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A new exhibition at the British Museum, “Michelangelo: The Last Decades,” uses the artist’s drawings as a window into the final years of his life. Buzz60’s Matt Hoffman has the story.
⏲ 1:2 👁 4.5M
Kids smile TV
⏲ 23 minutes 6 seconds 👁 9.3M
OCB Relax Music
A generation of insane emperors was reborn against the will of heaven, awakening his palm to slay with his sword and sleeping intoxicated on a gorgeous woman's knees. Chu Kuangsheng resided in the isolated Shenlong Empire village of Shiyang village. He was the son of Shiyang Town's leading Chu family member. Because he was weak from birth and couldn't practice, the whole town of Shiyang Town laughed at him. Chu Kuangsheng's parents vanished three years ago when they were overseas on business, leaving their whereabouts a mystery. The eldest sister Chu Liu'er, who was slated to take the Chu family headship, likewise experienced an odd ailment.Chu Kuangsheng's circumstances have gotten harder ever since. Chu Kuangsheng accidentally rearranged his meridians and received the ancestral secrets of the Chu family. Chu Kuangsheng's horticulture has advanced quickly since then. Although he presents himself as a timid and an inept person, below he is a well-known insane master around the world.Chu Kuangsheng discovered that his parent's disappearance appeared to be connected to the clan's senior elder's cooperation with outsiders. Chu Kuangsheng used Kuangzun's disguise to gather strength, befriend heroes in secret, and gather information without drawing attention to himself. He was two people with one face. Chu Kuangsheng fled the little hamlet of Shiyang and traveled to the Four Spirits Academy to study under his master and pursue the clues after eliminating the traitors in his family in an attempt to uncover the truth about his parents' disappearance. Chu Kuangsheng battled the heroes of the Nine Heavens, became well-known across the cosmos, and swung his sword to chop off the enemy. Over countless of kingdoms, I am the master.<br/>
⏲ 16:9 👁 1.6M
Mr Bhandari Vlog
⏲ 5 minutes 9 seconds 👁 2.8K
Art Space
⏲ 11 minutes 7 seconds 👁 18.4M
The premise is impressive. As was established through the trailer, Krishna (Naga Shaurya) hails from a ritualistic Brahmin family where the mother (Radhika Sarathkumar) knows how to have her way. When he moves to Hyderabad to do a software job, he feels liberated. This newfound freedom makes him woo Vrinda (Shirley Setia), a North Indian living in the city, at the first opportunity. Vrinda, to his fortune, is his friendly manager. Much as she loves Krishna, Vrinda is in a bind because she is barren owing to a disorder. Krishna now takes a tricky decision. He pulls the wool over his mother's eyes and marries Vrinda. Least does he realize that this is not going to be smooth sailing.<br/><br/>This film doesn't subscribe to regular notions of masculinity. In this regard, director Aneesh R Krishna must be commended. Naga Shaurya's character doesn't mind being at the receiving end of the raw deal if it makes his girlfriend happy. Like many Telugu cinema male leads, he is mistaken often by those who are supposed to behave better.<br/><br/>Mahathi Swara Sagar's musical flavour sits pretty with the mood of the film. 'Emundi Ra' is enjoyable, although the rest of the songs don't match up to its standard. Sai Sriram's cinematography makes the production values look better. Compared to Shaurya's films like 'Nartanasala', 'KVV' has got a much better visual appeal.<br/><br/>For a change, the story taps into the dynamics of an evolving relationship between a woman and her mother-in-law. In doing so, it makes sense. There are dialogues that sensitize us to the need to empathize with the pulls and pressures faced by working women. Radhika Sarathkumar makes us see her character's point without appearing mean. It's also amusing that she is shown to be someone who has the ability to predict the future accurately.<br/>Shirley Setia makes a vivacious Telugu debut. She looks believable as a North Indian migrant in Hyderabad, drawing the unwarranted attention of a lot of men. Amitabh Pradhan's negative role could have been etched in a better way, though.<br/><br/>The arc of Vennela Kishore's character is funny, with the coma portions standing out. Satya is effortless. Brahmaji can make us enjoy even ordinary lines. Wish Rahul Ramakrishna had got to do better. Annapurnamma is seen as Krishna's granny, while Saranya Pradeep and Himaja have their parts.<br/><br/>The second half is where the actual story takes place. Much of the drama happens indoors. The conversations between three different characters make for a dramatic watch. The climax has the right quantum of simplicity and likeability. The pub scene is not squandered away.<br/>On the downside, the workplace portions should have been constructed in a realistic fashion. The frustrations of Satya and Rahul Ramakrishna are captured well initially. By and by, classist humour and regular tropes like a mean guy creeping up the female lead make their way. Nowadays, the audience are expecting workplace dynamics to be shown in an entertaining way without taking creative lib
⏲ 2:18:48 👁 440K
Sayah Arts
⏲ 11 minutes 29 seconds 👁 129.1K
Learn 2 Draw
⏲ 3 minutes 5 seconds 👁 191.1K
Made In England The Films of Powell & Pressburger Official trailer - Martin Scorsese’s personal and moving look at two of British cinemas greatest filmmakers.<br/><br/>Martin Scorsese first encountered the films of Powell and Pressburger when he was a child, sitting in front of the family TV. When their famous logo came up on screen, Scorsese says, \
⏲ 2:9 👁 155K
Magic Fingers Art
⏲ 8 minutes 1 second 👁 3.3M
Artwork Pictures
⏲ 3 minutes 36 seconds 👁 31.6K
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