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Kapwani Kiwanga: Trinket \Canadian Pavilion at Venice Art Biennale 2024
⏲ 8:8 👁 20K
Típico de Año Nuevo
⏲ 11 minutes 14 seconds 👁 286.5K
El precio de tu obra en 2023 | El galerista que te enseña a vender tu Arte
⏲ 11 minutes 24 seconds 👁 9.5K
Nigrum Theatrum “Footage from the Depths” No. 3
⏲ 4:4 👁 10K
Cómo VENDER ARTE en instagram TUTORIAL COMPLETO
⏲ 18 minutes 58 seconds 👁 3.2K
👉Cómo empezar un negocio de arte► 3 DATOS QUE QUIZÁ NO SABÍAS
⏲ 26 minutes 1 second 👁 12.2K
II. Instinto (trailer)
⏲ 35 sec ✓ 15-Feb-2011
El hombre rico le dio a la mesera $100 para un ramo. Quedó atónito al verla en la tumba de su amada
⏲ 35 minutes 27 seconds 👁 5.2K
Cómo vender arte en internet. 5 plataformas para artistas
⏲ 20 minutes 46 seconds 👁 27.4K
Open Group: Repeat after Me II \Polish Pavilion at Venice Art Biennale 2024
⏲ 6:52 👁 45K
🛑NOTICIAS DE ÚLTIMO MINUTO!! MIREN QUE ACABA DE OCURRIR AMIGOS Y AMIGAS 😱
⏲ 28 minutes 37 seconds 👁 20.1K
CREA TU PROPIA GALERÍA DE ARTE NFT TOTALMENTE GRATIS 🎨
⏲ 8 minutes 45 seconds 👁 5.1K
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_kapwani-kiwanga-trinket-92-canadian-pavilion-at-venice-art-biennale-2024.webp "Kapwani Kiwanga: Trinket / Canadian Pavilion at the 60th International Art Exhibition – La Biennale di Venezia. Venice (Italy), April 19, 2024.<br/><br/>Official description: Kapwani Kiwanga is a multi-disciplinary artist concerned with forms of power: their suppressed histories and quotidian effects. The artist transforms the Canada Pavilion by way of a site- specific sculptural installation on the building’s interior and exterior, turning it into a large-scale tableau. Shapes shift, dissolving distinctions between inside and outside. As one moves through the coil-like architecture, it unfolds, multiplying perspectives. The installation principally consists of conterie (seed beads), historically employed as both currency and items of exchange. Conterie were dispersed globally from the Venetian island of Murano and incorporated into various material cultures. Kiwanga uses these tiny glass units to construct the monumental out of the minute, each bead acting as a witness to past transactions that changed the socioeconomic landscape of the sixteenth century and beyond. The work addresses the often-destructive history of commerce and how the trade of these beads shaped the world. Other materials related to the trade of conterie are also included. They rise from the pavilion’s floor onto the walls and spill out into the courtyard. As they meet the beads, they formalise a place of exchange, prompting reflection on issues of value, aesthetics, and global economic relations.")
_tpico-de-ao-nuevo.webp "enchufeplus")
_el-precio-de-tu-obra-en-2023-124-el-galerista-que-te-ensea-a-vender-tu-arte.webp "Vivir del Arte")
_nigrum-theatrum-footage-from-the-depths-no-3.webp "https://facebook.nigrum-culina.de<br/>https://instagram.nigrum-culina.de<br/>https://youtube.nigrum-culina.de<br/>https://nigrum-culina.de")
_cmo-vender-arte-en-instagram-tutorial-completo.webp "Galeria Marino")
_cmo-empezar-un-negocio-de-arte-3-datos-que-quiz-no-sabas.webp "Galeria Marino")
_ii-instinto-trailer.webp "www.producciones451.netnDepósito legal: V-661-11nnAwards: n2011 Certamen Jove Valencia CreannScreenings:n2011 The Loop Festival (Barcelona, Spain)n2011 I Festival de Video creaciones (Algemesí, Spain)n2011 The Scientist Video Arte, (Ferrara, Italy)n2011 Óptica Festival Internacional de Video Arte en Gijón, Asturias (España)n2011 Óptica Bolivia Festival Internacional Audiovisual en el Archivo y Biblioteca Nacionales de Sucre.n2011 2011 Óptica Bolivia Festival Internacional en la Galería d")
_el-hombre-rico-le-dio-a-la-mesera-36100-para-un-ramo-qued-atnito-al-verla-en-la-tumba-de-su-amada.webp "Una Historia Increible")
_cmo-vender-arte-en-internet-5-plataformas-para-artistas.webp "RedPoint Art")
_open-group-repeat-after-me-ii-92-polish-pavilion-at-venice-art-biennale-2024.webp "Open Group (Yuriy Biley, Pavlo Kovach, Anton Varga): Repeat after Me II / Polish Pavilion at Venice Art Biennale 2024. Venice (Italy), April 19, 2024.<br/>Official description: Repeat after Me II is a collective portrait of witnesses of the war in Ukraine. The protagonists of two films from 2022 and 2024 are civilian war refugees who speak of the war as recalled through the sounds of firearms, and then invite the audience to repeat after them. The artists use a karaoke format. The accompaniment here is not hit tunes: it is shots, missiles, howling, and explosions—and the lyrics are descriptions of deadly weapons. This is the soundtrack of a war that the witnesses try to recreate. The ability to recognise these sounds can save their lives, and we are invited to learn the language of their experiences. The audience can repeat the sounds of the weapons or withdraw into the safe space designed to resemble a karaoke bar. Yet this is no ordinary bar, like the ones we know: it is an instructional karaoke venue forecasting an even more militarised future. This spectre will remain with us for so long as nationalist imperialist policies will be accepted as part of a diplomatic compromise.")
_noticias-de-ltimo-minuto-miren-que-acaba-de-ocurrir-amigos-y-amigas.webp "MUNDO TV SHOW")
_crea-tu-propia-galera-de-arte-nft-totalmente-gratis.webp "Colección NFT")
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