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KUNSTARBEITER | ART WORKERS- TRAILER
⏲ 1 min 68 sec ✓ 19-Dec-2011
Believer | Music For Kids | Dance Along | GoNoodle
⏲ 3 minutes 31 seconds 👁 3.5M
Ard Gashi - Nana (Prod. by Fatjon)
⏲ 3 minutes 👁 1.1M
Gaia: In Anbindung an den inneren Frieden
⏲ 28 min 5 sec ✓ 26-Oct-2020
Interview mit DDR-Grenzoffizier an offener Grenze, 1989
⏲ 1 minute 5 seconds 👁 400.9K
Die Hafencity-Macher | Die Nordreportage | NDR Doku
⏲ 28 minutes 53 seconds 👁 202.4K
VATERLAND (Fatherland)
⏲ 52 min 72 sec ✓ 20-Jan-2021
DDR-Schulstunde à la 1985: \"Ich schäme mich dafür\" | DER SPIEGEL
⏲ 5 minutes 16 seconds 👁 163.6K
Fernsehen der DDR zwischen Kult und Kommunismus [DOKU]
⏲ 29 minutes 29 seconds 👁 117.4K
Günther Karpa und Hornquartett
⏲ 1 min 32 sec ✓ 29-Jun-2015
AK-Nachrichten 07.10.1989
⏲ 29 minutes 12 seconds 👁 746.6K
DRÜBEN: Sachsen Fernsehen Beitrag „BLEIBT NEUGIERIG“
⏲ 3 min 22 sec ✓ 02-Aug-2022
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_vaterland-fatherland.jpg "VATERLAND (Fatherland)nA film by Uli M SchueppelnnGermany 1992, S-16mm, 1:1,85, color, 89minnnINT. PREMIERE:ttttInt. Filmfestival Rotterdam 4. Feb. 1993nFESTIVALS:tRotterdam, Göteborg, Montreal, Rimini,and many others...nnPRIZE:t„Int. Filmprize of the Catholic Church“ 1993, OCIC-Jury, Amiens nnVATERLAND – content:nIts shortly after the fall of the Wall. The Algerian Kadir is released from an East Berlin psychiatric clinic. Resolved to begin life over again in Germany, he soon has to")
_kunstarbeiter-124-art-workers-trailer.webp "ART WORKERS | Encounters 1988 – 2011 nnIn five short film portraits, ART WORKERS shows the working methods of artists filmmaker Betina Kuntzsch has met and with whom she has cooperated in a range of ways since the 80s. Documentary shots in the studios are set alongside animated sequences.nExcerpts from video works by Betina Kuntzsch connect the individual films, creating biographical and contemporary historical references. Thus she produces an autobiographical film structure while recounting t")
_believer-124-music-for-kids-124-dance-along-124-gonoodle.webp "GoNoodle | Get Moving")
_ard-gashi-nana-prod-by-fatjon.webp "ARD u0026 MIRDON")
_gaia-in-anbindung-an-den-inneren-frieden.webp "Interview mit Gaia. Fragen von Angela Mahr, August 2020 (Jetzt-TV, Gaia Interview23). Wegen Störungen in der Internetverbindung waren im Interview mehre Schnitte nötig. - Wie würde Gaia seine Tätigkeit beschreiben? In den Seminaren (Satsangs), die Gaia leitet, geht es um Selbsterforschung, Faktencheck, Wahrheit erforschen, um sich selbst zu erkennen und dann Kontakt oder Zugang zu inneren Frieden zu haben, daher könnte man sagen Heilarbeit, die über Gespräche stattfindet, und Gaia arbeite")
_interview-mit-ddr-grenzoffizier-an-offener-grenze-1989.webp "footage berlin - rbb media")
_die-hafencity-macher-124-die-nordreportage-124-ndr-doku.webp "NDR Doku")
_vaterland-fatherland.webp "VATERLAND (Fatherland)nA film by Uli M SchueppelnnGermany 1992, S-16mm, 1:1,85, color, 89minnnINT. PREMIERE:ttttInt. Filmfestival Rotterdam 4. Feb. 1993nFESTIVALS:tRotterdam, Göteborg, Montreal, Rimini,and many others...nnPRIZE:t„Int. Filmprize of the Catholic Church“ 1993, OCIC-Jury, Amiens nnVATERLAND – content:nIts shortly after the fall of the Wall. The Algerian Kadir is released from an East Berlin psychiatric clinic. Resolved to begin life over again in Germany, he soon has to")
_ddr-schulstunde-la-1985-9234ich-schme-mich-dafr9234-124-der-spiegel.webp "DER SPIEGEL")
_fernsehen-der-ddr-zwischen-kult-und-kommunismus-doku.webp "petra kirchner")
_gnther-karpa-und-hornquartett.webp "HfM Dresden. Die Hornisten sind v.l.n.r.:Stefan Pfüller (LBS, verstorben 1994), Axel Grüner (Staatskapelle Berlin), Jörg Wagner (Riesa) und Axel Rauh (stellvertretender Orchesterinspektor Gera/Altenburg)nnUNTERHALTUNG MEIN BERUF /Ausschnitt DDR -Fernsehen/1985")
_ak-nachrichten-07-10-1989.webp "petra kirchner")
_drben-sachsen-fernsehen-beitrag-bleibt-neugierig.webp "Mit einem besonderen Konzert richten die Dresdner Sinfoniker ihren Blick auf die deutsche Wiedervereinigung vor über 30 Jahren. Sie lassen ihr Publikum Geschichte atmen und hautnah spüren, was es hieß, getrennt zu sein und sich wieder zu begegnen. Gleich beim Einlass wird es ernst: Die Ankommenden werden zufällig getrennt. Es entscheidet, ganz wie damals, das Schicksal. In Ost und West geteilt wird nicht nur das Publikum, sondern der gesamte Konzertsaal des Kulturpalastes. Das bedeutet, „D")
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