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Description: In U.O. I constructed an hypothetical second skin on my body, a type of spontaneous prosthesis, making use of certain materials recurrent in my work, like feathers and hair, that notoriously constitute the residual and persistent part of the human-animal body, and introducing this time the recycling of broken objects, which in this case characterizedthe environment of the city which I realized the performance. I covered myself completely with these heterogeneous materials blocking my body with
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