_cabbage-124-c-a-bb-a-g-e-124-world-of-tuning-124-rga-junglism.jpg "Cabbage | C-A-Bb-A-G-E | World of Tuning | Rāga Junglism from same old me chords and lyrics Video Screenshot Preview")
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⏲ Duration: 1 min 5 sec
✓ Published: 22-Mar-2022
✓ Published: 22-Mar-2022
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Full page: https://ragajunglism.org/tunings/menu/cabbage/ | “C-A-Bb-A-G-E is surprisingly tasty, if rather impractical. Forms a ‘crunchy’ C13 chord…with the root(s) at the bottom. Seems silly, and it definitely is – but it’s essential to playfully shuffle things up sometimes. Anyway, J.S. Bach did much the same, famously ‘signing’ his name in The Art of Fugue as Bb-A-C-B (read as B-A-C-H in old German). So have many other musical greats throughout history. Around the same time as
Full page: https://ragajunglism.org/tunings/menu/cabbage/ | “C-A-Bb-A-G-E is surprisingly tasty, if rather impractical. Forms a ‘crunchy’ C13 chord…with the root(s) at the bottom. Seems silly, and it definitely is – but it’s essential to playfully shuffle things up sometimes. Anyway, J.S. Bach did much the same, famously ‘signing’ his name in The Art of Fugue as Bb-A-C-B (read as B-A-C-H in old German). So have many other musical greats throughout history. Around the same time as
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_all-major-thirds-124-e-ab-c-e-ab-c-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/all-major-thirds/ | “A ‘regular’ stack of maj. 3rds (i.e. 4 semitones separate each string) – forming an augmented triad from any of its three notes, regardless of which string you start on. These odd symmetrical properties arise because our 12-semitone octave divides into 4 with no remainder – meaning that a sequence of 4 fret jumps will always ‘orbit’ back around to (octaves of) the root as you extend the series upwards – i.e.")
_open-dm-bentonia-124-d-a-d-f-a-d-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/open-dm/ | “Resembles a Standard-tuned ‘0-2-2-0-0-0’ Emin shape in terms of interval structure, with everything lowered a whole tone. Thus forms a ‘cross-note’ pattern, as (unlike in Open D) you can easily ‘cross over’ to major voicings with just one finger (e.g. ‘0-0-0-1-0-0’ = Dmaj). In many ways, this is a very logical place to start your open-tuned explorations: after all, this Em shape is almost always one of the very first")
_open-csus-wide-modal-124-c-g-c-g-c-f-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/open-csus/ | “Csus4 tuning, also known as C ‘Modal’, is the ‘suspended’ variant of the Open C family, with a perfect 4th at the top. This gives each side of the guitar a very different physical feel – unless you re-string, the high end gets tight and loud, while the low end falls looser and quieter. Use the quirks of this spectrum to your advantage! It offers an ultra-wide open-string span of 29 semitones (equivalent to having an extra")
_nashville-124-b-e-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/nashville/ | “A part-transposition of Standard, which retains the same notes while raising 6-5-4-3str up a full octave. This halves the range (12 vs. 24 semitones), and also radically shuffles up the order of the tones (low/high: 6, 5, 2, 4, 1, 3str) – essentially like a 12-string with the lower of each pair removed (i.e. ‘Standard + Nashville = 12-string EADGBE’). Thus, the tuning is often used as a ‘high-strung double layer’ in studi")
_for-jason-a-story-of-survival.webp "I made this video for a philosophy class and I wrote this as my artist's statement:nI open my video with a shot of myself walking across the pedestrian bridge leading to Century. It is on this bridge that I think about my brother often. I represent these thoughts with a couple clips of old footage of Jason running in track and playing at a piano concert. In the background a vibraphone instrumental of “Imagine” is playing. This song expresses the the idealistic hopes and dreams that were lost")
_papa-papa-124-d-a-d-d-a-d-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/papa-papa/ | “‘Double-dad’ tuning is handily symmetrical, mirroring its ‘D-A-D’ pattern across the guitar’s centre line to form a stacked D power chord.(like a double-decker sandwich filled with ‘A’). Only one string differs from the more famous DADGAD – the 3str is lowered by a fourth, going super-slack to add psychedelic phasing effects. Variants have long been used on steel guitars and other lap slide instruments. Theorist B")
_untitled-patchwork-2-another-new-old-song.webp "This is a second song patched together from songs about San Francisco that are 100-ish years old (and older).nnAs with the first one, the rules were (1) the melody notes and accompanying chords were taken from the songs only where the lyrics were")
_tallulah.webp "This ad hoc iPhone recording is embarrassingly simple... with only two chords it doesn’t even qualify as “country music” even though the lyrics are true (if you know you know). nnThe song is about sitting on a porch swing, looking out over the mountains, pondering life and writing music.I wrote it while sitting on a porch swing, looking out over the mountains, and pondering life. nnnTallulahn(Meditations on I and IV)n©2017, Keith R NelmsnnNever knew there were so many shades of bluenU")
_all-major-thirds-124-e-ab-c-e-ab-c-124-world-of-tuning-124-rga-junglism.jpg)
_open-dm-bentonia-124-d-a-d-f-a-d-124-world-of-tuning-124-rga-junglism.jpg)
_open-csus-wide-modal-124-c-g-c-g-c-f-124-world-of-tuning-124-rga-junglism.jpg)
_nashville-124-b-e-124-world-of-tuning-124-rga-junglism.jpg)
_for-jason-a-story-of-survival.jpg)
_papa-papa-124-d-a-d-d-a-d-124-world-of-tuning-124-rga-junglism.jpg)
_untitled-patchwork-2-another-new-old-song.jpg)
_tallulah.jpg)
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