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E X H I B I T I O N :DESPACHO
⏲ 6 min 93 sec ✓ 24-Jul-2014
Black Magic Pocket Camera vs Canon 550D
⏲ 87 sec ✓ 23-Jul-2014
Destroyed Robot New Version
⏲ 11 sec ✓ 14-Apr-2015
Episode Six : Siegy Gets Five Magic Beans
⏲ 1 min 32 sec ✓ 04-Jun-2012
30 second reel
⏲ 33 sec ✓ 02-Nov-2014
Sight, Sound & Story: Live \
⏲ 66 min 45 sec ✓ 13-Oct-2021
Pure Black Racing - In Black & White - Episode 1
⏲ 5 min 37 sec ✓ 26-Mar-2011
Sedona Day Trip
⏲ 1 min 3 sec ✓ 26-Feb-2014
DSC Minions NewsPaper
⏲ 31 sec ✓ 31-Dec-2015
A Summer's Day
⏲ 63 sec ✓ 07-Apr-2015
Suzuki Swift - #AllTheRightFeels Kissing - Social Media Advert
⏲ 10 sec ✓ 05-Jun-2018
Suzuki Swift - #AllTheRightFeels Office - Social Media Advert
⏲ 10 sec ✓ 05-Jun-2018
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_sedona-day-trip.jpg "Camera used: Black Magic Cinema Pocket CameranLens: Rokinon 7.5mm fish eye, lumix 20mmnShot in Pro Res 29.97 & 24p")
_e-x-h-i-b-i-t-i-o-n-despacho.webp "Testimony of My Residency at Sachaqa Centro de Arten nIn my dream I was speaking with plants under a sea of stars. Sleeping in the belly button of The Mother, clouds were making stories and dancing rainbow clothes in a bluebird sky. Butterflies came twirling smiling white stones next to a holy river where I found my heart. The children were angels, dressed in brown and black, wide-eyed and pure like transparent crystals. A pregnant woman was waiting there strong and beautiful, cooking new life.")
_black-magic-pocket-camera-vs-canon-550d.webp "Comparison tests between my old 550 and the Black magic pocket camera which is of interest as it has just dropped in price. Using a Sigma DC 18-50 2.8 on the Canon and a Lumix G 12-35 zoom. Canon was shot with Techniclor Cinestyle and the BM was set on Prores recoding using the flat filmstyle. Graded on FCP X by eye with a small amount of sharpening added to both (I always do this for the 550)nI think the BM may have the edge in definition but that may be the lens. Both were easy to grade and ha")
_destroyed-robot-new-version.webp "This is my latest attempt at this shot that I did 1 year ago! I decided to polish it for my show reel but I realized I wouldn't be able to get the quality that I wanted without re shooting and rendering everything. I spent a week on this shot this time (I picked it up from the texturing stage) for shooting, tracking, shading, lighting and compositing. nnI used 3DEqualizer for tracking, Arnold for rendering and Nuke for compositing.nnPlate shot with Black Magic Production Camera 4K.nHDRI shot wit")
_episode-six-siegy-gets-five-magic-beans.webp "I'm making a ONE MAN feature film. nNo budget. No experience.nVideo blogging as I go.nEnjoy :DnnEpisode Six : Siegy Gets Five Magic Beans.nn______________________________nbefriend - facebook.com/siegyjnfollow - twitter.com/siegyjnemail subscribe - mahmon.comn______________________________nnTECH:nFilmed on iPhone 4nEdited in Adobe PremierennSPECIAL THANKS TO:nPhilip Bloom at philipbloom.net - what to buynDave Dugdale at learningdslrvideo.com - how to use itnThe team at raindance.co.uk - writing a")
_30-second-reel.webp "www.timbahrij.comnnMusic is Memtrix - All You Are (Original Mix).mp3nn0:04-0:06 nBliss n eso - g-shock watch collaboration release advertisement. (2014)nrole: Watch retopology for watch band, front face & text tracing, exterior body (blender and maya).n0:06-0:09 nrotoscope & cleaning stage equipment, lights and people out of shot (after effects) , 'time stops still in the eye of the storm' 3d text modelling (blender and maya).nLink https://www.youtube.com/watch?v=JE-CNfO5pZ8nn0:09-0:14nF")
_sight-sound-amp-story-live-92.webp "The monthly online event series Sight, Soundas well as show examples of Claudia and Matt's work.nnnFind out more about our events at www.SightSoundAndStory.com.nnnPANELISTS:nMatt Porwoll is an Emmy® award-winning cinematographer based in New York.His work has screened theatrically, appeared on TV networks such as Discovery, Showtime, HBO, CNN, A&E, and PBS, as well as online outlets including Vogue, Glamour, Wired, Teen Vogue and W Magazine.Recently, Porwoll shot the film")
_pure-black-racing-in-black-amp-white-episode-1.webp "This is the first episode of")
_sedona-day-trip.webp "Camera used: Black Magic Cinema Pocket CameranLens: Rokinon 7.5mm fish eye, lumix 20mmnShot in Pro Res 29.97 & 24p")
_dsc-minions-newspaper.webp "This was a real fun one to do.John our Creative Director and Owner here at Magic Feather came up with this idea.Again we needed to tie into the whole Shark Week and what better way then to have the sharks themselves reviewing the movie.So funny.nnTo accomplish this one I started by creating all the newspapers in Photoshop and a fairly large resolution.Then I moved over to Maya.The newspapers were one model slightly altered visually and then UV mapped so I had a separate texture assigne")
_a-summer39s-day.webp "The Poem is Sonnet 18 by William Shakesphere. Footage shot with the Black Magic 4k nProduction Camera.nnShall I compare thee to a summer's day? nThou art more lovely and more temperate:nRough winds do shake the darling buds of May,nAnd summer's lease hath all too short a date: nSometime too hot the eye of heaven shines,nAnd often is his gold complexion dimm'd; nAnd every fair from fair sometime declines,nBy chance, or nature's changing course, untrimm'd;nBut thy eternal summer shall not fadenNor")
_suzuki-swift-alltherightfeels-kissing-social-media-advert.webp "A commercial I shot for Johnny Gun and Suzuki cars.nnClient: SuzukinProduction Company: Johnny Gun / Fresh Eye FilmsnDirector: Justin Beachcroft-ShawnExecutive Producers: Brian Critchfield and Gavin GillespienProduction Manager: Lindy KassebaumnAssistant Director: Sean O’SullivannDirector Of Photography: Rick JoaquimnFocus Puller: Micha BritznLoader / 2nd AC: Langelihle (Sivuku) ChabalalanGaffer: WP HaaknGrip: Tyler GeldenhuysnDIT: Chris HarveynArt Director: Margaux Du PreeznColourist: Nic Apo")
_suzuki-swift-alltherightfeels-office-social-media-advert.webp "A commercial I shot for Johnny Gun and Suzuki cars.nnClient: SuzukinProduction Company: Johnny Gun / Fresh Eye FilmsnDirector: Justin Beachcroft-ShawnExecutive Producers: Brian Critchfield and Gavin GillespienProduction Manager: Lindy KassebaumnAssistant Director: Sean O’SullivannDirector Of Photography: Rick JoaquimnFocus Puller: Micha BritznLoader / 2nd AC: Langelihle (Sivuku) ChabalalanGaffer: WP HaaknGrip: Tyler GeldenhuysnDIT: Chris HarveynArt Director: Margaux Du PreeznColourist: Nic Apo")
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