_access-auto-tracking-opt3-9-april-02.jpg "ACCESS auto-tracking opt3 9 April 02 from loop in means in communication Video Screenshot Preview"){kind=tracking}
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⏲ Duration: 25 sec
✓ Published: 20-Aug-2012
✓ Published: 20-Aug-2012
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Documentation of the making of ACCESS: First auto-tracking demo: April 2002 / IAMAS, Ogaki, Japan nnComputer-vision tracking experiments / What the
Documentation of the making of ACCESS: First auto-tracking demo: April 2002 / IAMAS, Ogaki, Japan nnComputer-vision tracking experiments / What the
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_access-eyebeam-2003.webp "Prototype Preview at Eyebeam, Art + Technology Center, New York, 2003. nnACCESS is an interactive art installation that lets web users track anonymous individuals in public places, by pursuing them with a robotic spotlight and an acoustic beam system. The work is about our fascination with surveillance, control, visibility, and celebrity.nnFor more information please visit http://www.sester.net/access/nnConcept:nACCESS is a public art installation that applies web, computer, sound and lighti")
_access-camera-view.webp "Tracking clip / What the")
_no-cue-november-challenge.webp "I’m always down for a challenge. When Abigail Witthauer‘s “No Cue November” came across my Facebook Page‘s newsfeed, from Positively.com, I was compelled to click. It’s a well thought out article.nnAbigail points out how rude we are to our dogs. We tend to bark orders at them in short, choppy, sentences (hopefully using friendly voices). Between requests or cues we insert more one or two word phrases – “Yes! Good Boy! Okay. No. Wait! Whoops!”nnWe would not dare talk to our love")
_iamas-2002-demo-to-itsuo-sakane.webp "Demo of ACCESS - work-in-progress - to Itsuo Sakane, founder, IAMAS (Institute of Advanced Media Arts and Sciences), during my residency at IAMAS, Ogaki, Japan (2001-2002). This demo was done in April 2002.nnACCESS is an interactive art installation that lets web users track anonymous individuals in public places, by pursuing them with a robotic spotlight and an acoustic beam system. The work is about our fascination with surveillance, control, visibility, and celebrity.nnFor more information pl")
_access-in-progress-01-march-2002.webp "Second manual tracking test series : March 2002, IAMAS, Ogaki, JapannnThis is a documentary showing part of the process for the development of ACCESS, during my residency at IAMAS (Institute of Advanced Media Arts and Sciences (Ogaki, Japan).nnMy thanks to Sakane-san, the IAMAS teachers and students who helped with the development, Michael Naimark, and all the wonderful people who supported the idea.nAND to Arnaud Pilpré - much especially.nnACCESS is an interactive art installation that lets we")
_access-auto-tracking-opt3-1-april-02.webp "Documentation of the making of ACCESS: First auto-tracking demo: April 2002 / IAMAS, Ogaki, JapannnWhat the"){kind=tracking}
_loop-antenna-garden.webp "I got the little portable QRP loop, assembled it and could not wait to try it out even though it was during tha day and signals were sparse and weak. The new one performs well, in part thanks to the tuningthe lower knob is the impedance matching knob, the impedance matching value will change due to environmental changes. (The tuning range of the two knobs is 180 degrees, and the panel value is 0-60).nWhen you start using the radio, select the desired frequency, and then turn the band switch to")
_wilderness-radio-1-1.webp "Wilderness Radio - 2016nnDeer skins, copper, antler, light, plexi-glass, tape, aluminum, tree logs, pine cones, stone, steel, galvanized metal, deadfall, classroom, sound.nn*The five 15 minute sound loop components of the piece are compositions by and a collaboration with Andrew Pekler, a Berlin-based sound artist who utilizes both improvisational and conceptual composition methods while integrating elements of electronic music, environmental sound, and ethnographic recordings into his work.")
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