_a-page-of-madness-2013-version-excerpt-1.jpg "A Page of Madness (2013 version, excerpt #1) from do movie directors make more than actors Video Screenshot Preview")
GalleryPlay Video:
(Note: The default playback of the video is HD VERSION. If your browser is buffering the video slowly, please play the REGULAR MP4 VERSION or Open The Video below for better experience. Thank you!)
⏲ Duration: 4 min 18 sec
✓ Published: 19-Jun-2013
✓ Published: 19-Jun-2013
Description:
“A Page of Madness” is an amazing Japanese silent film from 1926, heard here with music I composed in winter 2013 while a fellow at The American Academy in Berlin, played by Phace Contemporary Music Ensemble. What impresses me most about this film is the radical nature of the cinematic language. If you didn’t know it was made in 1926 you might think it was made much later, as the use of very fast montage, superimpositions and other techniques make it a harbinger of the experimental film mo
“A Page of Madness” is an amazing Japanese silent film from 1926, heard here with music I composed in winter 2013 while a fellow at The American Academy in Berlin, played by Phace Contemporary Music Ensemble. What impresses me most about this film is the radical nature of the cinematic language. If you didn’t know it was made in 1926 you might think it was made much later, as the use of very fast montage, superimpositions and other techniques make it a harbinger of the experimental film mo
Share with your friends:
Whatsapp | Viber | Telegram | Line | SMS
Email | Twitter | Reddit | Tumblr | Pinterest
Related Videos
_a-page-of-madness-2013-version-excerpt-1.webp "“A Page of Madness” is an amazing Japanese silent film from 1926, heard here with music I composed in winter 2013 while a fellow at The American Academy in Berlin, played by Phace Contemporary Music Ensemble. What impresses me most about this film is the radical nature of the cinematic language. If you didn’t know it was made in 1926 you might think it was made much later, as the use of very fast montage, superimpositions and other techniques make it a harbinger of the experimental film mo")
_morgan39s-cake-bampw-color-84-min-1989-sundance-film-festival-nominated-for-grand-jury-prize-in-39dramatic-competi.webp "“At last there’s a film about adolescence that resounds with truth and humor.”n– DENVER INTERNATIONAL FILM FESTIVAL nn“Schmidt’s Morgan’s Cake is a deadpan, unpretentious delight. The title character, played by the film maker’s son, Morgan Schmidt-Feng, is no less comically out of sync with the world around him than the gorilla-suited David Warner character in the 1966 movie for which Morgan was named. Morgan’s Cake adopts his point of view and reflects his bewilderment in")
⏲ 50 min 73 sec ✓ 18-Oct-2014
_the-legend-of-johnny-smalltie-compressed-into-a-flat-turd.webp "The horror of this film lies less in the story within frame and more on the experiences surrounding its creation. Having co-written and acted as the main character of this dreadful little picture, I can honestly say that in the moment I had a lot fun being a part of it because I was making a movie with a friend, but looking back I feel as if I'm a victim of a failed surgical exorcism, as if all the hatred and wickness inside me that was dredged up to the surface to get into the mindset of the ch")
_promo-for-pfa-training-facility.webp "In June1985 I was working as a firefighter for Poudre Fire Authority in Fort Collins, CO. In December of '84, I had to have open-heart surgery to replace a defective aortic valve. I had been at the department by that time for almost 12 years. First I was on sick leave for about four months recovering andthen more recently back at work on light duty for about three months.One morning I got the word that I was being summoned to Chief Mullligan’s office. John Mulligan was the Administrative C")
_joe-scarr-have-your-say-visual-effects-series-sponsored-by-cebas-visual-technology-inc.webp "Joe Scarr, ScanlineVFX Montreal has served in the visual effects film industry for many years. His credentials includes Method Studios, Prime Focus, Uncharted Territory,Sony Pictures, nThe Orphanage, and CafeFX. He has supervised and created FX countless great FX scenes for box office hit movies. nnIn this video, Joe Scarr candidly answers two VFX questions on this first instalment of cebas initiated")
⏲ 1 min 66 sec ✓ 15-Mar-2018
_fck-your-authority-mp4.webp "By Eliza WilsonnBut I’m a Cheerleader sets to show that conversion therapy does not work through satire. In doing so, they had almost all of the characters be gay, which is something that is not often seen in media. This is important because “Visibility matters in two key ways, one common to all minority groups, and the other unique to GLBTQ identities. First, for many groups in society, media visibility is considered an important form of social and political recognition. Second, for GLBTQ p")
_broad-strokes-92.webp "Broad Strokes Films: http://broadstrokesfilms.com/n5 days. 5 Themes. 5 Directors. 40 Comedic Micro-Shorts. Under 30 Seconds. nWritten & Produced by Sapna Gandhi & Anisa Alamiann")
_american-orpheus-84-minutes-1992-a-film-by-rick-schmidt-fests-seattle-intl-houston-rotterdam-intl-figueira-da-foz.webp "(SHOT IN PORT TOWNSEND, WA, 1991).nn")
⏲ 50 min 30 sec ✓ 17-Feb-2015
_morgan39s-cake-bampw-color-84-min-1989-sundance-film-festival-nominated-for-grand-jury-prize-in-39dramatic-competi.jpg)
_the-legend-of-johnny-smalltie-compressed-into-a-flat-turd.jpg)
_promo-for-pfa-training-facility.jpg)
_joe-scarr-have-your-say-visual-effects-series-sponsored-by-cebas-visual-technology-inc.jpg)
_fck-your-authority-mp4.jpg)
_broad-strokes-92.jpg)
_american-orpheus-84-minutes-1992-a-film-by-rick-schmidt-fests-seattle-intl-houston-rotterdam-intl-figueira-da-foz.jpg)
![[+]](/images/menu.gif){kind=small}