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Open Group (Yuriy Biley, Pavlo Kovach, Anton Varga): Repeat after Me II / Polish Pavilion at Venice Art Biennale 2024. Venice (Italy), April 19, 2024.<br/>Official description: Repeat after Me II is a collective portrait of witnesses of the war in Ukraine. The protagonists of two films from 2022 and 2024 are civilian war refugees who speak of the war as recalled through the sounds of firearms, and then invite the audience to repeat after them. The artists use a karaoke format. The accompaniment here is not hit tunes: it is shots, missiles, howling, and explosions—and the lyrics are descriptions of deadly weapons. This is the soundtrack of a war that the witnesses try to recreate. The ability to recognise these sounds can save their lives, and we are invited to learn the language of their experiences. The audience can repeat the sounds of the weapons or withdraw into the safe space designed to resemble a karaoke bar. Yet this is no ordinary bar, like the ones we know: it is an instructional karaoke venue forecasting an even more militarised future. This spectre will remain with us for so long as nationalist imperialist policies will be accepted as part of a diplomatic compromise.

Open Group: Repeat after Me II \Polish Pavilion at Venice Art Biennale 2024

⏲ 6:52 👁 45K

Marco Antero Music

O que Torna Kashmir tão Especial?

⏲ 5 minutes 38 seconds 👁 7.9K

Marcos Lima Violão

[Solo no violão] Aprenda as 5 Formas da escala Pentatônica Maior. 1º passo para solar no violão.

⏲ 41 minutes 57 seconds 👁 99.6K

Julien Creuzet / French Pavilion at Venice Art Biennale 2024. <br/>Official description: The sight of the matoutou falaise is a gift when it appears in dense forests, on the bark of the Zamana trees or the rocks of the Martinique shores. It requires a deep connection to the environment; an eye that sweeps the contours and glides over the textures. It is about appearances and disappearances, what is given, protected, and also unseen... This way of seeing is undoubtedly what Julien Creuzet strives to offer through the experience of his work. It describes an immersion in a poetry of forms and sounds, volumes and lines in movement, colourful encounters forming new languages: an experience to be lived deeply. This tarantula, endemic to Martinique, could well be the symbol of a way of being with art that history has yet to write. It nourishes, and protects, in the teaching of a sensible and poetic understanding of the world it offers a softer gaze to approach the many ecologies of life. Creuzet’s forms stem from a locus of emancipation, which must be felt to truly see. It is a moment of learning and unlearning as a reconciliation with our senses, as well as a space to be untranslated and liberated.<br/><br/>Julien Creuzet: Attila cataracte ta source aux pieds des pitons verts finira dans la grande mer gouffre bleu nous nous noyâmes dans les larmes marées de la lune. French Pavilion at Venice Art Biennale 2024. Venice (Italy), April 19, 2024.

Julien Creuzet \French Pavilion at Venice Art Biennale 2024

⏲ 10:1 👁 10K

Marco Antero Music

O Intervalo que a IGREJA PROIBIU?? - TRÍTONO com EXEMPLOS!

⏲ 7 minutes 48 seconds 👁 20.6K

UM CAFÉ LÁ EM CASA

Fica a Dica | Internalizando Intervalos

⏲ 8 minutes 44 seconds 👁 43.4K

Available as original (if not sold), prints & printable. Visit my website for more information:<br/>Website link: https://corneakkers.com/2019/07/05/wijk-bij-duurstede-13-05-19/<br/>Printable: https://corneakkers.com/product/printable-wijk-bij-duurstede-13-05-19/<br/><br/>In the Middle of the Netherlands<br/> <br/>I came to visit Wijk bij Duurstede, a small city near Utrecht. Just outside the city center there is this park towards the river Lek. When you enter it you immediately see the park is actually a former bastion. In the middle there are the remnants of a once bigger castle Duurstede. It’s everything one can expect from a medieval castle. There’s a moat, a keep and a perfect preserved round Burgundian tower. Not the first time I’ve been there but the first time there wasn’t a lot of sunshine. As a discipline of the light I need the atmosphere around objects to be bright and dark.<br/><br/>Majestic Things<br/><br/>So there it was, the second time there was plenty of sun and for that matter also cast shadows. Next, let me tell you about a challenge each artist faces trying to capture majestic things. Buildings, trees, castles and what not can look very smallish if rendered with harsh contour delineations. The trick is to put them into context with surroundings. Therefor I didn’t fine detail the tower in order to keep it at some distance. By doing less I tried to make it appear to be larger, taking Monet’s message (Rouen series) to heart.<br/><br/>Hatched Strokes<br/><br/>Just as in the previous drawing of Veere I kept this one in my hatched strokes style. I experienced this suits me best to do landscapes and cities with. Especially in small format like A5 and A6 forms look not too small as explained in the previous paragraph. One could say these have become a style in their own right. Surely way different from all things cubist and surrealist I create as well.<br/><br/>Graphite pencil drawing (Pentel 0.5 mm, 3B) on Canson Bristol paper (10.5 x 14.8 x 0.1 cm – A6 format)<br/>Artist: Corné Akkers

Creating Wijk bij Duurstede - 13-05-19

⏲ 1:11 👁 5K

Reggie Guitarrista

Guia Definitivo Como Estudar Os Intervalos Na Guitarra

⏲ 32 minutes 54 seconds 👁 10.9K

Marco Antero Music

O Intervalo mais ESQUISITO!Sexta Menor com Exemplos!

⏲ 7 minutes 56 seconds 👁 5.7K

Printable: https://corneakkers.com/product/printable-estate-reigersbergen-16-05-20/<br/>Product: https://corneakkers.com/product/estate-reigersbergen-16-05-20/<br/><br/>Estate Reigersbergen<br/><br/>This graphite pencil drawing ‘Estate ‘Reigersbergen’ – 16-05-20’ is a bit of impression, executed in my hatched strokes style. My mind is back on landscapes again since my last drawing ‘Model Session – 14-05-20’. I liked laying down these hatchings in the female form so why not in trees again? You can spot them returning in Marlot – 11-04-20 but that was a small A6-size one. De Hofvijver – 20-03-20 (Sold) is A4-size and that is what I longed for this time. Besides that, there’s not something to do really since the virus started to kick in. Don’t worry, I have not taken ill, yet. Still not teaching though and therefor l trade lockdowns for landscape so-to-say.<br/><br/>Corona Days<br/><br/>These Corona days I wander about the region like I am used to. Nothing changed in this respect and it’s something I am used to during Sprintime. Moreover, I am more than happy that we in The Netherlands have at least some freedom of movement. Besides that the end of our ‘intelligent lock down’ is in sight. Soon I can start to teach but first draw this one. I was attracted by the slanted angular structures of the willow trees. They suit my opposite hatched strokes quite nicely. It represents a spot close to where I live, called ‘Estate Reigersbergen’.<br/><br/>Favorite Spot<br/><br/>In the distance the treeline belongs to Huis Ten Bosch, where king Willem-Alexander van Oranje-Nassau and his family reside. This estate ‘Reigersbergen’ is one of my favorite spots in The Hague. It has all a man could wish for, woodlands, pastures, cows, forests and parks. Just around the corner to where I live. That’s the wonderful part of living here in The Hague.<br/><br/>Graphite pencil drawing (Pentel 0.5 mm, 3B & Conté graphite pencil 4B) on Canson Bristol paper (21 x 29.7 x 0.1 cm – A4 format)<br/>Artist: Corné Akkers<br/>

Creating Estate ‘Reigersbergen’ – 16-05-20

⏲ 1:12 👁 5K

Teoriverso Musical

Teoria Musical- Intervalos (pt.1)

⏲ 3 minutes 59 seconds 👁 14.2K

diler2006 TV 1

Chamada: A Arte de Cozinhar - TV2 Guaíba (1990)

⏲ 28 seconds 👁 2.2K

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