_karina-amp-artem-rumba-preview-1.jpg "Karina & Artem đĨđĨđĨ Rumba â¤ī¸ from karina Video Screenshot Preview 1")
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Kocherga Media | Ballroom dance
Kocherga Media | Ballroom dance
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_evil-twink-block-party.webp "We love twinks. EVIL twinks? Not so much.")
_karina-and-ronald-teach-me-minecraft.webp "Freddy")
_going-mining-with-karina.webp "RonaldOMG")
_karina-engagement-ring-by-miadonna.webp "The Karina Engagement Ring can be made with any size or shape center stone, and has a gorgeous twisted plain metal band that goes 3/4ths of the way around the ring. nnView this ring here: https://www.miadonna.com/products/karina-engagement-ring")
_i39m-going-mining-with-karina.webp "RonaldOMG")
_arqueologas-del-placer-funciones-en-centro-de-cultura-digital.webp "https://www.instagram.com/arqueologiasdelplacernnhttps://www.patreon.com/archeologiesofpleasurennnn-------nnThe search for other ways to live sexual pleasure took us back to antiquity, going through the vestiges through Neolithic myths, paintings and sculptures of Western civilizations whose symbolic production refers us to periods in time where women lived a more intimate relationship. close with the body in daily rituals, dances and childbirth.nnThe project points to the vindication of the som")
_captains-92.webp "DescripciÃŗn: Videoclip para Captains âHeavy Metal Worksâ.nnDOP/Color: Daniel MerÊ.nProducciÃŗn: Inlight.nActores: Ãlvaro Quintana, Uma Karina, Isia Eryka.nAsistentes de cÃĄmara: Tulio Ferreira y Jorge Fonseca.nElÊctricos: Eduardo G. Mon, Jose Silva y Edu Vinuesa.nEstilismo: Gema MartÃn y Javier Lozoya.nDiseÃąo grÃĄfico: David Negrone.nCaptains: Fee Reega, David Baldo, Oskar SD, Aaron Dall.nnGracias a: Thiago Quadrado, Lucia Outeda, Carlota Espada, Mario GarcÃa, Aby Loya, Elena GonzÃĄle")
_appointment-on-stage-premiere-july-2016.webp "âAppointment on Stageâ is a choreographic rendezvous with others nand an encounter with oneself. Five performers of different generations nand national backgrounds experience and acknowledge the body as a feeling-nthinking unity: âI trust you to be the dance, the man, the moiâ. nThis acceptance by the individual turns into a composition in which there is nan interpretive dancing without kissing and a kissing without documentation. nDo you understand? nAngela Lamprianidou creates an integ")
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