Keu Elo Mone Mone | Bolo Na Tumi Amar | Dev | Koel Mallick | Chandrani Gannguli | Jeet Gannguli from bolo na song dev koyel Watch Video

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Ittefaq talks about a challenging investigation of a double murder case. Dev, a police officer interrogates two witnesses who are also the suspects in a murder case to find out the truth. The screenplay was written by Abhay Chopra, Shreyas Jain, and Nikhil Mehrotra. The film was produced by Shah Rukh Khan, Karan Johar, Gauri Khan, Renu Ravi Chopra, and Hiroo Yash Johar and directed by Abhay Chopra. The makers of the film disclosed that the film will have a different climax than the original film Ittefaq (1969). This 2017 mysterious thriller stars Sidharth Malhotra, Akshaye Khanna, and Sonakshi Sinha. Clear cut editing by Nitin Baid and adept cinematography by Michal Luka makes it a watchable movie. It was released on 3 November 2017 and was distributed by AA Films. The music was composed by Tanishk Bagchi. The film was made on a budget of ₹29 crores and it collected ₹ 56.26 crores at the box office. The Censor Board has categorized the movie under UA certification and occupies a screen time of 107 minutes. The film has a non-stop schedule and was completed in 50 days.<br/>Karan Johar and Shah Rukh Khan have come together to bring to us a brand new Ittefaq in their 10th collaboration. A remake of the 1969 film Ittefaq, directed by Yash Chopra, the film has Sidharth Malhotra stepping into the shoes of Rajesh Khanna, Sonakshi Sinha in Nanda’s character and Akshaye Khanna as a cop played by Iftekhar in the original. The trailers promised an edge of the seat drama for all those who haven’t seen the original. But what about those who already have? I was really looking forward to find out what’s new in Sidharth-Sonakshi’s Ittefaq.<br/>One rainy night in Mumbai, two murders, two versions, two suspects, one truth. UK based novelist Vikram Sethi (Sidharth) is a prime suspect in two murders. One, of his wife Catherine and another of Maya’s (Sonakshi) husband Shekhar. While he has been pleading not guilty, Maya has been accusing him of killing her husband. For investigating officer Dev (Akshaye), both are suspects till he unearths the truth and finds Vikram’s motive behind killing Shekhar. Both Sidharth and Maya’s versions of the night when it all happened are believable, leaving you confused about who the real killer is. Are they really innocent or is one of them lying? Could there be a third person who’s actually committed the crime? Does the police truly want to nab the killer or just close this high profile case ASAP? Are these two murders on the same night, just hours away from each other an Ittefaq or have a connection?<br/>
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Mysteries and mirages, twists and turns. In the heart of an unforgiving desert, unfolds a gritty thriller, unlike any other., Starring Anil Kapoor, Harshvarrdhan Kapoor, and Fatima Sana Shaikh.<br/>Set in Munabao, a sleepy, parched hamlet near the Rajasthan-Pakistan border, Raj Singh Chaudhary’s Thar is a tribute to American Westerns. It has all the usual elements—blood, gore, violence, an arid, nondescript village lost in time, local gangsters, svelte village belles, an ageing inspector, and a brooding, mysterious stranger. All of it wonderfully supported by stunning scenic visuals of remote Rajasthan.<br/>I am a Rajasthani. I have been raised in the desert state. I know the geography like a native should and yet, I watched Shreya Dev Dube’s skilled camerawork with open-mouthed wonder. Thar’s cinematography is its hero. The desiccated terrain, the barren hills, the omnipresent dust, and the aridity of it all is so palpable, that you can feel the acute lack. Of water, vegetation, humanity. Dubey’s prowess does not just provide the right setting for the drama to unfold, it gives the film its true protagonist and thence the title.<br/><br/>The other thing that stands out about Thar is its depiction of brutality. It’s as savage and unapologetic as the acts themselves. This Netflix film is disturbingly graphic. Even by the standards of Westerns and revenge dramas. Violence begets violence, but be warned, this one shows it all—the severing of body parts, the mutilation, the slow torture, the immolation—up close and in distressing detail.<br/><br/>At the heart of it all is Inspector Surekha Singh, a weather-beaten cop six months away from retirement, played with inimitable swag by Anil Kapoor. His official rank does not justify his acumen for his job and his spirit to do it well. Dissatisfied with his unremarkable, middling career, he wants to go out with a bang. And soon enough, an opportunity plays out. There’s a shootout involving cross-border drug smuggling and a local man is found hanging from a tree, inhumanly mutilated. Surekha spurs into action.
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