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Ursula Hauser: Unconscious Landscape
⏲ 7 min 92 sec ✓ 19-May-2019
VideoClip: OZUNA X MANUEL TURIZO - \
⏲ 2 min 38 sec ✓ 05-Jul-2018
Como Matar Mulheres Nuas aka How to Kill Naked Women de xana Novais - Teaser
⏲ 66 sec ✓ 21-Oct-2022
Honda Capacetes: Formação
⏲ 60 sec ✓ 31-Aug-2018
VideoClip: CALI Y EL DANDEE - \
⏲ 3 min 45 sec ✓ 20-Jul-2017
VideoClip: REIK X MALUMA - \
⏲ 2 min 88 sec ✓ 22-Sep-2018
VideoClip: OZUNA - \
⏲ 2 min 92 sec ✓ 16-Jul-2017
Rembihnútur - Sigur Rós Valtari Mystery Film Experiment
⏲ 2 min 95 sec ✓ 10-Sep-2012
BRADESCO_VAGALUME
⏲ 1 min 50 sec ✓ 17-Dec-2018
TRANSVERSE ORIENTATION | DIMITRIS PAPAIOANNOU | ONE DANCE WEEK 2021
⏲ 4 min 27 sec ✓ 20-Aug-2021
Exŏdus (2014) - íntegra
⏲ 31 min 62 sec ✓ 28-Jul-2014
Rio 2016 - Olympic Mascot Animation
⏲ 60 sec ✓ 29-Jun-2016
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_bradesco-vagalume.jpg "DIREÇÃO EXECUTIVA: Natalia Gouvea e Daniel SallesnDIREÇÃO: Paulo GarcianDIREÇÃO DE ANIMAÇÃO: Bruno Celegão MonteironDIREÇÃO DE PRODUÇÃO: Vanderlei SantananSUPERVISÃO DE CG: Yohann da GebnSUPERVISÃO DE PERSONAGENS: Pedro ContinPIPELINE: Rodrigo Henrique, Edivaldo SouzanDIRETOR DE ARTE: Marcelo GarcianCONCEPT: Marcelo Garcia, Estêvão Teuber Pereira, Saulo Brito da Silva, Bruno Jacob, Bruno Henrique, Pedro Minho e Andre Zendron.nSTORYBOARD: Vinicius Barros, Saulo Brito da Silva.nMO")
_ursula-hauser-unconscious-landscape.webp "Inside her home and collection in Switzerland, Ursula Hauser reflects on the impulses behind her extraordinary art collection with her daughter Manuela Wirth. Opening at Hauserunconsciously seeking out artists that she feels an affinity with. Meeting Louise Bourgeois was a seminal moment for the collector who first discovered the artist’s work at the 1993 Venice Biennale. She describes the moment she saw ‘Legs’ (1986) ‘I found them so young and contemporary and I thought I have to meet")
_videoclip-ozuna-x-manuel-turizo-92.webp "Producido por Compostela Films & ArtnnDirector: Nuno GomesnProducción Ejecutiva: Mayte CalzacortanProducción General: Gianni Felice (Miami) / Jean Carlos Sanchéz (Caracas)nAsistente a Dirección: Valentina Carmona (Miami) / Imeria Nuñéz (Caracas)nDirección de Fotografía: Reynaldo")
_como-matar-mulheres-nuas-aka-how-to-kill-naked-women-de-xana-novais-teaser.webp "Como matar mulheres nuas questiona a obra de Sade numa perspectiva incomum aos olhos da cena, da realidade e da imortalidade. Abrimos assim um espaço para dar voz às mulheres que narram os prazeres mais absurdos da libertinagem quase nunca consideradas quando falamos de 120 dias de Sodoma.nO que interessa reter são os atos propostos por estas mulheres, a beleza libertina e feminista, o risco de perceber que o destino do nojo é combatido com a beldade, o encanto e o prazer. Colocamos à prova")
_honda-capacetes-formao.webp "In its campaign to promote its newest line of helmets, Honda decided to make a 100% 3D film, developed by Lightfarm at the invitation of Y&R. Under the motto")
_videoclip-cali-y-el-dandee-92.webp "Artista: CALI Y EL DANDEEnTema: LA ESTRATEGIAnnRealizado por COMPOSTELA FILMS & ARTnnConcepto y Dirección: Nuno Eduardo Gomes RibeironProducción Ejecutiva: Mayte CalzacortanDirección de Fotografía: Gerard UzcáteguinDirección de Fotografía Performance (L.A.): Reynaldo OrtíznDirección de Arte: Alfredo CorreianDirección de Arte Performance (L.A.): nAsistencia de Dirección: Daniella FerreiranProducción General: Jean SáncheznProduccion General Performance (L.A.): Gianni FelicenCoo")
_videoclip-reik-x-maluma-92.webp "Producido por Compostela Films & ArtnnDirector: Nuno GomesnProducción Ejecutiva: Mayte CalzacortanProducción General: Gianni Felice (Miami) / Jean Sanchéz (Caracas)nAsistente de Producción: Victor Gomes (Miami)nAsistente a Dirección: Valentina Carmona (Miami) / Francisco")
_videoclip-ozuna-92.webp "Artista: OZUNAnTema: TU FOTOnnRealizado por COMPOSTELA FILMS & ARTnnConcepto y Dirección: Nuno Eduardo Gomes RibeironProducción Ejecutiva: Mayte CalzacortanDirección de Fotografía: Gerard UzcáteguinDirección de Arte: Alfredo CorreianAsistencia de Dirección: José Mirt nAsistencia de Dirección Performance: Francisco")
_rembihntur-sigur-rs-valtari-mystery-film-experiment.webp "Made for the Sigur Rós Valtari film competition.nnProduced by Antônio Ternura, Ieve Holthausen, Sérgio Guidoux and Tuane Eggers.nCollaborators:Bruno Carboni and Biel Gomes.")
_bradesco-vagalume.webp "DIREÇÃO EXECUTIVA: Natalia Gouvea e Daniel SallesnDIREÇÃO: Paulo GarcianDIREÇÃO DE ANIMAÇÃO: Bruno Celegão MonteironDIREÇÃO DE PRODUÇÃO: Vanderlei SantananSUPERVISÃO DE CG: Yohann da GebnSUPERVISÃO DE PERSONAGENS: Pedro ContinPIPELINE: Rodrigo Henrique, Edivaldo SouzanDIRETOR DE ARTE: Marcelo GarcianCONCEPT: Marcelo Garcia, Estêvão Teuber Pereira, Saulo Brito da Silva, Bruno Jacob, Bruno Henrique, Pedro Minho e Andre Zendron.nSTORYBOARD: Vinicius Barros, Saulo Brito da Silva.nMO")
_transverse-orientation-124-dimitris-papaioannou-124-one-dance-week-2021.webp "Transverse Orientation (2021)nnConceived – Visualized + Directed by Dimitris PapaioannounnWith Damiano Ottavio Bigi, Šuka Horn, Jan Möllmer, Breanna O’Mara, Tina Papanikolaou, Łukasz Przytarski, Christos Strinopoulos, Michalis TheophanousnnMusic : Antonio VivaldinnSet Design : Tina Tzoka & Loukas BakasnnSound Composition + Design : Coti K. nnCostume Design : Aggelos MendisnnCollaborative Lighting Designer : Stephanos DroussiotisnnMusic Supervisor : Stephanos DroussiotisnnSculptures +")
_exdus-2014-ntegra.webp "“Esta terra só será nossa no dia em que nela enterrarmos um morto”nCem anos de solidão – Gabriel Garcia MarquesnnEste espetáculo de teatro-dança é o resultado de um processo desenvolvido pelo coletivo Anticorpos – investigações em dança. Uma pesquisa teórico-prática iniciada há mais de um ano e atravessada por diferentes dançarinos e dançarinas que contribuíram com suas inquietações. O estímulo inicial que fundamentou todo o processo foram as diferentes percepções e a")
_rio-2016-olympic-mascot-animation.webp "Panasonic Japan has invited us to create a one minute video with Vinicius for their showcase at the top of Sugarloaf Mountain. The video will be displayed in 4k and 60p on a huge screen, and we really worked on the amazing sports moves, details and scale of the settings to make the spectacle even bigger. Like everything else involving the Mascots, this film is the chance of a lifetime and we can't thank Panasonic enough for the support and creative freedom.nnCredits:nScript and Direction: Lucian")
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