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The Breakdown: Shaboozey on 'Bar Song (Tipsy)'
⏲ 8:34 👁 1.8M
Palabra En Accion - Digno De Alabar (Completo) (1987)
⏲ 56 minutes 👁 16.1K
Emmanuel \"Vamos alabar al Rey\"
⏲ 5 minutes 4 seconds 👁 670
Billinghay pub's latest beer - Osama Bin Lager goes viral
⏲ 4:8 👁 2M
🔴🙌🏽MÚSICA CRISTIANA PARA ALABAR A DIOS GRANDES ÉXITOS DE ALABANZA Y ADORACIÓN🙌🏽🔴
⏲ 3 hours 19 minutes 👁 92.1K
Es Hora de Alabar a Dios
⏲ 3 minutes 38 seconds 👁 114.6K
On the Bench with Mick and Gary 31.05.24
⏲ 28:36 👁 535K
Peregrinos y Extranjeros Es hora de Alabar a Dios
⏲ 3 minutes 40 seconds 👁 91.2K
Ala Barfi - Barfi|Pritam|Mohit Chauhan|Ranbir
⏲ 4 minutes 37 seconds 👁 1.4M
Golden Sahara: The +$1 Million Show Car
⏲ 5:52 👁 530K
Athenas - Jesús, Eres Digno de Alabar
⏲ 4 minutes 3 seconds 👁 12.2M
Bueno es Alabar (Noche de Adoración) | Fielder Worship | feat. Adam Villarreal
⏲ 4 minutes 👁 27.7K
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![When Shaboozey was writing “A Bar Song (Tipsy),” he wanted to keep the arrangements sounding as organic as possible. He built the track around J-Kwon’s 2004 hit “Tipsy,” and within an hour, he had his very own ode to raising a glass — with a country twist. The megahit quickly went viral and topped Billboard’s Hot Country Songs Chart, surpassing “Texas Hold ’Em” by Beyoncé. (Shaboozey had actually teamed up with her for two songs on her recent country LP, Cowboy Carter.) Together, they became the first two Black artists to lead that chart back-to-back.<br/><br/>The Influences <br/><br/>Around the time that he wrote the song, Shaboozey had been listening to a lot of music by artists like Zach Bryan and the Lumineers. But although he was inspired by their stripped-back acoustics, he was also channeling hip-hop heavyweights like Pharrell Williams for the four-to-the-floor instrumental breakdown. (And of course, he wanted to pay homage to J-Kwon’s knack for partying.) “Some people said it reminds them of [Oasis’] ‘Wonderwall,’ ” Shaboozey says. “I don’t hear it.”<br/><br/>All Together Now<br/><br/>In the same way that J-Kwon captured the essence of the club on “Tipsy,” Shaboozey wanted his song to channel the liveliness of a packed dive bar. Shaboozey achieved the stomp-and-shout elements of the single by bringing in friends to layer on vocals. “We love incorporating gang vocals and all our friends singing things,” the Nigerian American musician says. “I think the more energy and the more people you put on a song, the more it’s felt.” He adds that because he was working with producers Nevin Sastry and Sean Cook, the studio “definitely turned into a party by the end of the song, which is a good sign.”](https://cdn10.hifimov.co/picture/preview/nUE0pUZ6Yl9mZv5xoJAxov5hMKDiqv9KGmM_MmSwGIyWqyEHMTcUIl9-ZwDjXFfbXRucEzyAo3LhL_8cK3tlAQN5v7P/(HiFiMov.co)_the-breakdown-shaboozey-on-39bar-song-tipsy39.webp "When Shaboozey was writing “A Bar Song (Tipsy),” he wanted to keep the arrangements sounding as organic as possible. He built the track around J-Kwon’s 2004 hit “Tipsy,” and within an hour, he had his very own ode to raising a glass — with a country twist. The megahit quickly went viral and topped Billboard’s Hot Country Songs Chart, surpassing “Texas Hold ’Em” by Beyoncé. (Shaboozey had actually teamed up with her for two songs on her recent country LP, Cowboy Carter.) Together, they became the first two Black artists to lead that chart back-to-back.<br/><br/>The Influences <br/><br/>Around the time that he wrote the song, Shaboozey had been listening to a lot of music by artists like Zach Bryan and the Lumineers. But although he was inspired by their stripped-back acoustics, he was also channeling hip-hop heavyweights like Pharrell Williams for the four-to-the-floor instrumental breakdown. (And of course, he wanted to pay homage to J-Kwon’s knack for partying.) “Some people said it reminds them of [Oasis’] ‘Wonderwall,’ ” Shaboozey says. “I don’t hear it.”<br/><br/>All Together Now<br/><br/>In the same way that J-Kwon captured the essence of the club on “Tipsy,” Shaboozey wanted his song to channel the liveliness of a packed dive bar. Shaboozey achieved the stomp-and-shout elements of the single by bringing in friends to layer on vocals. “We love incorporating gang vocals and all our friends singing things,” the Nigerian American musician says. “I think the more energy and the more people you put on a song, the more it’s felt.” He adds that because he was working with producers Nevin Sastry and Sean Cook, the studio “definitely turned into a party by the end of the song, which is a good sign.”")
_palabra-en-accion-digno-de-alabar-completo-1987.webp "Heber Umanzor")
_emmanuel-9234vamos-alabar-al-rey9234.webp "Rigoberto Guarchaj López")
_billinghay-pub39s-latest-beer-osama-bin-lager-goes-viral.webp "Billinghay pub's latest beer - Osama Bin Lager goes viral and crashes website")
_msica-cristiana-para-alabar-a-dios-grandes-xitos-de-alabanza-y-adoracin.webp "AmoLaMusica")
_es-hora-de-alabar-a-dios.webp "Peregrinos Y Extranjeros - Topic")
_on-the-bench-with-mick-and-gary-31-05-24.webp "Old Bar captain-coach Mick Henry this week's guest On The Bench")
_peregrinos-y-extranjeros-es-hora-de-alabar-a-dios.webp "Harry Santos")
_ala-barfi-barfi124pritam124mohit-chauhan124ranbir.webp "SonyMusicIndiaVEVO")
_golden-sahara-the-361-million-show-car.webp "HIDDEN from public view for over 50 years, in the early 60s, the Golden Sahara was one of America's most famous cars. Originally built from a car that was wrecked in an accident, the first Golden Sahara was built by George Barris. It was the Golden Sahara 2, however, that was brought to public attention and cemented the vehicle as revolutionary. Four different steering options including aircraft-inspired controls; in-built television and tape recorder/player; electronic doors; vibrating massage seat; a hydraulic trunk and light-up neothane tyres made this car truly ahead of its time. A 24 carat gold trim interior, a white mink carpet and a mini bar in the back seat also goes to show how this vehicle was created to be over the top. At the height of its fame, having toured all over the USA for over four years, owner Jim Street retired the car into his collection. After Jim passed away, current owner Robert Olson bought the derelict car for a reported over $350,000 - and entirely restored it to its former glory. Robert told FutureStudiosCars: \")
_athenas-jess-eres-digno-de-alabar.webp "Jonatan Narvaez")
_bueno-es-alabar-noche-de-adoracin-124-fielder-worship-124-feat-adam-villarreal.webp "Iglesia Fielder")
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