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‘Amar Singh Chamkila’ review: An off-key biopic of the iconic Punjabi singer.<br/>Amar Singh Chamkila - Full Movie | Diljit Dosanjh, Imtiaz Ali, A. R. Rahman, Irshad Kamil, Parineeti<br/>Imtiaz Ali’s Amar Singh Chamkila attempts to bottle the essence of a legendary Punjabi singer who evades easy categorisation. Murdered in 1988 at the age of 27 when he was at the height of his powers, Chamkila is an exemplar of the supernova who lives and dies for art.<br/><br/>Biopics on Chamkila have been previously announced and abandoned; at least one of them, starring Diljit Dosanjh, was completed but stalled by a lawsuit. Chamkila’s unsolved assassination shaped key plot points in Rohit Jugraj’s web series Chamak (2023). The difficulty of drawing definitive conclusions about Chamkila’s multi-faceted legacy led to Kabir Singh Chowdhry’s fascinating experimental docu-fiction Mehsampur (2018).Ali’s version, which is out on Netflix and is also led by Dosanjh, reaches for low-hanging fruit: who – or what – killed Chamkila?<br/><br/>The screenplay, by Imtiaz Ali and Sajid Ali, unfolds like a police procedural. Chamkila (Dosanjh) is gunned down along with his singer-wife Amarjot (Parineeti Chopra) soon after they arrive in Mehsampur for a concert. A police officer who dismisses the icon as a vulgarian learns about Chamkila’s hardscrabble background, overnight success, and the unwelcome attention he attracted for his bawdy, taboo-busting songs.I discovered the man who was born Dhani Ram, one man says. I gave him his stage name, another asserts. Inspired by the goings-on around him, Chamkila wields his tumbi like a magic wand, bewitching local listeners as well as the Punjabi diaspora. Yet, his fame cannot shield from him from the ire of militants, religious leaders and the police.<br/><br/>Dosanjh, Chopra, and a few other singers perform Chamkila’s original songs in Punjabi, with the Hindi translations appearing on the screen. AR Rahman’s Punjabi pop-inflected Hindi soundtrack is woven into the musical-like saga. (Punjab is called Panjab throughout the movie.)The hot-blooded account of a cold case includes animation, split screens and footage of the real Chamkila and Amarjot. There is enough archival material included in the film to make the heart yearn for a straight-up documentary.<br/><br/>The music video-level aesthetic creates enough momentum to distract from how mundane the movie turns out to be. Chowdhry’s Mehsampur suggested that the aura around Chamkila was too thick to penetrate, especially by filmmakers who had not breathed the same air as him. Ali is untrammelled by such concerns. Having bagged the rights to Chamkila’s music catalogue, and having recruited big-name talent, Ali sets out to Bollywoodise the folk performer.The biopic is fixated on the explicit lyrics that put Chamkila on the top of charts and hit lists. Ali’s recent projects similarly focus on sexual matters, including the shows She, about a repressed police constable, and Dr Arora, about a sexologist.
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Well folks, it happened. As the world has watched the 2024 Oscar winners crowned in real-time, the performances of the nominees for “Best Original Song” have kept the Ken-ergy up and running. And when it came time for Ryan Gosling to sing Barbie’s “I’m Just Ken,” the reactions from Margot Robbie and Billie Eilish were so hysterical, that it was almost better than the performance. <br/><br/>Of course, their shocked and laughing faces mirrored what basically everyone was thinking before Gosling’s song and dance number at L.A.’s Dolby Theatre really got going. After Robbie, Greta Gerwig and Eilish's amazing reactions, the pink-suited singer took the stage with several of his co-Kens from the Barbie cast, including Kingsley Ben-Adir, Simu Liu, and Ncuti Gatwa, the Barbie theatrics really took off. And yes dear fans, the chant of “Can you feel the Ken-ergy?” was kept in the live show.
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This song will make you want to get up and dance. Since the song first started there was a strong beat and I could not stay in my seat. They were not kidding when this song was described as a festive dance music thriller. <br/><br/>It took me a minute to try to determine the style then I just went with the beat. I like how the song went on the tempo changed a little. There was the addition of instruments that made a really cool sound. I felt like I could start tapping along to the beat. It was upbeat and lively. This is what I am looking for in dance music.<br/><br/>As the song went on the beat kept on growing and it was keeping my attention. There was a climax in the music where I could tell things were getting louder. I would play this song at any dance party that I was going to go to. This song is attention getting and it will get people up and moving.<br/><br/>I did not mind that there were no lyrics to this song. The music was so lively and entertaining that it did not matter. I wanted to keep on listening to it and did not want it to stop. As long as the song was going I was moving. I liked near the end of this song there were some sounds to make it sound out of this world.<br/><br/>I would list to this song when I need the energy to get going. I would like to begin my day with it because it would give me the energy that I need. I liked all of the bass and I would listen to this song at any party to help lighten the mood.<br/><br/>
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