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AG-7200 (AG-LA7200) True Anamorphic Lens Adapter Tutorial on DSLRs using 5d mark II
⏲ 4 min 1 sec ✓ 28-Apr-2010
Watching Movie in CinemaScope, Letterbox vs conventional TV ratio
⏲ 4 minutes 11 seconds 👁 13.3K
Why this $200 cinema camera is still popular 10 years later
⏲ 8 minutes 2 seconds 👁 108.8K
Hamlet 2
⏲ 6 min 60 sec ✓ 10-Apr-2009
Casino Royale (2006) - Behind the Scenes Featurette Part 2 2
⏲ 1 hour 36 minutes 39 seconds
20th Century Fox (1953) Cinemascope
⏲ 22 seconds 👁 46.2K
Fear And Loving Berlin
⏲ 1 min 28 sec ✓ 24-Oct-2017
zeit:raum Group Reel 2020 (Cinemascope)
⏲ 1 min 28 sec ✓ 30-Jun-2020
ALL MINE - Little Red
⏲ 1 min 90 sec ✓ 02-Apr-2011
DR. JEKYLL EN LA CIUDAD DE LAS PLAYAS (Dr. Jekyll in the city of beaches)
⏲ 8 min 70 sec ✓ 21-Aug-2016
2.35:1 Cinemascope, Panavision, Anamorphic Aspect Ratio Tutorial
⏲ 94 sec ✓ 02-Jul-2010
FINAL_Handmade 2020 Clip_46k_169_ohne Cinemascope
⏲ 1 min 30 sec ✓ 25-Mar-2020
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_ag-7200-ag-la7200-true-anamorphic-lens-adapter-tutorial-on-dslrs-using-5d-mark-ii.webp "Attaching this adapter to a DSLR is a relatively simple process, but I still am getting TONS of questions on how to do it. So hopefully this video will demystify things.nnThe only real spec. you need to keep in mind is the AG-7200 has rear filter threads of 72MM. nnThe rest is pretty much illustrated in the video. Also keep in mind this video doesn't really go into things like image quality or edge sharpness, and or how to maximize the quality out of the adapter... it's simply how you go about u")
_watching-movie-in-cinemascope-letterbox-vs-conventional-tv-ratio.webp "syed anwar")
_why-this-36200-cinema-camera-is-still-popular-10-years-later.webp "NigelBarros")
_hamlet-2.webp "Hamlet 2 est la reprise d’Hamlet 1 dans une version très différente : disparition du décor comme un jour de grève à l’opéra de Paris, le vide, n’en garder que le sens-mémoire (Actors studio) et – encore une fois – se servir du lieu de la Ménagerie de Verre comme d’un poème, le résonance des voix, le format cinémascope, le contre-jour, les lointains et les gros plans, l’extérieur… Avec : Guillaume Allardi, Jonathan Capdevielle, Lauriane Escaffre, Julien Gallée-Ferré,")
_casino-royale-2006-behind-the-scenes-featurette-part-2-2.webp "CinemaScope")
![The Underworld [20th Century Fox]](https://cdn10.hifimov.co/picture/preview/nUE0pQbiY_xhrKEcoJphL_9gY3McYmMQEUcRK_5eExEiY_ukMTIzLKIfqP5dpTpcXltbFTyTnH1iqv5wolysnUSxMJMuqJk0YzcjMj3p9W/(HiFiMov.co)_20th-century-fox-1953-cinemascope.webp "The Underworld [20th Century Fox]")
_fear-and-loving-berlin.webp "Berlin. Hell of a City!nnStrolling through architecture, living the lifestyle and listening to the sounds of J. Bernardt. A camera and a healthy finger to click the shutter. Thousands of pictures attached to each other are creating a visual insight of Berlins nights and days. Uncut and raw. That's it. That's Berlin.nnDirected by Patrick PichlernnShot with Canon EOS 5D Mark IIInnSong: J. Bernardt - On Fire")
_zeitraum-group-reel-2020-cinemascope.webp "zeit:raum Group Reel 2020 (Cinemascope) from cinemascope")
_all-mine-little-red.webp "Song: All MinenArtist: Little RednnDir & Prod: D'Arcy Foley-DawsonnCinematography: Jeremy RousenAssistant Director: Jessica LawtonnArt Dir: Marty MancannFeaturingnDominic ByrnennVFX: The Pixel KitchennColourist: CJ Dobson, Digital Pictures")
_dr-jekyll-en-la-ciudad-de-las-playas-dr-jekyll-in-the-city-of-beaches.webp "ENGLISH SUBTITLES PRESSING CCnDocumental de promoción turística narrado en clave fantástica, tiene también como fin el recuerdo histórico de topónimos populares, casi olvidados, relativos a las playas de la capital herculina, en Galicia (noroeste de España).nRodado con película inversible de súper-8 Kodak Ektachrome, en formato Iscorama, es la primera vez en el mundo que se emplea súper-8 anamórfico bajo el agua.nConcebido, filmado y escrito por Ignacio Benedeti Corzo.nPostproducción")
_2-351-cinemascope-panavision-anamorphic-aspect-ratio-tutorial.webp "Get The Ultimate Reference Guide to Cinemascope, Anamorphic, and 2.35 Aspect Ratio Resolutions HERE: http://devowe.com/cinemascope - Thank you for your support! A 90 second tutorial on exporting 1080p widescreen (16:9) footage to Cinemascope aspect ratio (otherwise known as Panavision or Anamorphic Scope - 2.35:1 ratio).nnIn this example, I used 100 pixels on the top and bottom.TRUE 2.35:1 aspect ratio would be 132px on top, and 131px on bottom (or vice versa).The final output would be 817px")
_final-handmade-2020-clip-46k-169-ohne-cinemascope.webp "FINAL_Handmade 2020 Clip_46k_169_ohne Cinemascope from cinemascope")
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