_trois-valses-1998.jpg "Trois valses, 1998 from diary catalogue Video Screenshot Preview")
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⏲ Duration: 4 min 73 sec
✓ Published: 06-Jun-2012
✓ Published: 06-Jun-2012
Description:
”Three Waltzes begins with the ambiguous image of a burning cigarette lighter which is also a musical box. From films we have learned that the charming tune it is playing does not usually bode well. In the triptych that follows, three stories are told. These are short scenes, each of which depicts a strange relationship between two people.nnFirst of all we see two women, each of whom has an orthopedic brace on their right leg, involved in an exercise during which one pulls the other out of an
”Three Waltzes begins with the ambiguous image of a burning cigarette lighter which is also a musical box. From films we have learned that the charming tune it is playing does not usually bode well. In the triptych that follows, three stories are told. These are short scenes, each of which depicts a strange relationship between two people.nnFirst of all we see two women, each of whom has an orthopedic brace on their right leg, involved in an exercise during which one pulls the other out of an
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_hoffman39s-92.webp "Hoffman Films: www.philiphoffman.ca/filmography/nn")
_three-waltzes-1998.webp "”Three Waltzes begins with the ambiguous image of a burning cigarette lighter which is also a musical box. From films we have learned that the charming tune it is playing does not usually bode well. In the triptych that follows, three stories are told. These are short scenes, each of which depicts a strange relationship between two people.nnFirst of all we see two women, each of whom has an orthopedic brace on their right leg, involved in an exercise during which one pulls the other out of an")
_moving-away-from-home-2007-2008.webp "DVD, colour, sound, 2008nnFirst video diaryof a long term research art project on displacement by artist Maria Lusitano, Moving away from home (2007-2008) covers the first two years of her experience in Sweden. After living for 40 years in Rosengård, the Portuguese couple in Maria Lusitano Santos’ film decided to become Swedish citizens. Their original dream of returning to Portugal gradually transformed into a realisation that you can love two places at once. Lusitano Santos mirrors hersel")
_two-phone-calls.webp "Title: Two Phone CallsnProduced: Spring 2014nSynopsis: A college student describes her day to each of her parents, showing us a fleeting glimpse of personal life and her memories.nDirectors' Statement: Our memories are fluid. Though they are a recollection of events, they are also shaped by our close relationships and perceptions of time. We wanted to capture two different ways we tell our stories and how they are inevitably affected by personal memory. Through each conversation, various combina")
_what-these-ashes-wanted-55-min-2001-excerpt.webp "Hoffman Films: http://philiphoffman.ca/filmography/n“ In the documentary film What these ashes wanted Hoffman arranges the jagged bits of life he shared with writer Marian McMahon.Her early death in 1996 provoked this essay on mortality. Hoffman’s goal: “to illuminate the conditions of her death… the mystery of her life and the reason why, at the instant of her passage, I felt peace with her leaving… a feeling I no longer hold.” Using painterly swatches of sunflowers, hand-processe")
_hotel-diary-monastery-kostanjevica-na-krki.webp "Video installation - 6 video projections, 1 LCD screen, series of photo collage prints nnGallery Božidar Jakac, Kostanjevica na KrkinnExhibition Cataloguenhttps://docs.wixstatic.com/ugd/e05b60_3c3ff2cdc61645d9ad84ca7b04b76a14.pdfnnWomen Cinemakers Interviewnhttps://issuu.com/cinepress/docs/special.edition/54nnwww.natasastearns.com")
_michel-auder-artist-talk.webp "March 10, 2002nnThis exhibition will survey thirty years of work by a pioneer in the field of video. Originally a filmmaker, Auder (b. 1944) took as his models Jean-Luc Goddard and Andy Warhol. Auder, who was closely associated with Warhol's Chelsea Hotel circle, had been interested in film as a form of personal expression, one crafted exclusively from daily life. But until the advent of video, a film-based diary practice was cost prohibitive. In 1969 Auder purchased the first commercially avail")
_andrea-bttner-roth-reading-2006.webp "Andrea BüttnernRoth Reading, 2006nSound work, 41 minute loopnnIn 1982, Dieter Roth represented Switzerland at the Venice Biennale with a Super-8 film installation that documented his everyday life. The installation was accompanied by Roth's diary, which was published as a handwritten exhibition catalogue and later translated into English in 1984. In this sound piece, Roth Reading, Andrea Büttner reads out all the passages regarding shame and embarrassment from Roth’s diary, projecting his w")
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