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Discover the magic of epoxy resin with our latest tutorial on DIY jewelry and crafts! Learn how to create stunning pieces from start to finish, and unleash your creativity with this versatile crafting medium. ✨We advise adult supervision and care at all times. This video is made for entertainment purposes. We do not make any warranties about the completeness, safety and reliability. Any action you take upon the information on this video is strictly at your own risk, and we will not be liable for any damages or losses. It is the viewer's responsibility to use judgment, care and precautions if one plans to replicate. <br/><br/>The following video might feature activity performed by our actors within controlled environment- please use judgment, care, and precaution if you plan to replicate. <br/><br/>All product and company names shown in the video are trademarks™️ or registered®️ trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them. <br/><br/>------------------------------------------------------------------------------------ <br/><br/>▶️ TheSoul Music: https://www.music.thesoul-publishing.com <br/>◉ Our Spotify: https://sptfy.com/TheSoulMusic <br/>◉ TikTok: https://www.tiktok.com/@thesoul.music <br/>◉ YouTube:/ @thesoulsound<br/><br/>◉ 5-Minute Crafts:/ @5minutecraftsyoutube <br/>◉ 5-Minute Crafts DIY: ​/ @5minutecraftsdiy <br/>◉ 5-Minute Crafts PLAY: ​ / @5minutecraftsplay <br/><br/>◉ Music by Epidemic Sound: https://www.epidemicsound.com/
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A mum created a \
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The Manchester United takeover saga with INEOS owner Sir Jim Ratcliffe's 25%. Glazers retaining their majority stake, how exactly would the new structure work, and is this a good thing for Manchester United?
⏲ 9:19 👁 14.1M
The ending of Dune: Part 2 is here, and despite all the major deaths, nothing hurt more than Timothée Chalamet’s Paul Atreides proverbially stabbing Zendaya’s Chani in the back during its conclusion. During the grand finale for the sequel, Paul Atreides takes his place as the Fremen’s messiah and demands that Florence Pugh’s Princess Irulan take his hand in marriage in order to strengthen the houses. In light of the ending, CinemaBlend asked Zendaya and Pugh to weigh in on Paul’s decisions. <br/><br/>The Dune conclusion is especially gutting after seeing Paul and Chani form a romantic connection as he learns the way of the desert from the Fremen and becomes accepted as one of their people. After Paul declared to Chani “I will love you as long as I breathe,” how could he do this to her?
⏲ 0:43 👁 740K
Here’s a sneak peek at what’s coming to #DisneyPlus in May 2024:<br/><br/>May 1 – Daredevil (2003)<br/>May 1 – Life Below Zero: First Alaskans (Season 3)<br/>May 1 – Star Wars: The Bad Batch (Season 3, Episode 15)<br/>May 1, 8, 15 – X-Men ‘97 (Season 1, Episodes 8–10)<br/>May 4 – How Not to Draw (Season 2, Episodes )<br/>May 4 – Star Wars: Tales of the Empire (Season 1)<br/>May 5 – Monsters at Work (Season 2)<br/>May 7 – Billy & Molly: An Otter Love Story<br/>May 8 – Let It Be<br/>May 8 – Me & Winnie the Pooh (Season 1, Episodes 10–25)<br/>May 8 – Playdate with Winnie the Pooh (Season 1, Episodes 11, 13–15)<br/>May 10, 17, 24, 31 – Doctor Who (Season 1, Episodes 1–6)<br/>May 15 – Big City Greens (Season 4, Episodes 6–9)<br/>May 15 – Dino Ranch (Season 3, Episodes 12–15, 17)<br/>​​May 15 – Queen Rock Montreal<br/>May 22 – Chip ‘n’ Dale: Park Life (Season 2, Episodes 14–18)<br/>May 22 – Marvel Studios’ Assembled: The Making of X-Men ‘97<br/>May 22 – Mickey Mouse Funhouse (Season 3, Episodes 1–5)<br/>May 24 – The Beach Boys<br/>May 28 – Gordon Ramsay: Uncharted (Season 4)<br/>May 31 – Jim Henson: Idea Man<br/><br/>And stream all of these and more with #HuluOnDisneyPlus for Disney Bundle subscribers:<br/><br/>May 1 – 13 Going on 30<br/>May 1 – Elvis (2022)<br/>May 1 – Fantastic Mr. Fox<br/>May 1 – Once<br/>May 1 – Rushmore<br/>May 1 – Shardlake (Season 1)<br/>May 1 – Sideways<br/>May 1 – That Thing You Do!<br/>May 1 – The Beach<br/>May 1 – The Darjeeling Limited<br/>May 1 – The Life Aquatic with Steve Zissou<br/>May 1 – The Royal Tenenbaums<br/>May 1 – Walk the Line<br/>May 3 – Die Hard <br/>May 3 – Die Hard 2<br/>May 3 – Die Hard with a Vengeance <br/>May 3 – Live Free or Die Hard <br/>May 3 – A Good Day to Die Hard <br/>May 3 – Prom Dates<br/>May 3, 10, 17, 24, 31 – Welcome to Wrexham (Season 3, Episodes 1–6)<br/>May 9 – Black Twitter: A People’s History (Season 1)<br/>May 13 – Crash (Season 1, Episodes 1–6)<br/>May 13 – Making of an Activist<br/>May 15 – Uncle Samsik (Season 1, Episodes 1–9)<br/>May 16 – Paddington<br/>May 17 – The Sweet East<br/>May 17 – He Went That Way<br/>May 22 – Chief Detective 1958 (Season 1)<br/>May 23, 30 – The Kardashians (Season 5, Episodes 1 & 2)<br/>May 29 – Lainey Wilson: Bell Bottom Country
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#terror #cinema #documentary <br/><br/>A true documentary that explores the evolution of horror cinema worldwide... It's impossible not to be curious about how fear is explored through the horror genre and sub-genre\
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Madness ensues when a 'Player' in the world of romantic relationships finds a girl who's a worthy opponent. Tu Jhoothi Main Makkaar is a film that believes Love is a battle of wits.<br/>Mickey, a carefree businessman and womaniser, helps couples break up. However, things change for him when he falls for Tinni, a witty and beautiful chartered accountant.<br/>Cast: Ranbir Kapoor, Shraddha Kapoor, Anubhav Singh Bassi, Dimple Kapadia, Boney Kapoor<br/><br/>In a normal universe, Tu Jhoothi Main Makkaar is about a ‘boy’ and a ‘girl’ who fall in love only to realize that they want different things from life. Breaking up is a problem because they’re not Gen Z enough to ghost each other. At most, they hang around in the relationship until the love dissipates. Anything to not have “the talk”. In this normal universe, the film is certainly not called Tu Jhoothi Main Makkaar, or anything on the lines of Sonu Ke Titu Ki Pyaar Ka Punchnama. But in Luv Ranjan’s universe, this same story is a bitter battle of sexes between a good-looking boy and a gorgeous girl who tries to leave him because – horror of horrors – she likes her independence and his family is too overbearing.<br/><br/>You can’t say Ranjan isn’t trying. If anything, this is him reacting to the criticism – that is, the (correct) accusations of casual misogyny bubble-wrapped in crowd-pleasing comedy – of his previous movies. You see, the women in those movies (Pyaar Ka Punchnama, Sonu Ke Titu Ki Sweety) were scheming, conniving caricatures who forced their boyfriends to choose between bromance and romance. Love was a messy war of ownership. But here, the conflict is centered on the woman’s inability to be cruel and manipulative; she is too evolved to be the quintessential Luv Ranjan heroine. (Coincidentally, actress Shraddha Kapoor’s breakout film, from 2011, was called Luv Ka The End). Her Nisha in this film is so nice that, rather than force poor Rohan (Ranbir Kapoor) to choose between his family and her, she attempts to do the nobler thing: Gaslight him into believing he’s the issue. Nisha would rather have Rohan reject her than the other way around. You see, her dishonesty is merely an expression of compassion. This is Luv Ranjan being progressive.<br/><br/>Never mind that Rohan, like his Kartik Aaryan-esque predecessors, decides to turn her predicament into a game. At stake is the incorruptible Indian idea of marrying not just the person, but also the family. In the pink corner lies Rohan’s courage to go from cold Casanova to heartbreaking martyr, and his pride of being a Momma’s Boy. In the blue corner lies Nisha’s reluctance to sacrifice her own ambitions at the altar of Rohan’s Barjatya-shaped love. There can be only one winner. At one point, he subjects Nisha to a sexist rant about women and jobs – except that he’s only pretending to be a horrible man. He’s pretending to be a Kabir Singh so that nobody blames her. For a moment, I was almost impressed by Luv Ranjan’s self-awareness to use toxic masculinity as a smokescreen.
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The premise is impressive. As was established through the trailer, Krishna (Naga Shaurya) hails from a ritualistic Brahmin family where the mother (Radhika Sarathkumar) knows how to have her way. When he moves to Hyderabad to do a software job, he feels liberated. This newfound freedom makes him woo Vrinda (Shirley Setia), a North Indian living in the city, at the first opportunity. Vrinda, to his fortune, is his friendly manager. Much as she loves Krishna, Vrinda is in a bind because she is barren owing to a disorder. Krishna now takes a tricky decision. He pulls the wool over his mother's eyes and marries Vrinda. Least does he realize that this is not going to be smooth sailing.<br/><br/>This film doesn't subscribe to regular notions of masculinity. In this regard, director Aneesh R Krishna must be commended. Naga Shaurya's character doesn't mind being at the receiving end of the raw deal if it makes his girlfriend happy. Like many Telugu cinema male leads, he is mistaken often by those who are supposed to behave better.<br/><br/>Mahathi Swara Sagar's musical flavour sits pretty with the mood of the film. 'Emundi Ra' is enjoyable, although the rest of the songs don't match up to its standard. Sai Sriram's cinematography makes the production values look better. Compared to Shaurya's films like 'Nartanasala', 'KVV' has got a much better visual appeal.<br/><br/>For a change, the story taps into the dynamics of an evolving relationship between a woman and her mother-in-law. In doing so, it makes sense. There are dialogues that sensitize us to the need to empathize with the pulls and pressures faced by working women. Radhika Sarathkumar makes us see her character's point without appearing mean. It's also amusing that she is shown to be someone who has the ability to predict the future accurately.<br/>Shirley Setia makes a vivacious Telugu debut. She looks believable as a North Indian migrant in Hyderabad, drawing the unwarranted attention of a lot of men. Amitabh Pradhan's negative role could have been etched in a better way, though.<br/><br/>The arc of Vennela Kishore's character is funny, with the coma portions standing out. Satya is effortless. Brahmaji can make us enjoy even ordinary lines. Wish Rahul Ramakrishna had got to do better. Annapurnamma is seen as Krishna's granny, while Saranya Pradeep and Himaja have their parts.<br/><br/>The second half is where the actual story takes place. Much of the drama happens indoors. The conversations between three different characters make for a dramatic watch. The climax has the right quantum of simplicity and likeability. The pub scene is not squandered away.<br/>On the downside, the workplace portions should have been constructed in a realistic fashion. The frustrations of Satya and Rahul Ramakrishna are captured well initially. By and by, classist humour and regular tropes like a mean guy creeping up the female lead make their way. Nowadays, the audience are expecting workplace dynamics to be shown in an entertaining way without taking creative lib
⏲ 2:18:48 👁 1.2M
Spoilers for The Beekeeper are ahead. If you haven’t seen Jason Statham’s buzzworthy project, you can catch it in theaters now. <br/><br/>Sometimes, it’s important to ask questions that may seem weird, because most of the time they aren’t. Case and point: When I saw The Beekeeper I was left wondering if all the agents who call themselves Beekeepers also actually keep bees, like Jason Statham’s character does in the film. It turns out, the director, David Ayer, has an answer to this seemingly silly question, and it provides fantastic insight into the people who make up this elite agency and how it relates to the actual profession of beekeeping.
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Patients have spoken of the dramatic moment they were forced to evacuate a major city hospital 'in the dark' after a critical incident was declared.<br/><br/>People being treated at the Bristol Royal Infirmary said they heard what some thought was an 'explosion' as they were plunged into darkness and told to leave the site immediately.<br/><br/>Multiple emergency services remain at the scene in Bristol city centre after what hospital bosses have since described as a 'power outage'.<br/><br/>But those forced to flee said there was significant confusion about what was happening - with some claiming it was a ceiling collapse and others saying sparks were flying causing a fire.<br/><br/>Lisa Davidson, 50, a housewife from Bristol, was having a blood infusion inside for Crohn's disease.<br/><br/>She said: \
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Mysteries and mirages, twists and turns. In the heart of an unforgiving desert, unfolds a gritty thriller, unlike any other., Starring Anil Kapoor, Harshvarrdhan Kapoor, and Fatima Sana Shaikh.<br/>Set in Munabao, a sleepy, parched hamlet near the Rajasthan-Pakistan border, Raj Singh Chaudhary’s Thar is a tribute to American Westerns. It has all the usual elements—blood, gore, violence, an arid, nondescript village lost in time, local gangsters, svelte village belles, an ageing inspector, and a brooding, mysterious stranger. All of it wonderfully supported by stunning scenic visuals of remote Rajasthan.<br/>I am a Rajasthani. I have been raised in the desert state. I know the geography like a native should and yet, I watched Shreya Dev Dube’s skilled camerawork with open-mouthed wonder. Thar’s cinematography is its hero. The desiccated terrain, the barren hills, the omnipresent dust, and the aridity of it all is so palpable, that you can feel the acute lack. Of water, vegetation, humanity. Dubey’s prowess does not just provide the right setting for the drama to unfold, it gives the film its true protagonist and thence the title.<br/><br/>The other thing that stands out about Thar is its depiction of brutality. It’s as savage and unapologetic as the acts themselves. This Netflix film is disturbingly graphic. Even by the standards of Westerns and revenge dramas. Violence begets violence, but be warned, this one shows it all—the severing of body parts, the mutilation, the slow torture, the immolation—up close and in distressing detail.<br/><br/>At the heart of it all is Inspector Surekha Singh, a weather-beaten cop six months away from retirement, played with inimitable swag by Anil Kapoor. His official rank does not justify his acumen for his job and his spirit to do it well. Dissatisfied with his unremarkable, middling career, he wants to go out with a bang. And soon enough, an opportunity plays out. There’s a shootout involving cross-border drug smuggling and a local man is found hanging from a tree, inhumanly mutilated. Surekha spurs into action.
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Made In England The Films of Powell & Pressburger Official trailer - Martin Scorsese’s personal and moving look at two of British cinemas greatest filmmakers.<br/><br/>Martin Scorsese first encountered the films of Powell and Pressburger when he was a child, sitting in front of the family TV. When their famous logo came up on screen, Scorsese says, \
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