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_open-d-vestapol-124-d-a-d-f-a-d-124-world-of-tuning-124-rga-junglism.jpg "Full page: https://ragajunglism.org/tunings/menu/open-d/ | “Resembles EADGBE’s famous ‘0-2-2-1-0-0’ Emaj shape in terms of intervals – a general pattern sometimes known as ‘Vestapol’ (after The Siege of Sevastopol, an earnest 1854 American folk song about the Crimean War, popular in parlor guitar instructional manuals of the 19th century: more below). Thus, the tuning represents a logical ‘first step away from Standard’: as this Emaj shape tends to be the first major chord we l")
⏲ 1 min 5 sec ✓ 19-Mar-2022
_how-to-write-progressions-using-min7-maj7-and-dominant-7th-chords-songwriting-music-theory.jpg "Signals Music Studio")
⏲ 17 minutes 57 seconds 👁 360.3K
_acoustic-guitar-chords-learn-to-play-g-major-7.jpg "acousticguitarchords")
⏲ 36 seconds 👁 20.1K
_ghost-reveries-124-d-a-d-f-a-e-124-world-of-tuning-124-rga-junglism.jpg "Full page: https://ragajunglism.org/tunings/menu/ghost-reveries/ | “A spacious Open Dm variant, which retains Standard’s E1str tone to give a minor 9th open harmony. Great for chord voicings which combine intricate high extensions with robust bass structures – with note-shuffling added by the tuning’s irregular interval sequence (a 4th, min. 3rd, and a maj. 3rd, sandwiched by two 5ths). Hear how the tighter 1str stands out. Like its major counterpart (D-A-D-F#-A-E: Yvette’s Dadd9), thi")
⏲ 1 min 5 sec ✓ 22-Mar-2022
_put-these-chords-in-your-arsenal-minor-4-guitar-lesson.jpg "Palen Music Center")
⏲ 27 minutes 10 seconds 👁 284
_learn-6-ways-to-play-g-major-7-124-acoustic-guitar-chord-by-chord.jpg "Acoustic Guitar Magazine")
⏲ 3 minutes 40 seconds 👁 5.6K
_yvettes-dadd9-124-d-a-d-f-a-e-124-world-of-tuning-124-rga-junglism.jpg "Full page: https://ragajunglism.org/tunings/menu/yvette/ | “A melodious Open D variant, which retains Standard’s high E1str tone to give a spacious Dadd9 voicing. Pleasingly, the 6-2str intervals are arranged in descending order of width, narrowing in neat sequence as you ascend (7/5/4/3: 5th / 4th / maj. 3rd / min. 3rd) – until you encounter the unexpectedly wide 5th jump at the very top (2-1str). This layout retains many of the Open D family’s strengths – including one-finger power c")
⏲ 1 min 5 sec ✓ 22-Mar-2022
_7-easy-songs-with-3-guitar-chords-steve-stine-guitarzoom-com.jpg "Steve Stine Guitar Lessons")
⏲ 13 minutes 17 seconds 👁 1.2M
_gmaj7-guitar-chord-lesson-open-position.jpg "swiftlessons")
⏲ 39 seconds 👁 33.7K
_all-minor-thirds-124-g-bb-db-e-g-bb-124-world-of-tuning-124-rga-junglism.jpg "Full page: https://ragajunglism.org/tunings/menu/all-minor-thirds/ | “A ‘regular’ stack of minor 3rds (i.e. 3 semitones separate each string) – forming a diminished 7th arpeggio regardless of which string you start on. These odd symmetrical properties arise because our 12-semitone octave divides neatly into 3 with no remainder – meaning that sequences of 3 fret jumps will always ‘orbit’ back around to (octaves of) the root as you extend the series upwards – i.e. ‘12 semitones=3")
⏲ 1 min 5 sec ✓ 19-Mar-2022
_new-standard-crafty-124-c-g-d-a-e-g-124-world-of-tuning-124-rga-junglism.jpg "Full page: https://ragajunglism.org/tunings/menu/new-standard/ | “Robert Fripp, of King Crimson and Brian Eno fame, devised his fifths-based ‘New Standard Tuning’ (NST) in the 1980s – chiefly seeking to open up a broader range of melodic movements. He stacked up four perfect 5ths, completing the tuning with a min. 3rd at the top to balance out the extreme wideness (and give parallel G tones on 5+1str). The resulting layout contains the open notes of the viola/cello (CGDA) and also the vi")
⏲ 1 min 5 sec ✓ 22-Mar-2022
_open-dsus-dadgad-124-d-a-d-g-a-d-124-world-of-tuning-124-rga-junglism.jpg "Full page: https://ragajunglism.org/tunings/menu/dadgad/ | “Resembles a Standard-tuned ‘0-2-2-2-0-0’ Esus4 shape in terms of interval structure. Neither major nor minor, DADGAD’s ambiguous open-chord resonance offers up incredible versatility, ideal for exploring the musical variety of many global traditions. Regardless of what you play, there’s always a certain fundamental stability to the tuning’s character, partly arising from an abundance of parallel octaves (6/4/1str=D, 5/2str=A")
⏲ 1 min 5 sec ✓ 19-Mar-2022
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_open-d-vestapol-124-d-a-d-f-a-d-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/open-d/ | “Resembles EADGBE’s famous ‘0-2-2-1-0-0’ Emaj shape in terms of intervals – a general pattern sometimes known as ‘Vestapol’ (after The Siege of Sevastopol, an earnest 1854 American folk song about the Crimean War, popular in parlor guitar instructional manuals of the 19th century: more below). Thus, the tuning represents a logical ‘first step away from Standard’: as this Emaj shape tends to be the first major chord we l")
_how-to-write-progressions-using-min7-maj7-and-dominant-7th-chords-songwriting-music-theory.webp "Signals Music Studio")
_acoustic-guitar-chords-learn-to-play-g-major-7.webp "acousticguitarchords")
_ghost-reveries-124-d-a-d-f-a-e-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/ghost-reveries/ | “A spacious Open Dm variant, which retains Standard’s E1str tone to give a minor 9th open harmony. Great for chord voicings which combine intricate high extensions with robust bass structures – with note-shuffling added by the tuning’s irregular interval sequence (a 4th, min. 3rd, and a maj. 3rd, sandwiched by two 5ths). Hear how the tighter 1str stands out. Like its major counterpart (D-A-D-F#-A-E: Yvette’s Dadd9), thi")
_put-these-chords-in-your-arsenal-minor-4-guitar-lesson.webp "Palen Music Center")
_learn-6-ways-to-play-g-major-7-124-acoustic-guitar-chord-by-chord.webp "Acoustic Guitar Magazine")
_yvettes-dadd9-124-d-a-d-f-a-e-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/yvette/ | “A melodious Open D variant, which retains Standard’s high E1str tone to give a spacious Dadd9 voicing. Pleasingly, the 6-2str intervals are arranged in descending order of width, narrowing in neat sequence as you ascend (7/5/4/3: 5th / 4th / maj. 3rd / min. 3rd) – until you encounter the unexpectedly wide 5th jump at the very top (2-1str). This layout retains many of the Open D family’s strengths – including one-finger power c")
_7-easy-songs-with-3-guitar-chords-steve-stine-guitarzoom-com.webp "Steve Stine Guitar Lessons")
_gmaj7-guitar-chord-lesson-open-position.webp "swiftlessons")
_all-minor-thirds-124-g-bb-db-e-g-bb-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/all-minor-thirds/ | “A ‘regular’ stack of minor 3rds (i.e. 3 semitones separate each string) – forming a diminished 7th arpeggio regardless of which string you start on. These odd symmetrical properties arise because our 12-semitone octave divides neatly into 3 with no remainder – meaning that sequences of 3 fret jumps will always ‘orbit’ back around to (octaves of) the root as you extend the series upwards – i.e. ‘12 semitones=3")
_new-standard-crafty-124-c-g-d-a-e-g-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/new-standard/ | “Robert Fripp, of King Crimson and Brian Eno fame, devised his fifths-based ‘New Standard Tuning’ (NST) in the 1980s – chiefly seeking to open up a broader range of melodic movements. He stacked up four perfect 5ths, completing the tuning with a min. 3rd at the top to balance out the extreme wideness (and give parallel G tones on 5+1str). The resulting layout contains the open notes of the viola/cello (CGDA) and also the vi")
_open-dsus-dadgad-124-d-a-d-g-a-d-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/dadgad/ | “Resembles a Standard-tuned ‘0-2-2-2-0-0’ Esus4 shape in terms of interval structure. Neither major nor minor, DADGAD’s ambiguous open-chord resonance offers up incredible versatility, ideal for exploring the musical variety of many global traditions. Regardless of what you play, there’s always a certain fundamental stability to the tuning’s character, partly arising from an abundance of parallel octaves (6/4/1str=D, 5/2str=A")
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