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Watch this amazing suspense, thriller movie.<br/>Jeethu Joseph’s rare cinematic Kohinoor diamond that got brilliantly polished by Kamal in ‘Papanasam’ at the beginning of this month, gets respectfully savored in its local Goan Marathi flavor by screen writer Upendra Sidhaye’s adaptation.<br/><br/>Staying loyal to Jeethu Joseph’s story this one too opens with Vijay Salgaonkar (Ajay Devgn) waiting at Pandolem police station in Goa.Vijay is a fourth grade dropout orphan running a cable center in this remote village in Goa.<br/><br/>For Vijay his wife Nandin (Shriya Saran) and his two daughters (elder played by by Ishita Dutta) are his whole world.<br/><br/>A shocking accident finds Vijay and his family on the other side of the law. IG police Meera Deshmukh (Tabu) smells something fishy and the local cop the corrupt constable played by Kamlesh Sawant sees a golden opportunity to settle his pending rancor’s against Vijay.<br/><br/>What follows is a roller costar pulse raising, heart rendering, uplifting and thrilling ride of a common man Vijay against the powerful lawmakers.

Drishyam (Full Movie) _ Ajay Devgn, Tabu, Shriya Saran _ Blockbuster Film

⏲ 2:43:32 👁 735K

Holy Tune

ফেইসবুক নিয়ে সময়ের সেরা গজল । Facebook । Sayed Ahmad Kalarab । সমসাময়িক সংগীত 2020

⏲ 4 minutes 21 seconds 👁 9.1M

Jamuna TV

বিয়ের ৬ বছর, স্বামী শহিদ কাপুরকে কী বললেন মীরা রাজপুত? | Shahid Kapoor

⏲ 50 seconds 👁 15.5K

Madness ensues when a 'Player' in the world of romantic relationships finds a girl who's a worthy opponent. Tu Jhoothi Main Makkaar is a film that believes Love is a battle of wits.<br/>Mickey, a carefree businessman and womaniser, helps couples break up. However, things change for him when he falls for Tinni, a witty and beautiful chartered accountant.<br/>Cast: Ranbir Kapoor, Shraddha Kapoor, Anubhav Singh Bassi, Dimple Kapadia, Boney Kapoor<br/><br/>In a normal universe, Tu Jhoothi Main Makkaar is about a ‘boy’ and a ‘girl’ who fall in love only to realize that they want different things from life. Breaking up is a problem because they’re not Gen Z enough to ghost each other. At most, they hang around in the relationship until the love dissipates. Anything to not have “the talk”. In this normal universe, the film is certainly not called Tu Jhoothi Main Makkaar, or anything on the lines of Sonu Ke Titu Ki Pyaar Ka Punchnama. But in Luv Ranjan’s universe, this same story is a bitter battle of sexes between a good-looking boy and a gorgeous girl who tries to leave him because – horror of horrors – she likes her independence and his family is too overbearing.<br/><br/>You can’t say Ranjan isn’t trying. If anything, this is him reacting to the criticism – that is, the (correct) accusations of casual misogyny bubble-wrapped in crowd-pleasing comedy – of his previous movies. You see, the women in those movies (Pyaar Ka Punchnama, Sonu Ke Titu Ki Sweety) were scheming, conniving caricatures who forced their boyfriends to choose between bromance and romance. Love was a messy war of ownership. But here, the conflict is centered on the woman’s inability to be cruel and manipulative; she is too evolved to be the quintessential Luv Ranjan heroine. (Coincidentally, actress Shraddha Kapoor’s breakout film, from 2011, was called Luv Ka The End). Her Nisha in this film is so nice that, rather than force poor Rohan (Ranbir Kapoor) to choose between his family and her, she attempts to do the nobler thing: Gaslight him into believing he’s the issue. Nisha would rather have Rohan reject her than the other way around. You see, her dishonesty is merely an expression of compassion. This is Luv Ranjan being progressive.<br/><br/>Never mind that Rohan, like his Kartik Aaryan-esque predecessors, decides to turn her predicament into a game. At stake is the incorruptible Indian idea of marrying not just the person, but also the family. In the pink corner lies Rohan’s courage to go from cold Casanova to heartbreaking martyr, and his pride of being a Momma’s Boy. In the blue corner lies Nisha’s reluctance to sacrifice her own ambitions at the altar of Rohan’s Barjatya-shaped love. There can be only one winner. At one point, he subjects Nisha to a sexist rant about women and jobs – except that he’s only pretending to be a horrible man. He’s pretending to be a Kabir Singh so that nobody blames her. For a moment, I was almost impressed by Luv Ranjan’s self-awareness to use toxic masculinity as a smokescreen.

Tu Jhoothi Main Makkaar (Romantic) Full Movie _ Ranbir Kapoor, Shraddha Kapoor

⏲ 2:39:15 👁 2.4M

Sayed Ahmad

দ্রব্য মূল্যের উর্ধগতি নিয়ে সমসাময়িক গজল | গরম কাহীনি শোন | Sayed Ahmad Kalarab

⏲ 3 minutes 10 seconds 👁 2.7M

CD Vision Official

Chaira Dichi Khata kolom Chaira | Pagla Hawa| Full HD Movie Song | Maruf | CD Vision

⏲ 3 minutes 42 seconds 👁 448.5K

The character Kabir Singh, or Arjun Reddy for that matter, is basically an updated Devdas, a loser in love, with additional anger management issues, who hits the bottle at the drop of the hat. There’s even a Chunni babu in his life in the form of bestie Shiva who keeps coming to his rescue and appears to have no life whatsoever of his own. In fact not a single character in the apology of a script — from his college principal to the family to the hospital staff — seems to have any raison d’etre other than pandering needlessly to a man, who, instead of any sympathy or indulgence for his “troubled” mind needs some serious treatment and therapy to control the inherent noxiousness he is spreading in the world around him. The entire arc of the film is to somehow make his negativity attractive, explain it away as “unconventional” and have him find redemption despite his unforgivable ways. Well, he is a genius at everything after all, even at performing surgeries when he is sloshed and coked out.<br/><br/>Having watched and balked at Arjun Reddy for its celebration of a misogynistic, infantile bully of a hero, Kabir Singh felt like a doubly suffocating experience. One that makes you feel violated. Devdas at least had the headstrong Paro and graceful Chandramukhi, two beholden women alright but with personalities of their own, to bring some sense of balance to the man-woman game. Here the woman is denied any agency whatsoever. She is a property, marked and owned by the man. She will meekly follow him wherever he takes her, eyes always down, is masochistic in allowing herself to bear with his violent ways. While the soulful ditty in the background plays “tujhpe hi to mera haq hai (I have the right on you)”. He is the protector and the saviour.

Kabir Singh _ Full Movie (4K) _ Shahid Kapoor, Kiara Advani _ Sandeep Reddy Vanga

⏲ 2:51:25 👁 845K

Sayed Ahmad

সাঈদ আহমাদের বাছাইকৃত সেরা ৫ টি গজল | Sayed Ahmad | Top 5 Ghazals Selected

⏲ 17 minutes 26 seconds 👁 635.5K

Holy Tune

চোরদের বিরুদ্ধে সময়ের সেরা গজল । Chor । চোর । Sayed Ahmad Kalarab

⏲ 3 minutes 54 seconds 👁 3.5M

Sonam Kapoor and Anand Ahuja, renowned as one of Bollywood's beloved couples, exchanged vows in 2018. Sonam Kapoor and Anand Ahuja recently delighted fans with snapshots showcasing their dance-filled moments, featuring Vayu as the muse. Sharing adorable pictures on Instagram, Sonam Kapoor offered a charming peek into her bond with her son, Vayu Kapoor Ahuja.<br/><br/>#sonamkapoor #anandahuja #vayu #sonamkapoorson #cutebaby #motherandson #entertainmentnews #bollywood #viral #trending

Sonam Kapoor shares Joyful Moments Dancing with her Son Vayu

⏲ 1:31 👁 13.7M

Sultana's Cook

মাত্র ১০ টাকার দুধে পারফেক্ট রসমালাই তৈরির সঠিক পদ্ধতি রেসিপি!Perfect Dano Milk Rasmamalai recipe

⏲ 8 minutes 4 seconds 👁 17.3M

Bongo

Toke Kache Pele | তোকে কাছে পেলে | Raja Babu Movie Song | Shakib Khan, Apu Biswas, Bobby Haque

⏲ 2 minutes 4 seconds 👁 7.1M

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