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Sorry to be uploading yet another one of these sorts of videos - they do get quite old! This video is in tandem with an actual how to video I have uploaded here:nnhttp://vimeo.com/groups/filmtools/videos/6709876nnThis is the usual flowers sort of deal. Apart from my shocking filming techniques, (I need to build a follow focus unit of some sort because it was impossible to touch the lens without wobbling the camera) I found that low light shooting was fairly grainy with or without the motor runni
⏲ 89 sec ✓ 15-Sep-2009
Simon d'Entremont
⏲ 12 minutes 58 seconds 👁 295.9K
The Bite Shot
⏲ 13 minutes 46 seconds 👁 4.6K
Legendary filmmaker and visual effects pioneer Doug Trumbull is the first in North America to shoot with the new Phantom 65-Z3D system. The music video “Golden Eyes,” shot on location in New York and featuring Dana Fuchs, was co-directed by Doug and director & visual effects technologist Mark Anton Read.nnThe Phantom 65-Z3D is a single camera 3D production system that uses Zepar twin lenses inside a single housing to capture stereo images on a single 65mm sensor. Each of the two images i
⏲ 1 min 70 sec ✓ 12-Apr-2011
New York Film Academy
⏲ 1 minute 51 seconds 👁 10.1K
ShotKam
⏲ 10 minutes 16 seconds 👁 12.1K
check out the full blog post for more... http://www.hellotomorrow.ca/blog/2013/06/amrit-gurp/nnTECHY STUFFnnThis was the first wedding we shot on our new Canon C100s. I’m sure all of the camera nerds that are reading this already know a ton about this camera so I won’t add too much to the noise, but let me say that these cameras are incredible tools. Previous to this wedding we shot entirely on Canon 5Ds. While DSLRs are awesome (and we’ll definitely hold on to ours), their drawbacks can b
⏲ 2 min 81 sec ✓ 10-Jun-2013
Shawn Dolinski
⏲ 8 minutes 15 seconds 👁 7.4K
I got a new camera.nnnnSensor tnn• 23.6 x 15.8 mm Nikon DX-format CMOS sensorn• 12.9 million total pixelsn• 12.3 million effective pixelsnDust Reduction System t• Airflow control systemn• Image Sensor Cleaningn• Image Dust Off reference data (optional Capture NX 2 software required)nImage processor tNikon EXPEEDnA/D conversion t12 bitnImage sizesnt• 4,288 x 2,848 (L)n• 3,216 x 2,136 (M)n• 2,144 x 1,424 (S)nFile formats t• NEF (compressed RAW)n• JPEG: Fine (approx. 1:4), nor
⏲ 26 sec ✓ 05-Nov-2010
Making strides in the video arena, the a7S II Mirrorless Digital Camera from Sony offers an impressive blend of sensitivity, dynamic range, resolution, and speed to benefit a versatile multimedia workflow. Revolving around a full-frame 12.2MP Exmor CMOS sensor, the a7S II is capable of internal UHD 4K recording at 30 fps with full pixel readout as well as 1080p recording at up to 120 fps, all in the XAVC S format. For both stills and video recording, the BIONZ X image processor also pairs with t
⏲ 1 min 19 sec ✓ 03-Dec-2015
This video is a result of experimenting with the Magic Lantern RAW video option for the Canon 550D.There were no issues loading the hack.The biggest issue has to do with datarate from the camera to the SDHC card.Magic Lantern provides information for each frame size and rate relating to the amount of data throughput needed at the bottom of the menu.Once you have recorded a few shots, the datarate lettering turns green at the bottom to let you know that your camera seems to be able to han
⏲ 45 sec ✓ 25-Jun-2013
Thoughts on the Canon T2i: I bought this Friday, did some surfing online and found the Marvels Cine profile folks have been using with the 7d. I loaded it on the camera, played with it for a day and a half then went downtown to see how it really works. So far I've been impressed, the buttons are for the most part intuitive, camera jello is more than manageable (really impressive), pint size and weight makes it easy to work with but easy to damage, and it shoots 18 megapixel stills.nntI shoot mos
⏲ 1 min 41 sec ✓ 02-Mar-2010
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