Janelle Hoatson")
_vcarve-clipart-guide-124-vectric-v11-tutorials.webp "Vectric Ltd")
_generating-live.webp "Generative installationnVleeshal Middelburg 2000nMU Eindhoven 2001nnThe pulse of city life n'Generating Live 2' by Geert Mul at MUnnthursday 15 febuary 2001nBy Angelique SpaninksnnThey flash past the city lights, in the form of neon signs, street lights - either or not distorted by raindrops or the motion of the camera moving past. They appear in strange corners, out of the sky or almost as all-encompassing as the rising sun. Sometimes the images move so quickly that you can barely take them in.")
_adding-pattern-to-clip-art-in-easy-view.webp "Transfer Express")
_speech-2.webp "Speech 2 is an experimental audiovisual piece created from a series of old clips from the US broadcast public affairs interview program The Open Mind. This piece is reflection on the action of communicating, highlighting its limitations, and can be labelled as “text-sound-art”, or “text-sound-composition” in an audio-visual framework.nnTechnically, in this piece, the author has been experimenting how granular sound synthesis techniques, in particular synchronous granular synthesis, can b")
_generating-live-vleeshal-middelburg-2000.webp "The pulse of city life n'Generating Live 2' by Geert Mul at MUnnthursday 15 febuary 2001nBy Angelique SpaninksnnThey flash past the city lights, in the form of neon signs, street lights - either or not distorted by raindrops or the motion of the camera moving past. They appear in strange corners, out of the sky or almost as all-encompassing as the rising sun. Sometimes the images move so quickly that you can barely take them in. Then the camera quiets down, zooming in on a face, a person, a deta")
_generating-live-ii-geert-mul-2001.webp "Generative installationnVleeshal Middelburg 2000nMU Eindhoven 2001nnThe pulse of city life n'Generating Live 2' by Geert Mul at MUnnthursday 15 febuary 2001nBy Angelique SpaninksnnThey flash past the city lights, in the form of neon signs, street lights - either or not distorted by raindrops or the motion of the camera moving past. They appear in strange corners, out of the sky or almost as all-encompassing as the rising sun. Sometimes the images move so quickly that you can barely take them in.")
_public-intimacy-intimidad-pblica-2019.webp "(English and french below)nnNuestra relación con las cámaras define una parte importante de la subjetividad contemporánea.¿Soy yo la imagen? ¿Soy solo una imagen? ¿Me sincero o finjo ante la cámara? ¿Dónde está el límite entre la expresión y la cosificación del propio yo?Intimidad pública intenta abordar las contradicciones que implica la autorrepresentación ante la cámara. A través de guiños al lenguaje del video clip y a las vanguardias, la pieza también aborda cómo el suje")
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_public-intimacy-intimidad-pblica-2019.jpg)
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