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⏲ Duration: 66 sec
✓ Published: 16-Sep-2015
✓ Published: 16-Sep-2015
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Forays into melodrama, kitsch and the dubious world of post modernism. 1.nWhen Kailasm and I were working on ‘Veli’, [The Open], with its sound track derived partly from popular Tamil film songs of the 1950’s, one of the first thing we noticed was the ‘self hatred’ implicit in these popular narratives. The motifs in these films were recurrent, with an absence of the father, blindness and a disfigured body being common denominators.nWhat intrigued us was that as we had chosen the narrat
Forays into melodrama, kitsch and the dubious world of post modernism. 1.nWhen Kailasm and I were working on ‘Veli’, [The Open], with its sound track derived partly from popular Tamil film songs of the 1950’s, one of the first thing we noticed was the ‘self hatred’ implicit in these popular narratives. The motifs in these films were recurrent, with an absence of the father, blindness and a disfigured body being common denominators.nWhat intrigued us was that as we had chosen the narrat
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