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The Olympic Tower (German: Olympiaturm) in the Olympic Park, Munich has an overall height of 291 m (955 ft) and a weight of 52,500 tons. At a height of 190 m (620 ft) there is an observation platform as well as an exhibition commemorating the 50th anniversary of the Tower. Previously in that space was a small rock-and-roll museum housing various memorabilia. Since its opening in 1968, the tower has registered over 43 million visitors (as of 2018). At a height of 182 m (597 ft) there is a revolving restaurant, which seats 230 people. A full revolving takes 53 minutes. The tower also serves as a broadcast tower, and has one Deutsche Telekom maintenance elevator with a speed of 4 m/s (13 ft/s), as well as two visitor lifts with a speed of 7 m/s (23 ft/s) which have a capacity of about 30 people per car. The travel time is about 30 seconds. The tower is open daily from 09:00 to 24:00.<br/><br/>There is a concept of making a virtual reality weather time-lapse service from the Olympiaturm. In case it were implemented, it would become the first tower worldwide with such a function.<br/><br/>Thanks and credit to Google Earth Studio for this aerial video.
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THE TERMINATOR Movie (1984) Clip -From The Future<br/><br/>The Terminator (1984)<br/>Directed By: James Cameron<br/>Written By: James Cameron with Gale Anne Hurd<br/>Cast: Arnold Schwarzenegger, Michael Biehn, Linda Hamilton, and Paul Winfield
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THE TERMINATOR Movie (1984) - Clip - Come With Me If You Want To Live<br/><br/>A human soldier is sent from 2029 to 1984 to stop an almost indestructible cyborg killing machine, sent from the same year, which has been programmed to execute a young woman whose unborn son is the key to humanity's future salvation.<br/><br/>The Terminator (1984)<br/>Directed By: James Cameron<br/>Written By: James Cameron with Gale Anne Hurd<br/>Cast: Arnold Schwarzenegger, Michael Biehn, Linda Hamilton, and Paul Winfield<br/>Rated R<br/>Available on Blu-Ray, DVD and digital platforms.
⏲ 2:19 👁 10K
My First Met: Ed Sheeran<br/>Director: Sam Balaban<br/>Director of Photography: Xavi Portillo<br/>Editors: Michael Suyeda, Nicole Cimei<br/>Producer: Ndeye Thioubou<br/>Producer, On Set: Efi Da Silva<br/>Associate Producer: Lea Donenberg<br/>Assistant Camera: Kevin Marquez<br/>Audio: Sean Paulsen<br/>Production Assistant: Nicholas Clark-Spear<br/>Assistant Editors: Ben Harowitz, Justin Symonds<br/>Post Production Coordinator: Ian Bryant<br/>Supervising Editor: Erica DeLeo<br/>Post Production Supervisors: Alexa Deutsch, Andrea Farr<br/>Production Coordinators: Ava Kashar, Bailey Lica<br/>Production Manager: Natasha Soto-Albors<br/>Line Producer: Romeeka Powell<br/>Senior Director, Production Management: Jessica Schier<br/>Entertainment Director, Vogue: Sergio Kletnoy<br/>Supervising Producer: Felicia Kelley<br/>Director of Content, Production: Rahel Gebreyes<br/>Senior Director, Programming: Linda Gittleson<br/>VP, Digital Video English: Thespena Guatieri<br/>Filmed on Location: The Lowell Hotel
⏲ 4:28 👁 10K
Final Fitting: Kim Kardashian<br/>Director: Gabrielle Reich<br/>Director of Photography: Josh Herzog<br/>Editor: Lika Kumoi<br/>Producer: Gab Marie Safa<br/>Producer, On Set: Michelle Bruno<br/>Associate Producer: Lea Donenberg<br/>Assistant Camera: Claire Halloran<br/>Audio: Brianna Simmons<br/>Production Assistant: Quincy Primus<br/>Assistant Editor: Ben Harowitz<br/>Post Production Coordinator: Ian Bryant<br/>Supervising Editor: Erica DeLeo<br/>Post Production Supervisor: Alexa Deutsch<br/>Production Coordinators: Ava Kashar, Bailey Lica<br/>Production Manager: Natasha Soto-Albors<br/>Line Producer: Romeeka Powell<br/>Senior Director, Production Management: Jessica Schier<br/>Entertainment Director, Vogue: Sergio Kletnoy<br/>Supervising Producer: Felicia Kelley<br/>Director of Content, Production: Rahel Gebreyes<br/>Senior Director, Programming, Vogue: Linda Gittleson<br/>VP, Digital Video English: Thespena Guatieri<br/>Filmed on Location: The Ritz-Carlton New York, Central Park<br/>Sketch: By Cecilia Carlstedt, Courtesy of Maison Margiela
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Planet of the Apes is a 1968 American science fiction film directed by Franklin J. Schaffner from a screenplay by Michael Wilson and Rod Serling, loosely based on the 1963 novel by Pierre Boulle. The film stars Charlton Heston, Roddy McDowall, Kim Hunter, Maurice Evans, James Whitmore, James Daly, and Linda Harrison. In the film, an astronaut crew crash-lands on a strange planet in the distant future. Although the planet appears desolate at first, the surviving crew members stumble upon a society in which apes have evolved into creatures with human-like intelligence and speech. The apes have assumed the role of the dominant species and humans are mute creatures wearing animal skins.
⏲ 1:52:3 👁 35K
The model is launching a beauty brand. But it’s not what you’d expect.<br/><br/>In The Bag with Bella Hadid<br/>Featuring: Bella Hadid<br/>Director: Vivian Kim<br/>Director of Photography: Mike Lopez<br/>Editor: Darnell Depradine<br/>@directordarnell<br/>Creative Producer:Leandra Behrens<br/>Producer, On Set: Jordin Rocchi<br/>Assistant Camera: Jack Kelly<br/>Gaffer: Billy Voermann<br/>Audio: Gabe Quiroga<br/>Hair Stylist: Jimmy Paul<br/>Makeup Artist: Fara Homidi<br/>Localisation Editor: Jasjeet Singh<br/>Production Coordinator: Ava Kashar<br/>Production Manager: Natasha Soto-Albors<br/>Line Producer: Romeeka Powell<br/>Senior Director, Production Management: Jessica Schier<br/>Global Talent Casting Director: Ignacio Murillo<br/>Director of Content, Production: Rahel Gebreyes<br/>Senior Director, Programming: Linda Gittleson<br/>VP, Digital Video English: Thespena Guatieri<br/>Senior Programming Lead, Vogue Italia: Iacopo Caravaggi<br/>Production Manager, Central Team: Nikki Hopkins<br/>Senior Lead, Central Team: Tom Sandford<br/>With Thanks To: Bella Hadid
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Sketch to Dress: Emma Chamberlain<br/>Director: Nikki Petersen<br/>Directors of Photography: Étienne Baussan, Stephen Tringali<br/>Editor: Evan Allan<br/>Senior Producer: Naomi Nishi<br/>B-Unit Director: Nina Ljeti<br/>Associate Producer: Lea Donenberg<br/>Associate Producer, On Set: Megan Sinanis<br/>Camera Operator: Adam Pelle<br/>Assistant Camera: Jen Pawlowski<br/>Audio: Raphael Charpin, Hubert Rey Grange, Paul Cornett<br/>Production Assistant: Brock Spitaels<br/>Assistant Editor: Andy Morell<br/>Post Production Coordinator: Ian Bryant<br/>Supervising Editor: Erica DeLeo<br/>Post Production Supervisor: Alexa Deutsch<br/>Production Coordinator: Ava Kashar, Bailey Lica<br/>Production Manager: Natasha Soto-Albors<br/>Line Producer: Romeeka Powell<br/>Senior Director, Production Management: Jessica Schier<br/>Entertainment Director, Vogue: Sergio Kletnoy<br/>Supervising Producer: Felicia Kelley<br/>Director of Content, Production: Rahel Gebreyes<br/>Senior Director, Programming, Vogue: Linda Gittleson<br/>VP, Digital Video English: Thespena Guatieri<br/>Archival Imagery: Courtesy Jean Paul Gaultier<br/>Filmed on Location: Jean Paul Gaultier Atelier, Cartier and The Carlyle, A Rosewood Hotel
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Last Looks: Shakira <br/>Director: Gabriela Cavanagh<br/>Director of Photography: Carrie Cheek<br/>Editor: Mauricio Rivera Hoffman<br/>Producer: Gigi Chavarria<br/>Producer, On Set: Choyce Miller<br/>Associate Producer: Haley Chang<br/>Assistant Camera: Lauren Mendoza<br/>Audio: Bill Hennessy<br/>CondéFuture Intern: Jayden Bier<br/>Assistant Editors: Ben Harowitz, Justin Symonds<br/>Post Production Coordinator: Ian Bryant<br/>Arts & Graphics Lead: Léa Kichler<br/>Supervising Editors: Erica DeLeo, Eduardo Araujo<br/>Post Production Supervisors: Alexa Deutsch, Andrea Farr<br/>Production Coordinators: Ava Kashar, Bailey Lica<br/>Production Manager: Natasha Soto-Albors<br/>Line Producer: Romeeka Powell<br/>Senior Director, Production Management: Jessica Schier<br/>Entertainment Director: Sergio Kletnoy<br/>Supervising Producer: Felicia Kelley<br/>Director of Content, Production: Rahel Gebreyes<br/>Senior Director, Programming: Linda Gittleson<br/>VP, Digital Video English: Thespena Guatieri<br/>Filmed on Location: The Pierre New York, a Taj Hotel
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1Prelude In D Minor / Allemande<br/>Written-By – Johann Sebastian Bach, John Dowland<br/>2Girl From Gothenburg<br/>Written-By – Martin Snell<br/>3Flutelode<br/>Written-By – Biff Byford<br/>4Blues For Joanne<br/>Written-By – Ric Jerrom<br/>5Five In A Van<br/>Written-By – Chris Garfield, Martin Snell<br/>6Red Hot Daddy (Reprise)<br/>7Frustration / Ends Away<br/>Written-By – Biff Byford, Chris Garfield, Liam Arthurs, Martin Snell, Nick Dew*, Nick Mann (11)<br/>8Little Frederique<br/>Written-By – Biff Byford, Rich Keys (3), Steve Channing<br/>9aexcerpt from The Shipper<br/>Written-By – Dave Holland (3)<br/>9bRock Me Babe<br/>Arranged By – Ric Jerrom<br/>Written-By – Melvin Jackson*<br/>10aOrganics<br/>Written-By – Liam Arthurs, Martin Snell, Nick Dew*<br/>10bRed Hot Daddy<br/>Written-By – Ian Ball (5)<br/>11The Gallery<br/>Written-By – Joni Mitchell<br/>12Preserve<br/>Written-By – Biff Byford, Liam Arthurs, Martin Snell, Nick Dew*, Rich Keys (3), Steve Channing<br/>13A Train Ago Last Saturday<br/>Written-By – Ric Jerrom <br/>Banjo – John Davidson (20) (tracks: 10b)<br/>Bass – Graham Heaney (tracks: 10b), Liam Arthurs (tracks: 2, 3, 4, 5, 7, 10a, 12), Rob Clark (20) (tracks: 9a,)<br/>Drums – Nick Dew* (tracks: 2, 3, 5, 7, 9a, 10a, 12, 13)<br/>Flute – Biff Byford (tracks: 3, 7, 8, 12)<br/>Guitar – Nick Mann (11), Pete Tidball (tracks: 10b), Ric Jerrom (tracks: 4), Rich Freeman (tracks: 1)<br/>Guitar [Silent Slide Guitar] – Steve Channing (tracks: 9b,)<br/>Guitar, Vocals – Marcia* (tracks: 11)<br/>Harp – Rich Keys (3) (tracks: 8, 9b, 12), Rob Rutterford (tracks: 9b)<br/>Lead Guitar – Chris Garfield (tracks: 5, 7,), John Millington (tracks: 9a,), Steve Channing (tracks: 4, 8, 12, 13)<br/>Organ [American Organ] – Martin Snell (tracks: 4)<br/>Photography – Shirley Levon<br/>Piano – Dave Holland (3) (tracks: 9a,), Martin Snell (tracks: 2, 3, 5, 7, 10a, 12, 13)<br/>Producer, Engineer, Cover [Design] – Mike Levon<br/>Vocals – Liam Arthurs (tracks: 7), Linda King (5) (tracks: 11), Ric Jerrom (tracks: 4, 9a, 9b, 13)<br/>Vocals, Kazoo, Trumpet, Ukulele – Ian Ball (5) (tracks: 10b)<br/>Washboard – Tina Barnes (tracks: 10b)<br/>
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Final Fitting: Kim Kardashian<br/>Director: Gabrielle Reich<br/>Director of Photography: Josh Herzog<br/>Editor: Lika Kumoi<br/>Producer: Gab Marie Safa<br/>Producer, On Set: Michelle Bruno<br/>Associate Producer: Lea Donenberg<br/>Assistant Camera: Claire Halloran<br/>Audio: Brianna Simmons<br/>Production Assistant: Quincy Primus<br/>Assistant Editor: Ben Harowitz<br/>Post Production Coordinator: Ian Bryant<br/>Supervising Editor: Erica DeLeo<br/>Post Production Supervisor: Alexa Deutsch<br/>Production Coordinators: Ava Kashar, Bailey Lica<br/>Production Manager: Natasha Soto-Albors<br/>Line Producer: Romeeka Powell<br/>Senior Director, Production Management: Jessica Schier<br/>Entertainment Director, Vogue: Sergio Kletnoy<br/>Supervising Producer: Felicia Kelley<br/>Director of Content, Production: Rahel Gebreyes<br/>Senior Director, Programming, Vogue: Linda Gittleson<br/>VP, Digital Video English: Thespena Guatieri<br/>Filmed on Location: The Ritz-Carlton New York, Central Park<br/>Sketch: By Cecilia Carlstedt, Courtesy of Maison Margiela
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Inside The Exhibition: Sleeping Beauties Reawakening Fashion<br/>Director: Catherine Orchard<br/>Director of Photography: Mike Lopez<br/>Editor: Estan Esparza<br/>Producer: Gabrielle Reich<br/>Producer, On Set: Kevyn Fairchild<br/>Associate Producers: Lea Donenberg, Jazz Pitcairn<br/>Assistant Camera: Pierce Pyrzenski, Eliza Kamerling-Brown<br/>Gaffer: Billy Voermann<br/>Audio: Lily Van Leeuwen, Gabe Quiroga<br/>Groomers: Laila Hayani, Jessi Butterfield<br/>Assistant Editor: Andy Morell<br/>Post Production Coordinator: Ian Bryant<br/>Supervising Editor: Erica DeLeo<br/>Post Production Supervisor: Alexa Deutsch<br/>Production Coordinators: Ava Kashar, Bailey Lica<br/>Production Manager: Natasha Soto-Albors<br/>Line Producer: Romeeka Powell<br/>Senior Director, Production Management: Jessica Schier<br/>Director of Content, Production: Rahel Gebreyes<br/>Senior Director, Programming, Vogue: Linda Gittleson<br/>VP, Digital Video English: Thespena Guatieri<br/>Special Thanks: The Metropolitan Museum of Art
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