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Yeon Sang-ho’s “Train to Busan” is the most purely entertaining zombie film in some time, finding echoes of George Romero’s and Danny Boyle’s work, but delivering something unique for an era in which kindness to others seems more essential than ever. For decades, movies about the undead have essentially been built on a foundation of fear of our fellow man—your neighbor may look and sound like you, but he wants to eat your brain—but “Train to Busan” takes that a step further by building on the idea that, even in our darkest days, we need to look out for each other, and it is those who climb over the weak to save themselves who will suffer. Social commentary aside, it’s also just a wildly fun action movie, beautifully paced and constructed, with just the right amount of character and horror. In many ways, it’s what “World War Z” should have been—a nightmarish vision of the end of the world, and a provocation to ask ourselves what it is that really makes us human in the first place.<br/><br/>ADVERTISEMENT<br/><br/>Seok-woo (Gong Yoo) is a divorced workaholic. He lives with his mother and barely spends any time with his daughter Su-an (Kim Su-an). He’s so distant from her that he buys her a Nintendo Wii for her birthday, ignoring that she has one already, and that he’s the one who bought it for her for Children’s Day. To make up for this rather-awkward moment, he agrees to give Su-an what she really wants—a trip to her mother’s home in Busan, 280 miles away. It’s just an hour train ride from Seoul. What could possibly go wrong? Even the set-up is a thematic beauty, as this is more than just a train ride for Seok-woo and Su-an—it’s a journey into the past as a father tries to mend bridges and fix that which may be dead. It’s a perfect setting for a zombie movie.<br/><br/><br/>The 14 Scariest Mythological Monsters In Horror Movies<br/>Before they even get to their early-morning train ride, Seok-woo and Su-an see a convoy of emergency vehicles headed into Seoul. When they get to the train, Sang-ho beautifully sets up his cast of characters, giving us beats with the conductors, a pair of elderly sisters, a husband and his pregnant wife, an obnoxious businessman (a vision of Seok-woo in a couple decades), and even a baseball team. A woman who’s clearly not well gets on the train just before it departs, and just as something else disturbing but generally unseen is happening in the station above the platform. Before you know it, the woman is taking out the jugular of a conductor, who immediately becomes a similarly mindless killing machine. These are zombies of the “28 Days Later” variety—fast, focused, and violent. They replicate like a virus, turning whole cars of the train into dead-eyed flesh-eaters in a matter of seconds. They are rabid dogs. And you thought your Metra commute was bad
⏲ 1:58:8 👁 1.1M
Sergiu Gabor
⏲ 4 minutes 17 seconds 👁 23.3K
iToolab
⏲ 7 minutes 23 seconds 👁 25.6K
'Girl, I am not a tool you can use casually. Please stop teasing me.'#shortvideo #love #werewolf
⏲ 11:52 👁 245K
TECH SHAIDER
⏲ 46 minutes 45 seconds 👁 41.7K
TechBern
⏲ 10 minutes 2 seconds 👁 896.9K
Explore the portrayal of Jawaharlal Nehru University (JNU) in cinema, particularly in the film “JNU: Jahangir National University”. This video delves into how cinema has been used as a tool of propaganda, shaping public perception and influencing political narratives. We examine the depiction of JNU as a hub of “anti-national” activities and question the fairness of this portrayal. We also discuss the impact of such films on the reputation of JNU, a public-funded institution known for its diverse student body and commitment to academic freedom. Join us as we unravel the complex interplay between cinema, propaganda, and politics.<br/><br/>#JNU #Cinema #Propaganda #Politics #Education<br/><br/>Read Article: https://www.outlookindia.com/art-entertainment/just-not-understood-dismantling-of-a-university<br/><br/>Follow us:<br/>Website: https://www.outlookindia.com/<br/>Facebook: https://www.facebook.com/Outlookindia<br/>Instagram: https://www.instagram.com/outlookindia/<br/>X: https://twitter.com/Outlookindia<br/>Whatsapp: https://whatsapp.com/channel/0029VaNrF3v0AgWLA6OnJH0R<br/>Youtube: https://www.youtube.com/@OutlookMagazine<br/>Dailymotion: https://www.dailymotion.com/outlookindia
⏲ 3:8 👁 205K
Esslinger and Company
⏲ 51 seconds 👁 53.7K
Adam Savage’s Tested
⏲ 8 minutes 47 seconds 👁 264.9K
TALES FR0M NERDVILLE by Joe Bonamassa<br/>TOOLS OF THE TRADE, PART 4<br/><br/>For the last few columns, Joe Bonamassa has been demoing a variety of his favorite vintage guitars and discussing each instrument’s unique attributes. He began with a 1954 Gibson Les Paul goldtop with P90s, followed by a 1961 Gibson dot-neck ES-335 and a 1952 Fender Esquire. This month, the focus will be the 1954 Fender Stratocaster.<br/>#JoeBonamassa #FenderStratocaster
⏲ 6:11 👁 620K
'Girl, I am not a tool you can use casually. Please stop teasing me.'#shortvideo #love #werewolf
⏲ 11:52 👁 150K
In this video, Neil Tappin is joined by John Howells, head professional at JCB Golf and Country Club to look at 8 beginner golfer mistakes and how to fix them.
⏲ 20:44 👁 610K
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