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✓ Published: 28-Apr-2024
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✓ Published: 28-Apr-2024
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Family Love Takes Me Home ep 17 chinese short drama eng sub
Family Love Takes Me Home ep 17 chinese short drama eng sub
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_krishna-vrinda-vihari---full-movie---romantic-love-story---naga-shaurya-shirley-setia.webp "The premise is impressive. As was established through the trailer, Krishna (Naga Shaurya) hails from a ritualistic Brahmin family where the mother (Radhika Sarathkumar) knows how to have her way. When he moves to Hyderabad to do a software job, he feels liberated. This newfound freedom makes him woo Vrinda (Shirley Setia), a North Indian living in the city, at the first opportunity. Vrinda, to his fortune, is his friendly manager. Much as she loves Krishna, Vrinda is in a bind because she is barren owing to a disorder. Krishna now takes a tricky decision. He pulls the wool over his mother's eyes and marries Vrinda. Least does he realize that this is not going to be smooth sailing.<br/><br/>This film doesn't subscribe to regular notions of masculinity. In this regard, director Aneesh R Krishna must be commended. Naga Shaurya's character doesn't mind being at the receiving end of the raw deal if it makes his girlfriend happy. Like many Telugu cinema male leads, he is mistaken often by those who are supposed to behave better.<br/><br/>Mahathi Swara Sagar's musical flavour sits pretty with the mood of the film. 'Emundi Ra' is enjoyable, although the rest of the songs don't match up to its standard. Sai Sriram's cinematography makes the production values look better. Compared to Shaurya's films like 'Nartanasala', 'KVV' has got a much better visual appeal.<br/><br/>For a change, the story taps into the dynamics of an evolving relationship between a woman and her mother-in-law. In doing so, it makes sense. There are dialogues that sensitize us to the need to empathize with the pulls and pressures faced by working women. Radhika Sarathkumar makes us see her character's point without appearing mean. It's also amusing that she is shown to be someone who has the ability to predict the future accurately.<br/>Shirley Setia makes a vivacious Telugu debut. She looks believable as a North Indian migrant in Hyderabad, drawing the unwarranted attention of a lot of men. Amitabh Pradhan's negative role could have been etched in a better way, though.<br/><br/>The arc of Vennela Kishore's character is funny, with the coma portions standing out. Satya is effortless. Brahmaji can make us enjoy even ordinary lines. Wish Rahul Ramakrishna had got to do better. Annapurnamma is seen as Krishna's granny, while Saranya Pradeep and Himaja have their parts.<br/><br/>The second half is where the actual story takes place. Much of the drama happens indoors. The conversations between three different characters make for a dramatic watch. The climax has the right quantum of simplicity and likeability. The pub scene is not squandered away.<br/>On the downside, the workplace portions should have been constructed in a realistic fashion. The frustrations of Satya and Rahul Ramakrishna are captured well initially. By and by, classist humour and regular tropes like a mean guy creeping up the female lead make their way. Nowadays, the audience are expecting workplace dynamics to be shown in an entertaining way without taking creative lib")
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_family-love-takes-me-home-ep-2930-chinese-short-drama-eng-sub.webp "Family Love Takes Me Home ep 29,30 chinese short drama eng sub")
_family-love-takes-me-home-ep-10-chinese-short-drama-eng-sub.webp "Family Love Takes Me Home ep 10 chinese short drama eng sub")
_tu-jhoothi-main-makkaar-romantic-full-movie---ranbir-kapoor-shraddha-kapoor.webp "Madness ensues when a 'Player' in the world of romantic relationships finds a girl who's a worthy opponent. Tu Jhoothi Main Makkaar is a film that believes Love is a battle of wits.<br/>Mickey, a carefree businessman and womaniser, helps couples break up. However, things change for him when he falls for Tinni, a witty and beautiful chartered accountant.<br/>Cast: Ranbir Kapoor, Shraddha Kapoor, Anubhav Singh Bassi, Dimple Kapadia, Boney Kapoor<br/><br/>In a normal universe, Tu Jhoothi Main Makkaar is about a ‘boy’ and a ‘girl’ who fall in love only to realize that they want different things from life. Breaking up is a problem because they’re not Gen Z enough to ghost each other. At most, they hang around in the relationship until the love dissipates. Anything to not have “the talk”. In this normal universe, the film is certainly not called Tu Jhoothi Main Makkaar, or anything on the lines of Sonu Ke Titu Ki Pyaar Ka Punchnama. But in Luv Ranjan’s universe, this same story is a bitter battle of sexes between a good-looking boy and a gorgeous girl who tries to leave him because – horror of horrors – she likes her independence and his family is too overbearing.<br/><br/>You can’t say Ranjan isn’t trying. If anything, this is him reacting to the criticism – that is, the (correct) accusations of casual misogyny bubble-wrapped in crowd-pleasing comedy – of his previous movies. You see, the women in those movies (Pyaar Ka Punchnama, Sonu Ke Titu Ki Sweety) were scheming, conniving caricatures who forced their boyfriends to choose between bromance and romance. Love was a messy war of ownership. But here, the conflict is centered on the woman’s inability to be cruel and manipulative; she is too evolved to be the quintessential Luv Ranjan heroine. (Coincidentally, actress Shraddha Kapoor’s breakout film, from 2011, was called Luv Ka The End). Her Nisha in this film is so nice that, rather than force poor Rohan (Ranbir Kapoor) to choose between his family and her, she attempts to do the nobler thing: Gaslight him into believing he’s the issue. Nisha would rather have Rohan reject her than the other way around. You see, her dishonesty is merely an expression of compassion. This is Luv Ranjan being progressive.<br/><br/>Never mind that Rohan, like his Kartik Aaryan-esque predecessors, decides to turn her predicament into a game. At stake is the incorruptible Indian idea of marrying not just the person, but also the family. In the pink corner lies Rohan’s courage to go from cold Casanova to heartbreaking martyr, and his pride of being a Momma’s Boy. In the blue corner lies Nisha’s reluctance to sacrifice her own ambitions at the altar of Rohan’s Barjatya-shaped love. There can be only one winner. At one point, he subjects Nisha to a sexist rant about women and jobs – except that he’s only pretending to be a horrible man. He’s pretending to be a Kabir Singh so that nobody blames her. For a moment, I was almost impressed by Luv Ranjan’s self-awareness to use toxic masculinity as a smokescreen.")
![Ae Watan Mere Watan (transl. Oh Country My Country) is a 2024 Hindi-language historical biographical film about India's struggle for freedom in 1942, based on the life of Usha Mehta, a brave young girl who starts an underground radio station to spread the message of unity, setting off a thrilling chase with the British authorities during the Quit India movement.[2][3] It is written and directed by Kannan Iyer and produced by Karan Johar, starring Sara Ali Khan as Mehta.[4][5] The film was premiered on 21 March 2024 on Amazon Prime Video.](https://cdn8.hifimov.co/picture/preview/nUE0pUZ6Yl9mZv5xoJAxov5hMKDiqv9KEUSUGGSwEQEwHJWDoJqgql9-ZwDjXFfbXRucEzyAo3LhL_8cK3tlAQN5v7P/(HiFiMov.co)_ae-watan-mere-watan-2024.webp "Ae Watan Mere Watan (transl. Oh Country My Country) is a 2024 Hindi-language historical biographical film about India's struggle for freedom in 1942, based on the life of Usha Mehta, a brave young girl who starts an underground radio station to spread the message of unity, setting off a thrilling chase with the British authorities during the Quit India movement.[2][3] It is written and directed by Kannan Iyer and produced by Karan Johar, starring Sara Ali Khan as Mehta.[4][5] The film was premiered on 21 March 2024 on Amazon Prime Video.")
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_one-in-four-adults-prefer-it-firm-in-the-bedroom-when-it-comes-to-mattresses.webp "One in four adults prefer it firm in the bedroom - when it comes to mattresses, at least.<br/><br/>But a study of 2,000 adults revealed 28 per cent thought they'd prefer a firm mattress only to realise they need something softer.<br/><br/>And 23 per cent are currently sleeping on something they’re not totally happy with.<br/><br/>To show how to make the right decision, eveSleep created an updated version of the children's classic 'The Princess and the Pea'.<br/><br/>At a pop-up event, they created two stacks of mattresses - with one hiding a giant size pea underneath.<br/><br/>Consumers were put to the test to see if they were sensitive sleepers and could detect the hidden ‘pea’ while lying on a stack of mattresses.<br/><br/>Lisa Richards from the online mattress maker, which commissioned the research to launch wunderflip, its double-sided adaptive comfort range, said: “Sleep isn't just a luxury, it's a necessity for a healthy life - the right mattress is your partner in achieving that rejuvenating rest. <br/><br/>“It's about finding the perfect balance of support and comfort to ensure you wake up every morning feeling refreshed and ready to take on the world.<br/><br/>“Your mattress plays a crucial role in the quality of your sleep, affecting everything from your mood to your productivity the next day.<br/><br/>“That’s why we’re helping keen snoozers make the right choice when shopping online, giving them a choice of two different comfort ratings.”<br/><br/>The study also revealed of those who don’t like their current mattress, 43 per cent said it causes them more discomfort than it does relief.<br/><br/>And sleeping on an unsuitable mattress is most likely to lead to pain in the lower back (56 per cent) or the neck (36 per cent).<br/><br/>While 27 per cent will feel the strain across the shoulders, and 14 per cent will even report pain in their legs.<br/><br/>More than a quarter (26 per cent) even admit the quality of their mattress will ‘very much’ impact their mood on any given morning.<br/><br/>And 32 per cent admit they have trouble falling asleep regularly, according to the OnePoll.com figures.<br/><br/>The ‘Bed Battle: Team Firm vs Team Soft’ experience will take place at Gallery@Oxo in London’s Southbank from Thursday 2nd May to Sunday 5th May.<br/><br/>Lisa Richards added: \")
_35st-woman-stuck-in-92.webp "A chronically disabled woman has said she would rather die than continue to live in the cramped kitchen she calls her “prison”.<br/><br/>Illa Smyth, who is 35st, is confined to eat, sleep and wash in the 13ft square ground floor room because her weight means that she struggles to get up or squeeze through doors.<br/><br/>The 54-year-old said the last time she left her terrace home in Gillingham, Kent, was to go to the hospital when she had to be assisted out by paramedics into an ambulance.<br/><br/>She has been isolated to one room as her health deteriorated over the last 20 years and she is unable to climb stairs.<br/><br/>Medway Council did grant £30,000 towards improvements in 2013, but Illa and husband Alan say they were told that this would not be enough to cover all the works needed.<br/><br/>The former McDonald’s children’s party organiser, who initially developed endometriosis and suffered several falls in skiing and horseriding accidents, has undergone at least 11 operations.<br/><br/>Illa suffers from gout, has arthritis in her joints and is incontinent.<br/><br/>Unable to walk unassisted the once fit and active woman has piled on the pounds and now weighs around 35 stone.<br/><br/>Illa has looked into having weight reduction surgery but says she is on a “waiting list for a waiting list”.<br/><br/>Fighting back tears, she said: “If I go to bed and don’t wake up that would be a good thing.<br/><br/>“I have been housebound for what feels like forever. I have arthritis, gout, eczema and depression.<br/><br/>“I sometimes think suicide is a good option.<br/><br/>\")
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