_bristol-world-discusses-what-are-the-top-stories-this-week.jpg "Bristol World Discusses: What are the top stories this week? from baby tv grandpa39s gallery edgar degas Video Screenshot Preview")
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✓ Published: 23-May-2024
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✓ Published: 23-May-2024
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As ever it has been a busy week in the city of bristol from there-opening of a bristol police station and plans submitted for the galleries shopping centres.
As ever it has been a busy week in the city of bristol from there-opening of a bristol police station and plans submitted for the galleries shopping centres.
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_cheaper-by-the-dozen-1950-full-movie-124-clifton-webb-jeanne-crain-myrna-loy.webp "Synopsis: “Cheaper by the Dozen”, based on the real-life story of the Gilbreth family, follows them from Providence, Rhode Island, to Montclair, New Jersey, and details the amusing anecdotes found in large families.<br/>Genre: Drama, Comedy, Family<br/>Director: Walter Lang<br/>Top cast: Clifton Webb, Jeanne Crain, Myrna Loy, Betty Lynn, Edgar Buchanan, Barbara Bates, Mildred Natwick, Sara Allgood")
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_25-years-later-see-pictures-of-the-cast-of-39that-3970s-show39-including-mila-kunis-ashton-kutcher-topher-grace-and-more.webp "It's hard to believe that it's been 25 years since the gang first hung out in the Forman’s basement circle (IYKYK). From 1998-2006, \")
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_cheaper-by-the-dozen-1950-full-movie-124-clifton-webb-jeanne-crain-myrna-loy.webp "Synopsis: “Cheaper by the Dozen”, based on the real-life story of the Gilbreth family, follows them from Providence, Rhode Island, to Montclair, New Jersey, and details the amusing anecdotes found in large families.<br/>Genre: Drama, Comedy, Family<br/>Director: Walter Lang<br/>Top cast: Clifton Webb, Jeanne Crain, Myrna Loy, Betty Lynn, Edgar Buchanan, Barbara Bates, Mildred Natwick, Sara Allgood")
_rawhide-1951-romance-classic-movie.webp "<br/>Cast & crew<br/>User reviews<br/>Trivia<br/>FAQ<br/>IMDbPro<br/><br/>Rawhide<br/>1951<br/>Approved<br/>1h 29m<br/>IMDb RATING<br/>YOUR RATING<br/>Tyrone Power and Susan Hayward in Rawhide (1951)<br/>A stagecoach stop employee and a stranded woman traveller find themselves at the mercy of four desperate outlaws intent on robbing the next day's gold shipment.<br/><br/>Director<br/>Henry Hathaway<br/>Writer<br/>Dudley Nichols<br/>Stars<br/>Tyrone PowerSusan HaywardHugh Marlowe<br/>See production info at IMDbPro<br/>62<br/>User reviews<br/>23<br/>Critic reviews<br/>Awards<br/>3 wins<br/>Photos<br/>16<br/>Tyrone Power and Susan Hayward in Rawhide (1951)<br/>Rawhide (1951)<br/>Tyrone Power and Susan Hayward in Rawhide (1951)<br/>Tyrone Power, Susan Hayward, and Judy Dunn in Rawhide (1951)<br/>Tyrone Power, Susan Hayward, and Judy Dunn in Rawhide (1951)<br/>Tyrone Power and Edgar Buchanan in Rawhide (1951)<br/>Tyrone Power, Edgar Buchanan, and Hugh Marlowe in Rawhide (1951)<br/>Tyrone Power in Rawhide (1951)<br/>Tyrone Power, Susan Hayward, and Hugh Marlowe in Rawhide (1951)<br/>Edgar Buchanan and Hugh Marlowe in Rawhide (1951)<br/>Susan Hayward in Rawhide (1951)<br/>Jack Elam and Susan Hayward in Rawhide (1951)<br/>Top cast<br/>Tyrone Power<br/>Tyrone Power<br/>Tom Owens<br/>Susan Hayward<br/>Susan Hayward<br/>Vinnie Holt<br/>Hugh Marlowe<br/>Hugh Marlowe<br/>Rafe Zimmerman<br/>Dean Jagger<br/>Dean Jagger<br/>Yancy<br/>Edgar Buchanan<br/>Edgar Buchanan<br/>Sam Todd<br/>Jack Elam<br/>Jack Elam<br/>Tevis<br/>George Tobias<br/>George Tobias<br/>Gratz<br/>Jeff Corey<br/>Jeff Corey<br/>Luke Davis<br/>James Millican<br/>James Millican<br/>Tex Squires<br/>Louis Jean Heydt<br/>Louis Jean Heydt<br/>Fickert<br/>Robert Adler<br/>Robert Adler<br/>Billy Dent(uncredited)<br/>Milton R. Corey Sr.<br/>Dr. Tucker(uncredited)<br/>Dick Curtis<br/>Dick Curtis<br/>Hawley(uncredited)<br/>Judy Dunn<br/>Callie Holt(uncredited)<br/>Edith Evanson<br/>Edith Evanson<br/>Mrs. Hickman(uncredited)<br/>William Haade<br/>William Haade<br/>Gil Scott(uncredited)<br/>Si Jenks<br/>Si Jenks<br/>Old-Timer(unconfirmed)(uncredited)<br/>Gary Merrill<br/>Gary Merrill<br/>Narrator(voice)(uncredited)<br/>Director<br/>Henry Hathaway<br/>Writer<br/>Dudley Nichols<br/>All cast & crew<br/>Production, box office & more at IMDbPro<br/>More like this<br/>Captain from Castile<br/>6.8<br/>Captain from Castile<br/><br/>Son of Fury: The Story of Benjamin Blake<br/>7.1<br/>Son of Fury: The Story of Benjamin Blake<br/><br/>Johnny Apollo<br/>6.9<br/>Johnny Apollo<br/><br/>A Yank in the R.A.F.<br/>6.3<br/>A Yank in the R.A.F.<br/><br/>Khu Vườn Ác Quỷ<br/>6.6<br/>Khu Vườn Ác Quỷ<br/><br/>The Black Rose<br/>6.2<br/>The Black Rose<br/><br/>The Mississippi Gambler<br/>6.7<br/>The Mississippi Gambler<br/><br/>Rawhide<br/>5.7<br/>Rawhide<br/><br/>The Cimarron Kid<br/>6.3<br/>The Cimarron Kid<br/><br/>In Old Chicago<br/>6.7<br/>In Old Chicago<br/><br/>American Guerrilla in the Philippines<br/>5.9<br/>American Guerrilla in the Philippines<br/><br/>Pony Soldier<br/>5.8<br/>Pony Soldier<br/><br/>Storyline<br/>Vinnie Holt, a single woman travelling with her toddler niece, becomes stranded at Rawhide, a desert stagecoach way station managed by stationmaster Sam Todd and his assistant Tom Owens. Owens is quickly impressed by Vinnie's independent self-confidence. Rafe Zimmerman, a fugitive murderer from Huntsville Prison disguised as a deputy, and three other ruthless escapees take over the station, intent on robbing the next day's gold shipment. After murdering Sam, Zimmerman knows they must keep Tom alive in order")
_ultimate-guide-to-scene-transitions-every-editing-transition-explained-the-shot-list-ep-9-1080p-24fps-h264-128kbit-aac.webp "In film editing, transitions between scenes are sometimes overlooked opportunities to help tell your story. While most scene transitions use only a simple cut, there are many more creative and cinematic transitions filmmakers can use. In this video, we’ll review the various video transitions and film transitions, their particular qualities, and what they add to visual storytelling. <br/><br/>One of the most common film transitions is the fade in and fade out. Typically, these are used to open and close a film but they can also be used in between scenes to create a more definitive separation. Besides the cut, one of the most frequently used transitions is the dissolve (or cross dissolve). This is when one scene gradually fades out while the next scene gradually fades in. The dissolve is just one of the techniques used to create seamless transitions but also to suggest a passing of time or to switch to a flashback or dream.<br/><br/>The match cut is a film transition purely meant to create a connection between one shot to the next or one scene to the next. That connection can be made with shapes, colors, movement, or even sound. The match cut is an instant scene transition but a match dissolve accomplishes both the “connection” of a match cut with the “smoothness” of a cross dissolve. The iris transition is an old-fashioned technique that is rarely used unless you’re going for a nostalgic or retro style.<br/><br/>Similarly, the wipe transition is a bit archaic in terms of film and video transitions. George Lucas built the wipe transition into the visual language of Star Wars as a nod to his two biggest inspirations for the Skywalker Saga — the Flash Gordon serials and Kurosawa’s Hidden Fortress. A modern approach to these same cinematic transitions is called a passing transition (or pass-by effect). This involves using movement in the frame to wipe seamlessly into the next scene and it’s one of director Edgar Wright’s favorite film editing transitions.<br/><br/>Next, there’s the whip pan, when the camera pans quickly to create a blurry image (where a cut can be hidden) leading into another whip pan to start the next scene. These types of film transitions not only create smooth transitions, they help sustain the momentum from one scene to the next. A smash cut is perhaps the most abrupt film transition because it is built on contrast between loud and quiet, or active and still, or sometimes both. <br/><br/>Finally, there’s the J cut and L cut, two ways to use a split between audio and video for a variety of effects. For example, an L cut is often used when a character begins narrating a flashback. And a J cut is commonly used to build anticipation for the following scene. These are just the most common video transitions and new transition effects are created all the time. Your job as filmmakers is to find the right scene transitions that help tell your story.")
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