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British blues veterans Savoy Brown recorded live at The Record Plant in New York City in September 1975. Tecotded and broadcast by WLIR 92.7 FM, in Long Island, New York.<br/><br/>Kim Simmonds - guitar, vocals, harmonica.<br/>Paul Raymond - keyboards, vocals.<br/>Ian Ellis - bass.<br/>Tom Farnell - drums.<br/><br/>Tel mama.<br/>Born into pain.<br/>Hero to zero.<br/>Hellbound train.<br/>All I can do (is cry).<br/>Savoy Brown boogie.<br/>You don't hve to go.
⏲ 50:52 👁 45K
Black Jam Tracks
⏲ 8 minutes 31 seconds 👁 7.4K
TOTAL BACKING TRACKS
⏲ 4 minutes 55 seconds 👁 16K
New York alto saxophonist Marion Brown recorded live at Bayerisches Staatskonservatorium der Musik, Wurzburg, Germany, May 17, 1969, witha sextet configuration with superb supporting musicians including Steve McCall, German vibraphonist Gunter Hampel, trumpet player Ambrose Jackson, bassist Daniel Laloux and vocalist Jeanne Lee. Meditative free-ish/avant-gardish album with lovely hallucinagenic vocals interjections.<br/><br/>Marion Brown - alto saxophone.<br/>Jeanne Lee - vocals, percussion.<br/>Gunter Hampel - vibraphone, bass clarinet, percussion.<br/>Ambrose Jackson - trumpet, percussion.<br/>Daniel Laloux - bass, percussion.<br/>Steve McCall - drums, percussion.<br/><br/>Dance No. 1.<br/>Exhibit B.<br/>The sound of a song.<br/>Malipieros Midnight Theatre.<br/>Il ne chant pas.<br/>Dance No. 2.<br/><br/>
⏲ 44:48 👁 20K
AUsher Tracks
⏲ 12 minutes 18 seconds 👁 11K
Tawan Homestudio
⏲ 10 minutes 45 seconds 👁 9.1K
Jungle Soundclash The Grand Final 16th July 1994 from bass and drums backing tracks
⏲ 1:9:27 👁 160K
Sounds of the West Bristol Jungle Docmentary 1996 - Jungle Drum & Bass Documentary from bass and drums backing tracks
⏲ 24:58 👁 55K
1Sweet Blossom Woman<br/>Written-By – Mick Grabham<br/>3:10<br/>2Scraunchy<br/>Piano – Mike Storey<br/>Saxophone – Dick Parry<br/>Written-By – Mick Grabham<br/>2:33<br/>3You'll Think Of Me<br/>Piano – Caleb Quaye<br/>Written-By – Mick Grabham<br/>3:11<br/>4I Won't Be There<br/>Written-By – Mick Grabham<br/>2:18<br/>5Waitin' Round On You<br/>Piano – Caleb Quaye<br/>Written-By – Mick Grabham<br/>3:02<br/>6There's Been A Few Since Then<br/>Written-By – Mick Grabham<br/>4:03<br/>7Let It All Down<br/>Written-By – Mick Grabham<br/>3:51<br/>8The Two Fifteen<br/>Written-By – Mick Grabham<br/>2:46<br/>9Saga<br/>Drums – Nigel Olsson<br/>Guitar, Bass, Vocals – Mick Grabham<br/>Written-By – Mick Grabham<br/>7:02<br/>10On Fire For You Baby (Bonus Track)<br/>Bass, Backing Vocals – Dee Murray<br/>Drums, Backing Vocals – Nigel Olsson<br/>Guitar, Vocals – Mick Grabham<br/>Piano – Jim \
⏲ 44:57 👁 15K
Baby Grandmothers were a short-lived Swedish band, but one of the most prolific and unique psychedelic, modal, experimental power-trios to emerge out of the Scandinavian psychedelic underground-scene in 1967. Although hailing from Stockholm, Sweden they only released a single in Finland, which has since become one of the most sought after pieces of vinyl from the era. Baby Grandmothers were formed out of the legendary R&B / beat band T-Boones in the summer of 1967. T-Boones are probably best known for their “At the club/King of the Orient” single which is one of the best, and most collectable, out of the Swedish garage beat-era. Guitar-wiz Kenny Håkansson joined the band in 1965and with the group down to a trio they drifted into the psychedelic sounds of the time and in August 1967 released the single “I Want You”, which definitely was the first hard-rock recording ever made in Sweden. The band was then re-christened Baby Grandmothers by the co-founder of the newly opened psychedelic club Filips, for which he needed a house-band. Filips was the legendary breeding ground for bands such as Hansson & Karlsson, Pärson Sound, as well as orgiastic all night jams with foreign luminaries such as Jimi Hendrix and the Mothers of Invention. Baby Grandmothers also supported Jimi Henrix on his Swedish tour in 1968 and then turned into Mecki Mark Men, who became the first Swedish rock band to tour the US. Founding member Kenny Håkansson went on to form the highly influential Kebnekajse, who created the Swedish electric folk psych sound.<br/><br/>1Opus 1: Ascending 12:49<br/>2Opus 2: Floating 8:20<br/>3Opus 3: Descending 10:20<br/><br/>Composed By, Drums – Pelle Ekman<br/>Composed By, Electric Bass – Bella Linnarsson<br/>Composed By, Electric Guitar – Kenny Håkansson (2)<br/>Recorded By – Anders Lind
⏲ 31:28 👁 15K
1Chitlin Circuit 6:12<br/>2Believe In Yourself 5:15<br/>3Words 5:02<br/>4Give Your Love Again 5:00<br/>5I Need You 2:44<br/>6Go On Go Away 4:03<br/>7Back Door Man 5:08<br/>Acoustic Guitar – Birdlegs<br/>Bass – Jet (34) (tracks: 3)<br/>Bass [Arp] – Birdlegs<br/>Drums – Uzduk<br/>Engineer – James Georges Youman*<br/>Flute – Uzduk<br/>Guitar – Jet (34)<br/>Percussion – Uzduk<br/>Piano – Birdlegs, Jet (34)<br/>Producer – Kudzu*<br/>Slide Guitar – Jet (34)<br/>Synthesizer – James Youman
⏲ 32:35 👁 10K
Earth Opera was part of the late sixties psychedelic Boston movement that featured bands like Ultimate Spinach, Orpheus and Beacon Street Union. Earth Opera played a particular kind of psychedelia, with constant time changes, complex melodies and full sounding arrangement, who's dreamy folk background was punctuated by exotic instrumentation as contrasts. The two leaders of the band were Peter Rowan and David Grisman both well konwn for their bluegrass and country folk career, who injected in the sound a mix of psychedelic pop, rock, folk, jazz, some classical, and of course some country and bluesgrass, as well as Indo-raga elements.<br/><br/>Peter Rowan - guitar, vocals.<br/>David Grisman - mandolin, mandocello, vocals.<br/>Bill Stevenson - piano, organ, vibes, harpsichord.<br/>John Nagy - bass.<br/>Billy Mundi, Warren Smith - drums, percussion.<br/>Paul Dillon - drums, vocals.<br/><br/>The Red Sox are winning.<br/>As it is before.<br/>Dreamless.<br/>To care at all.<br/>Home of the brave.<br/>The child bride.<br/>Close you eyes and shut the door.<br/>Time and again.<br/>Whe you were full of wonder.<br/>Death by fire.
⏲ 45:46 👁 10K
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