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Search Results - Showing 36 - 48 Of 80
_deer-gets-up-close-and-personal-with-photographer39s-lens.webp "Occurred on February 28, 2024 / Italy<br/><br/>: \")
_prem-granth-124-full-album-124-rishi-kapoor-124-madhuri-dixit-124-alka-yagnik-124-dil-dene-ki-124-bajoo-bandh.webp "Saregama Music")
⏲ 45 minutes 16 seconds 👁 5.1M
_dheere-dheere-se-meri-zindagi-video-song-official-hrithik-roshan-sonam-kapoor-124-yo-yo-honey-singh.webp "T-Series")
Dheere Dheere Se Meri Zindagi Video Song (OFFICIAL) Hrithik Roshan, Sonam Kapoor | Yo Yo Honey Singh
⏲ 5 minutes 4 seconds 👁 307.2M
_the-peasants-chlopi-2023.webp "THE PEASANTS<br/><br/>CHŁOPI<br/><br/>Directed by DK Welchman and Hugh Welchman<br/>Poland, Serbia, Lithuania | 115 min | 2023 | oil-painting animation | Polish<br/><br/>THE PEASANTS tells the story of Jagna, a young woman determined to forge her own path within the confines of a late 19th century Polish village – a hotbed of gossip and on-going feuds, held together, rich and poor, by pride in their land, adherence to colourful traditions and a deep-rooted patriarchy. When Jagna finds herself caught between the conflicting desires of the village’s richest farmer, his eldest son and other leading men of the community, her resistance puts her on a tragic collision course with the community around her.<br/><br/>Credits <br/><br/>Director: DK Welchman (aka Kobiela), Hugh Welchman<br/>Screenplay: DK Welchman, Hugh Welchman<br/>Cinematography: Radosław Ładczuk, Kamil Polak, Szymon Kuriata<br/>Director of Animation: Piotr Dominiak<br/>Editing: DK Welchman, Patrycja Piróg,Miki Węcel <br/>Production Design: Elwira Pluta<br/>Costume Design: Katarzyna Lewińska<br/>Music / Composer:Łukasz „L.U.C.” Rostkowski<br/>Hair and Make-Up:Waldemar PokromskiMirosława Wojtczak<br/><br/>Cast: Kamila Urzędowska, Robert Gulaczyk, Mirosław Baka, Sonia Mietielica, Ewa Kasprzyk, Cezary Łukaszewicz, Małgorzata Kożuchowska, Sonia Bohosiewicz, Dorota Stalińska, Andrzej Konopka, Mateusz Rusin, and Maciej Musiał. <br/><br/>Produced by: Breakthru Films (LOVING VINCENT)<br/>Co-produced by: Digitalkraft d o.o., Art. Shot vsį, Breakthru Productions Sp. z o.o., Canal + Polska S.A., Narodowy Centrum Kultury, Mazowiecki Instytut Kultury, SKP Ślusarek Kubiak Pieczyk Sp. k.<br/><br/>With the support of: Polish Film Institute, Film Center Serbia, Lithuanian Film Center<br/>Co-financed by: The Polish National Foundation<br/><br/>Financed by funds from the Minister of Culture and National Heritage<br/><br/>From the creators of Oscar-nominated LOVING VINCENT<br/><br/>Official Entry: Poland – Best International Feature Film | 96th Academy Awards®<br/><br/>https://neweuropefilmsales.com/movies/the-peasants/")
_der-na-ho-jaye-kahin-124-henna-124-lata-mangeshkar-124-suresh-wadkar-124-rishi-kapoor-124-audio-song.webp "Saregama Music")
⏲ 8 minutes 27 seconds 👁 314.9K
_bheed-mein-tanhaai-mein-124-tumsa-nahin-dekha-124-emraan-hashmi-124-udit-narayan-124-shreya-ghoshal-124-dia-m.webp "Saregama Music")
⏲ 6 minutes 👁 57.2M
_2001-walking-with-beasts-ep-6-mammoth-journey.webp "Walking with Beasts, marketed as Walking with Prehistoric Beasts in North America, is a 2001 six-part nature documentary television miniseries created by Impossible Pictures and produced by the BBC Science Unit, the Discovery Channel, ProSieben and TV Asahi. The sequel to the 1999 miniseries Walking with Dinosaurs, Walking with Beasts explores the life in the Cenozoic era, after the extinction of the non-avian dinosaurs, particularly focusing on the rise of the mammals to dominance.<br/><br/>Mammoth Journey is the final episode of Walking with Beasts. It follows the journey of a herd of Woolly mammoths through prehistoric Europe in the Late Pleistocene (30,000 YA). The sixth episode takes place during the last ice age, beginning in the peak of summer when the North Sea has become a grassy plain, grazed by woolly mammoths, saiga antelopes and bison. Also present are anatomically modern humans. The episode focuses on the migration of a herd of woolly mammoths, as they march from the North Sea to the Swiss Alps for the winter and then back again for the summer. On their journey, the mammoth herd encounters further ice age animals, such as the giant deer Megaloceros, woolly rhinoceroses and another human species Neanderthals.")
_-sandipmitra12.webp "Dipti Debnath 2.0")
⏲ 14 minutes 58 seconds 👁 581
_jaragandi-lyrical-video-124-game-changer-124-ram-charan-124-kiara-advani-124-shankar-124-thaman-s.webp "Saregama Telugu")
⏲ 4 minutes 21 seconds
_dutch-angle-asymmetrical-epic-space-landscape-paintingmidjourney-prompts.webp "Prompt Midjourney : dutch angle asymmetrical epic space landscape painting, by Thomas Cole, In it, we see what appears to be a tribe of hunter gatherers living in a stormy wilderness on the edge of a lake. In the foreground, a lone hunter accompanied by a hound chase a deer. Most of the humanity is seen in the middle ground, with a band of hunters in the center of the painting returning to the tribe’s settlement on the right side of the painting and some people in boats in the bottom right. Because we only see a snapshot here, it is difficult to have any idea what the nature of this civilization is, making it difficult to apply Sorokin or Spengler’s analysis to the painting. But Ibn Khaldun’s concepts are both applicable. In this scenario, umran is limited. We only see a single, large futuristic urban settlement on the right hand side of the painting, and while there are implications of perhaps a second space city with the red spots in the smoke or fog rising from the coast of the body of water just to the left of the primary settlement, we can’t be sure that’s what Cole intended with that section of the painting. Without means of rapid transportation, civilization is centered around a settlement and only ventures out a small amount to get food. The umran is small, and the asabiyya is strong. It is difficult to make out, but it does appear like there are a number of close small figures around the fire in the settlement, and of all the people in this painting, only the nearby hunter in the foreground is isolated from his fellow man. But while a strong asabiyya is desirable, Cole was under no romantic delusion as to the nature of this stage of society. The dark, ominous clouds hanging over the land hide the rest of the landscape from us; just as people in the savage state cannot venture far from their settlement without risking death, our eyes cannot venture far from the limited domain of these people. The darkness of the forests only adds to this feeling of the unknown, of dread. Humans in this stage of society are still at the whim and mercy of Mother Nature and her ferocious and arbitrary power --ar 16:9 --s 375 --c 4 --sref https://s.mj.run/YlFobECwm2E --sw 200")
_call-of-duty-mobile-video-game.webp "office 365<br/>video games ghost call of duty<br/>call me by your name<br/>games<br/>video editing software<br/>duty free dulles<br/>call the midwife<br/>gaming laptop<br/>video games call of duty<br/>call of duty modern warfare 3<br/>office<br/>video to mp3 converter<br/>video game quotes call of duty<br/>call of duty warzone mobile<br/>video of kate middleton<br/>offset<br/>offer up<br/>ofac<br/>duty after school cast<br/>call<br/>game of thrones<br/>office 365 login<br/>duty<br/>duty belt<br/>gamestop near me<br/>video game call of duty characters<br/>gaming chair<br/>video chat<br/>videos<br/>duty free<br/>video games call of duty<br/>, <br/>video game call of duty characters<br/>, <br/>video game call of duty ghost costume<br/>, <br/>video game call of duty modern warfare<br/>")
_the-killing-of-a-sacred-deer-trailer-2-2017.webp "#KillingofaSacredDeer is the new drama by Yorgos Lanthimos, starring Colin Farrell, Nicole Kidman and Barry Keoghan.")
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