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STORY: Mr. Raj Kapoor (Ashwin Kaushal), a resident of Sunflower housing society, is found dead in his apartment. When the police officers begin their investigations, majority of the residents and frequent visitors become suspects. Will the cops be able to crack this case?<br/><br/>REVIEW: Based in Mumbai, ‘Sunflower’ revolves around a murder that occurs in a middle-class housing society of the same name. When Mumbai police officers— Digendra (Ranvir Shorey) and Chetan Tambe (Girish Kulkarni) begin investigating the case, they suspect nearly everyone. However, Sonu Singh (Sunil Grover), a simpleton living in the same society, is drawn into the murder mystery and becomes the prime suspect. What happens next forms the crux of the story.<br/><br/>This engaging eight-part situational crime comedy is co-written by Vikas Bahl (writer-director of popular Bollywood films 'Queen' and 'Super30') and Chaitali Parmar. Along with Rahul Sengupta, Vikas wears the director's hat in this series, which marks his digital debut as well. Right from the start, the audience is aware of how one of the society's occupants (Raj Kapoor) died. But it’s the narrative—which revolves around the investigation proceedings and how everyone fits into the suspect category—that has been interestingly penned down with a dash of humour and plenty of thrills.<br/><br/>The screenplay is intriguing throughout, thanks to its quirky characters with odd tics and characteristics that define them, as well as the subplots that blend well into this character-driven plot. For instance, Sonu Singh, a 35-year-old eccentric salesperson with Obsessive-compulsive disorder (OCD), keeps everything perfectly organised—from his foot mat to everything on his work table. Dilip Iyer (Ashish Vidyarthi) is another character who aspires to be the chairman of Sunflower Society in order to make it a happier place to live. Imagine he has a committee of members that interview everyone who wishes to stay in this society and have stringent rules against allowing unmarried people, divorcees, queers, and so on. Then there's Mr Ahuja (Mukul Chadda), a lecturer by profession with a smirky appearance and a courteous demeanour, and his ever-supportive wife (Radha Bhatt). Overall, the majority of the scenes revolve around a small group of society members, depicting everything from internal society politics to nosy neighbours.<br/><br/>While the first few episodes keep you hooked primarily due to the involvement of so many characters and their personal lives, as well as their link to the crime, there are some that drag on, especially those involving Sonu caring for Mr. Tondon (Sameer Kakkar). Ideally, the shorter episodes and tight editing (by Konark Saxena) would have aided the plot's progression while maintaining the show's pace. The background score composed by Sahej Bakshi and Vesh Shrivastava is interesting and complements the story well.<br/><br/>Sunil Grover plays Sonu Singh to perfection, never straying from his role as a lonely man with no social circle
⏲ 36:14 👁 1.9M
Quarterback Plug
⏲ 59 seconds 👁 6.2M
YoBoy PIZZA
⏲ 18 minutes 33 seconds 👁 439.9K
STORY: Mr. Raj Kapoor (Ashwin Kaushal), a resident of Sunflower housing society, is found dead in his apartment. When the police officers begin their investigations, majority of the residents and frequent visitors become suspects. Will the cops be able to crack this case?<br/><br/>REVIEW: Based in Mumbai, ‘Sunflower’ revolves around a murder that occurs in a middle-class housing society of the same name. When Mumbai police officers— Digendra (Ranvir Shorey) and Chetan Tambe (Girish Kulkarni) begin investigating the case, they suspect nearly everyone. However, Sonu Singh (Sunil Grover), a simpleton living in the same society, is drawn into the murder mystery and becomes the prime suspect. What happens next forms the crux of the story.<br/><br/>This engaging eight-part situational crime comedy is co-written by Vikas Bahl (writer-director of popular Bollywood films 'Queen' and 'Super30') and Chaitali Parmar. Along with Rahul Sengupta, Vikas wears the director's hat in this series, which marks his digital debut as well. Right from the start, the audience is aware of how one of the society's occupants (Raj Kapoor) died. But it’s the narrative—which revolves around the investigation proceedings and how everyone fits into the suspect category—that has been interestingly penned down with a dash of humour and plenty of thrills.<br/><br/>The screenplay is intriguing throughout, thanks to its quirky characters with odd tics and characteristics that define them, as well as the subplots that blend well into this character-driven plot. For instance, Sonu Singh, a 35-year-old eccentric salesperson with Obsessive-compulsive disorder (OCD), keeps everything perfectly organised—from his foot mat to everything on his work table. Dilip Iyer (Ashish Vidyarthi) is another character who aspires to be the chairman of Sunflower Society in order to make it a happier place to live. Imagine he has a committee of members that interview everyone who wishes to stay in this society and have stringent rules against allowing unmarried people, divorcees, queers, and so on. Then there's Mr Ahuja (Mukul Chadda), a lecturer by profession with a smirky appearance and a courteous demeanour, and his ever-supportive wife (Radha Bhatt). Overall, the majority of the scenes revolve around a small group of society members, depicting everything from internal society politics to nosy neighbours.<br/><br/>While the first few episodes keep you hooked primarily due to the involvement of so many characters and their personal lives, as well as their link to the crime, there are some that drag on, especially those involving Sonu caring for Mr. Tondon (Sameer Kakkar). Ideally, the shorter episodes and tight editing (by Konark Saxena) would have aided the plot's progression while maintaining the show's pace. The background score composed by Sahej Bakshi and Vesh Shrivastava is interesting and complements the story well.<br/><br/>Sunil Grover plays Sonu Singh to perfection, never straying from his role as a lonely man with no social circle d
⏲ 36:45 👁 2.1M
Dexton Crutchfield
⏲ 38 seconds 👁 7.3M
YoBoy PIZZA
⏲ 13 minutes 36 seconds 👁 2.6M
Kingdom of the Planet of the Apes Movie Clip - We Will Name Her Nova <br/><br/>US Release Date: May 10, 2024<br/>Starring: Freya Allan, Kevin Durand, Owen Teague<br/>Director : Wes Ball<br/>Synopsis: Many years after the reign of Caesar, a young ape goes on a journey that will lead him to question everything he's been taught about the past and make choices that will define a future for apes and humans alike.
⏲ 1:12 👁 565K
YoBoy PIZZA
⏲ 20 minutes 12 seconds 👁 675.1K
TFVGaming
⏲ 10 minutes 3 seconds 👁 19.8K
Not since the New Beetle debuted in 1998 has Volkswagen dipped so heavily into its iconic past to launch an all-new vehicle. With the new ID. Buzz poised to hit showroom floors later this year, VW Senior Product Planner Ryan Gavin gave Forbes a sneak peek at the 2024 New York International Auto Show. <br/><br/>Between its history-inspired body lines and optional two-tone paint schemes, the ID. Buzz will draw as much attention as modern exotic cars, and not just from aging Deadheads. While its exterior styling borrows heavily from the original VW Microbus, including the oversized “VW” front logo, rear roof pillar air vents, and boxy shape, the interior features an array of modern tech. Dual power-sliding doors and a power rear liftgate feature Volkswagen’s “Easy Open and Close” tech, meaning a simple swipe of your foot beneath the doors will cause them to open (assuming the keys are nearby).<br/><br/>Once inside passengers will find ambient lighting, an optional panoramic sunroof with electrochromic tinting (can go from clear to opaque at the touch of a button), and a standard 12.9-inch central touchscreen featuring wireless App-Connect technology and wireless device charging. Flexibility comes from a removable center console, a sliding second-row seat that also folds down or reclines, a removable third-row seat, and standard features like a heated steering wheel, heated, ventilated and massaging front seats, heated outboard second-row seats, and a nine-speak auto system (a 14-speaker Harman Kardon system is optional).<br/><br/>With its impressive standard equipment list, wide range of interior and exterior design options, and advanced technology, this electric van could have the same impact on Volkswagen’s brand as the 1998 New Beetle, meaning a flood of demand from both traditional and new VW customers, along with a level of cultural impact worthy of the ID. Buzz’ name.<br/><br/>Read more on Forbes:<br/>https://www.forbes.com/sites/kbrauer/2023/06/02/volkswagen-id-buzz-the-future-and-past-converge-in-vws-newest-ev/ <br/><br/>For more from Scotty Reiss:<br/>https://agirlsguidetocars.com/<br/><br/>Subscribe to FORBES: https://www.youtube.com/user/Forbes?sub_confirmation=1<br/><br/>Fuel your success with Forbes. Gain unlimited access to premium journalism, including breaking news, groundbreaking in-depth reported stories, daily digests and more. Plus, members get a front-row seat at members-only events with leading thinkers and doers, access to premium video that can help you get ahead, an ad-light experience, early access to select products including NFT drops and more:<br/><br/>https://account.forbes.com/membership/?utm_source=youtube&utm_medium=display&utm_campaign=growth_non-sub_paid_subscribe_ytdescript<br/><br/>Stay Connected<br/>Forbes newsletters: https://newsletters.editorial.forbes.com<br/>Forbes on Facebook: http://fb.com/forbes<br/>Forbes Video on Twitter: http://www.twitter.com/forbes<br/>Forbes Video on Instagram: http://instagram.com/forbes<br/>More From Forbes:http://forbes.com<br/><br/>Forbes covers the intersection of entrepreneurship
⏲ 2:28 👁 365K
STORY: Mr. Raj Kapoor (Ashwin Kaushal), a resident of Sunflower housing society, is found dead in his apartment. When the police officers begin their investigations, majority of the residents and frequent visitors become suspects. Will the cops be able to crack this case?<br/><br/>REVIEW: Based in Mumbai, ‘Sunflower’ revolves around a murder that occurs in a middle-class housing society of the same name. When Mumbai police officers— Digendra (Ranvir Shorey) and Chetan Tambe (Girish Kulkarni) begin investigating the case, they suspect nearly everyone. However, Sonu Singh (Sunil Grover), a simpleton living in the same society, is drawn into the murder mystery and becomes the prime suspect. What happens next forms the crux of the story.<br/><br/>This engaging eight-part situational crime comedy is co-written by Vikas Bahl (writer-director of popular Bollywood films 'Queen' and 'Super30') and Chaitali Parmar. Along with Rahul Sengupta, Vikas wears the director's hat in this series, which marks his digital debut as well. Right from the start, the audience is aware of how one of the society's occupants (Raj Kapoor) died. But it’s the narrative—which revolves around the investigation proceedings and how everyone fits into the suspect category—that has been interestingly penned down with a dash of humour and plenty of thrills.<br/><br/>The screenplay is intriguing throughout, thanks to its quirky characters with odd tics and characteristics that define them, as well as the subplots that blend well into this character-driven plot. For instance, Sonu Singh, a 35-year-old eccentric salesperson with Obsessive-compulsive disorder (OCD), keeps everything perfectly organised—from his foot mat to everything on his work table. Dilip Iyer (Ashish Vidyarthi) is another character who aspires to be the chairman of Sunflower Society in order to make it a happier place to live. Imagine he has a committee of members that interview everyone who wishes to stay in this society and have stringent rules against allowing unmarried people, divorcees, queers, and so on. Then there's Mr Ahuja (Mukul Chadda), a lecturer by profession with a smirky appearance and a courteous demeanour, and his ever-supportive wife (Radha Bhatt). Overall, the majority of the scenes revolve around a small group of society members, depicting everything from internal society politics to nosy neighbours.<br/><br/>While the first few episodes keep you hooked primarily due to the involvement of so many characters and their personal lives, as well as their link to the crime, there are some that drag on, especially those involving Sonu caring for Mr. Tondon (Sameer Kakkar). Ideally, the shorter episodes and tight editing (by Konark Saxena) would have aided the plot's progression while maintaining the show's pace. The background score composed by Sahej Bakshi and Vesh Shrivastava is interesting and complements the story well.<br/><br/>Sunil Grover plays Sonu Singh to perfection, never straying from his role as a lonely man with no social circle
⏲ 29:54 👁 1.6M
STORY: Mr. Raj Kapoor (Ashwin Kaushal), a resident of Sunflower housing society, is found dead in his apartment. When the police officers begin their investigations, majority of the residents and frequent visitors become suspects. Will the cops be able to crack this case?<br/><br/>REVIEW: Based in Mumbai, ‘Sunflower’ revolves around a murder that occurs in a middle-class housing society of the same name. When Mumbai police officers— Digendra (Ranvir Shorey) and Chetan Tambe (Girish Kulkarni) begin investigating the case, they suspect nearly everyone. However, Sonu Singh (Sunil Grover), a simpleton living in the same society, is drawn into the murder mystery and becomes the prime suspect. What happens next forms the crux of the story.<br/><br/>This engaging eight-part situational crime comedy is co-written by Vikas Bahl (writer-director of popular Bollywood films 'Queen' and 'Super30') and Chaitali Parmar. Along with Rahul Sengupta, Vikas wears the director's hat in this series, which marks his digital debut as well. Right from the start, the audience is aware of how one of the society's occupants (Raj Kapoor) died. But it’s the narrative—which revolves around the investigation proceedings and how everyone fits into the suspect category—that has been interestingly penned down with a dash of humour and plenty of thrills.<br/><br/>The screenplay is intriguing throughout, thanks to its quirky characters with odd tics and characteristics that define them, as well as the subplots that blend well into this character-driven plot. For instance, Sonu Singh, a 35-year-old eccentric salesperson with Obsessive-compulsive disorder (OCD), keeps everything perfectly organised—from his foot mat to everything on his work table. Dilip Iyer (Ashish Vidyarthi) is another character who aspires to be the chairman of Sunflower Society in order to make it a happier place to live. Imagine he has a committee of members that interview everyone who wishes to stay in this society and have stringent rules against allowing unmarried people, divorcees, queers, and so on. Then there's Mr Ahuja (Mukul Chadda), a lecturer by profession with a smirky appearance and a courteous demeanour, and his ever-supportive wife (Radha Bhatt). Overall, the majority of the scenes revolve around a small group of society members, depicting everything from internal society politics to nosy neighbours.<br/><br/>While the first few episodes keep you hooked primarily due to the involvement of so many characters and their personal lives, as well as their link to the crime, there are some that drag on, especially those involving Sonu caring for Mr. Tondon (Sameer Kakkar). Ideally, the shorter episodes and tight editing (by Konark Saxena) would have aided the plot's progression while maintaining the show's pace. The background score composed by Sahej Bakshi and Vesh Shrivastava is interesting and complements the story well.<br/><br/>Sunil Grover plays Sonu Singh to perfection, never straying from his role as a lonely man with no social circle
⏲ 38:18 👁 1.5M
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