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STORY: Mr. Raj Kapoor (Ashwin Kaushal), a resident of Sunflower housing society, is found dead in his apartment. When the police officers begin their investigations, majority of the residents and frequent visitors become suspects. Will the cops be able to crack this case?<br/><br/>REVIEW: Based in Mumbai, ‘Sunflower’ revolves around a murder that occurs in a middle-class housing society of the same name. When Mumbai police officers— Digendra (Ranvir Shorey) and Chetan Tambe (Girish Kulkarni) begin investigating the case, they suspect nearly everyone. However, Sonu Singh (Sunil Grover), a simpleton living in the same society, is drawn into the murder mystery and becomes the prime suspect. What happens next forms the crux of the story.<br/><br/>This engaging eight-part situational crime comedy is co-written by Vikas Bahl (writer-director of popular Bollywood films 'Queen' and 'Super30') and Chaitali Parmar. Along with Rahul Sengupta, Vikas wears the director's hat in this series, which marks his digital debut as well. Right from the start, the audience is aware of how one of the society's occupants (Raj Kapoor) died. But it’s the narrative—which revolves around the investigation proceedings and how everyone fits into the suspect category—that has been interestingly penned down with a dash of humour and plenty of thrills.<br/><br/>The screenplay is intriguing throughout, thanks to its quirky characters with odd tics and characteristics that define them, as well as the subplots that blend well into this character-driven plot. For instance, Sonu Singh, a 35-year-old eccentric salesperson with Obsessive-compulsive disorder (OCD), keeps everything perfectly organised—from his foot mat to everything on his work table. Dilip Iyer (Ashish Vidyarthi) is another character who aspires to be the chairman of Sunflower Society in order to make it a happier place to live. Imagine he has a committee of members that interview everyone who wishes to stay in this society and have stringent rules against allowing unmarried people, divorcees, queers, and so on. Then there's Mr Ahuja (Mukul Chadda), a lecturer by profession with a smirky appearance and a courteous demeanour, and his ever-supportive wife (Radha Bhatt). Overall, the majority of the scenes revolve around a small group of society members, depicting everything from internal society politics to nosy neighbours.<br/><br/>While the first few episodes keep you hooked primarily due to the involvement of so many characters and their personal lives, as well as their link to the crime, there are some that drag on, especially those involving Sonu caring for Mr. Tondon (Sameer Kakkar). Ideally, the shorter episodes and tight editing (by Konark Saxena) would have aided the plot's progression while maintaining the show's pace. The background score composed by Sahej Bakshi and Vesh Shrivastava is interesting and complements the story well.<br/><br/>Sunil Grover plays Sonu Singh to perfection, never straying from his role as a lonely man with no social circle
⏲ 29:54 👁 180K
Goldmines Gaane Sune Ansune
⏲ 30 minutes 14 seconds 👁 2M
Pen Movies
⏲ 2 hours 9 minutes 44 seconds 👁 27.1M
STORY: Mr. Raj Kapoor (Ashwin Kaushal), a resident of Sunflower housing society, is found dead in his apartment. When the police officers begin their investigations, majority of the residents and frequent visitors become suspects. Will the cops be able to crack this case?<br/><br/>REVIEW: Based in Mumbai, ‘Sunflower’ revolves around a murder that occurs in a middle-class housing society of the same name. When Mumbai police officers— Digendra (Ranvir Shorey) and Chetan Tambe (Girish Kulkarni) begin investigating the case, they suspect nearly everyone. However, Sonu Singh (Sunil Grover), a simpleton living in the same society, is drawn into the murder mystery and becomes the prime suspect. What happens next forms the crux of the story.<br/><br/>This engaging eight-part situational crime comedy is co-written by Vikas Bahl (writer-director of popular Bollywood films 'Queen' and 'Super30') and Chaitali Parmar. Along with Rahul Sengupta, Vikas wears the director's hat in this series, which marks his digital debut as well. Right from the start, the audience is aware of how one of the society's occupants (Raj Kapoor) died. But it’s the narrative—which revolves around the investigation proceedings and how everyone fits into the suspect category—that has been interestingly penned down with a dash of humour and plenty of thrills.<br/><br/>The screenplay is intriguing throughout, thanks to its quirky characters with odd tics and characteristics that define them, as well as the subplots that blend well into this character-driven plot. For instance, Sonu Singh, a 35-year-old eccentric salesperson with Obsessive-compulsive disorder (OCD), keeps everything perfectly organised—from his foot mat to everything on his work table. Dilip Iyer (Ashish Vidyarthi) is another character who aspires to be the chairman of Sunflower Society in order to make it a happier place to live. Imagine he has a committee of members that interview everyone who wishes to stay in this society and have stringent rules against allowing unmarried people, divorcees, queers, and so on. Then there's Mr Ahuja (Mukul Chadda), a lecturer by profession with a smirky appearance and a courteous demeanour, and his ever-supportive wife (Radha Bhatt). Overall, the majority of the scenes revolve around a small group of society members, depicting everything from internal society politics to nosy neighbours.<br/><br/>While the first few episodes keep you hooked primarily due to the involvement of so many characters and their personal lives, as well as their link to the crime, there are some that drag on, especially those involving Sonu caring for Mr. Tondon (Sameer Kakkar). Ideally, the shorter episodes and tight editing (by Konark Saxena) would have aided the plot's progression while maintaining the show's pace. The background score composed by Sahej Bakshi and Vesh Shrivastava is interesting and complements the story well.<br/><br/>Sunil Grover plays Sonu Singh to perfection, never straying from his role as a lonely man with no social circle
⏲ 36:14 👁 180K
Pen Movies
⏲ 2 hours 13 minutes 25 seconds 👁 21.4M
TRU EARNER
⏲ 19 seconds 👁 4.8M
Story: Najeeb leaves for the Gulf to provide a better life for his family in Kerala, but in caught in the cruel realities of work here<br/>You don’t see Prithviraj the superstar in Aadujeevitham. Thanks to the real Najeeb’s presence during the movie promotions, you can see that the actor has brought alive on screen the character on whose life the story is based.<br/>Based on the book by Benyamin, Blessy’s directorial is almost a dystopian take on migrant life in the Middle East. Najeeb mortgages his property to get a visa for the Gulf. In the layered story, we see Najeeb leave behind a verdant Kerala in the hope of providing better opportunities for his family. But he and a friend, Hakim, are unwittingly picked up by the wrong Arab sponsor when they land in Saudi Arabia and are taken to separate desert camps to herd goats.<br/>The first half superbly juxtaposes life in Kerala and the harsh and cruel realities of the desert, where Najeeb lives a torturous existence with barely any food or water to meet his basic needs. And it would seem that the animals are kinder than the masters. Your heart goes out to the character and the trauma that his life has ironically become, in the hope of better pursuits.<br/>As one horrible day grows into another, Najeeb suddenly meets Hakim again and there is a slight hope of the chance to escape with the help of an African labourer, Ibrahim Qadri, who is, apparently, familiar with the area. Will they be able to come out safe forms the rest of the story. But the second half falls slightly short, for one, with the story stretching on, and also with the director’s propensity for gimmicks, which takes away from the overall gem of a story.<br/>What to say about Prithviraj, except that he lives the character and is superb as Najeeb, who is completely lost and at wit’s end in this unfamiliar region. Quite apart from the stunning body transformation, he brings the right mix of innocence and vulnerability to the role.<br/>The cinematography by Sunil KS and KU Mohanan give the film the feel of a masterpiece. The desert is stark under their gaze and adds to the emotions of the storytelling. AR Rahman’s soulful music is already a hit on social media.<br/>Having said all this, there is a slight lack of emotional resonance that was found in movies like Manjummel Boys and Premalu, the recent big Malayalam hits. But for a realistically told story of a man’s resilience and for Prithviraj’s acting, Aadujeevitham is bound to move audiences.<br/>#blessy #aadujeevitham #thegoatlife #prithvirajsukumaran #malayalamcinema
⏲ 1:33 👁 465K
gawar all mix videos
⏲ 15 seconds 👁 898.8K
Ultra Bollywood
⏲ 6 minutes 42 seconds 👁 6.6M
STORY: Mr. Raj Kapoor (Ashwin Kaushal), a resident of Sunflower housing society, is found dead in his apartment. When the police officers begin their investigations, majority of the residents and frequent visitors become suspects. Will the cops be able to crack this case?<br/><br/>REVIEW: Based in Mumbai, ‘Sunflower’ revolves around a murder that occurs in a middle-class housing society of the same name. When Mumbai police officers— Digendra (Ranvir Shorey) and Chetan Tambe (Girish Kulkarni) begin investigating the case, they suspect nearly everyone. However, Sonu Singh (Sunil Grover), a simpleton living in the same society, is drawn into the murder mystery and becomes the prime suspect. What happens next forms the crux of the story.<br/><br/>This engaging eight-part situational crime comedy is co-written by Vikas Bahl (writer-director of popular Bollywood films 'Queen' and 'Super30') and Chaitali Parmar. Along with Rahul Sengupta, Vikas wears the director's hat in this series, which marks his digital debut as well. Right from the start, the audience is aware of how one of the society's occupants (Raj Kapoor) died. But it’s the narrative—which revolves around the investigation proceedings and how everyone fits into the suspect category—that has been interestingly penned down with a dash of humour and plenty of thrills.<br/><br/>The screenplay is intriguing throughout, thanks to its quirky characters with odd tics and characteristics that define them, as well as the subplots that blend well into this character-driven plot. For instance, Sonu Singh, a 35-year-old eccentric salesperson with Obsessive-compulsive disorder (OCD), keeps everything perfectly organised—from his foot mat to everything on his work table. Dilip Iyer (Ashish Vidyarthi) is another character who aspires to be the chairman of Sunflower Society in order to make it a happier place to live. Imagine he has a committee of members that interview everyone who wishes to stay in this society and have stringent rules against allowing unmarried people, divorcees, queers, and so on. Then there's Mr Ahuja (Mukul Chadda), a lecturer by profession with a smirky appearance and a courteous demeanour, and his ever-supportive wife (Radha Bhatt). Overall, the majority of the scenes revolve around a small group of society members, depicting everything from internal society politics to nosy neighbours.<br/><br/>While the first few episodes keep you hooked primarily due to the involvement of so many characters and their personal lives, as well as their link to the crime, there are some that drag on, especially those involving Sonu caring for Mr. Tondon (Sameer Kakkar). Ideally, the shorter episodes and tight editing (by Konark Saxena) would have aided the plot's progression while maintaining the show's pace. The background score composed by Sahej Bakshi and Vesh Shrivastava is interesting and complements the story well.<br/><br/>Sunil Grover plays Sonu Singh to perfection, never straying from his role as a lonely man with no social circle
⏲ 38:18 👁 130K
Filmi Cornerz
⏲ 59 seconds 👁 128.7K
BollyHD 1080p Music
⏲ 4 minutes 8 seconds 👁 148.3K
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