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Lyrics <br/>Usually never cry at all<br/>I would say I’m pretty tough<br/>But it’s been a couple weeks now and I still feel stuck in my lungs <br/>And usually I go out on nights<br/>And not think of u once<br/>But if they start playing that song<br/>I can’t help but to think about us<br/> <br/>Really thought I’d be done with the hardest part<br/>When I pulled myself out of my arms<br/>Wish I knew that was only the start<br/>and now I’m falling apart<br/>cause<br/> <br/>Last night for the very first time<br/>You didn’t even try to call<br/>oh I<br/>won’t lie<br/>I thought I might die<br/>I couldn’t even sleep at all<br/>And maybe I’ll get used to it<br/>But right now I just feel like shit<br/> <br/>So I kissed somebody else<br/>Just to see how it felt<br/>But all that was going through my brain<br/>Was your hands around my waist<br/>You know how to do it so well<br/> <br/>Really thought I’d be done with the hardest part<br/>When I pulled myself out of my arms<br/>Wish I knew that was only the start<br/>and now I’m falling apart<br/>cause<br/> <br/>Last night for the very first time<br/>You didn’t even try to call<br/>oh I<br/>won’t lie<br/>I thought I might die<br/>I couldn’t even sleep at all<br/>And maybe I’ll get used to it<br/>But right now I just feel like shit<br/> <br/>And if I get a little too drunk<br/>I start thinking<br/>What if you were the one?<br/>But I know that the damage is done<br/>And I still have the shirt that you wore<br/>When we first met<br/>It’s there on the floor<br/>I might kick it under the bed<br/>Hoping that I could forget<br/>That<br/> <br/>Last night for the very first time<br/>You didn’t even try to call<br/>oh I<br/>won’t lie<br/>I thought I might die<br/>I couldn’t even sleep at all<br/>And maybe I’ll get used to it<br/>But right now I just feel like shit <br/> <br/>CREDITS <br/>Starring: Tate McRae & Mason Cutler <br/><br/>A special thank you to Michelle Dawley for creative vision, choreography and direction! <br/> <br/>Director: Sam Sulam <br/>Executive Producer: Maximilian Kurzweil <br/>Producer: Abi Perl <br/>Production: AB Films <br/>Creative Director: Jenna Marsh <br/> <br/>Management: Dirk Hemsath, David Conway, Matt Feldman, Victoria Henderson <br/>Video Commissioner: Sabrina Rivera <br/>Video Rep: Karina Lopez <br/>RCA Marketing: Nick Pirovano <br/>RCA A&R: Jake Ottmann <br/><br/>Assistant Director: Art Brainard <br/>Director Of Photography: David Okolo <br/>AC: Daniel Worlock <br/>2nd AC: Natalie Abraham <br/>Mm + Editor: Nicky Keros <br/>Trinity Op: Niels Lindelien <br/> <br/>Creative Lead & Choreographer: Michelle Dawley <br/>Choreographer: Noelle Marsh <br/>Body Double: Jason Glover <br/>Production Designer: Alexah Acuna <br/>Art Director: Parhom Jamshidi <br/>Art Assistant: Per Alexah <br/>Set Dresser: Eric Heresy <br/>Art Assistant: Angela Rojas <br/>Stylist: Katie Qian <br/>Stylist Assistant: Julianne Sevilla <br/>Tate McRae Hair: Ryan Richman <br/>Tate McRae Make-Up: Gilbert Soliz <br/>Mason Cutler Groomer: Alexa Hernandez <br/>Cco: Justin Smith <br/>Vfx: Milan Nikolik <br/>Color Grade: Gregory Reese @ Primary Color <br/>Beauty Post: Michael Tanji <br/>Title Design: Jordan Marks <br/>
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THE PEASANTS<br/><br/>CHŁOPI<br/><br/>Directed by DK Welchman and Hugh Welchman<br/>Poland, Serbia, Lithuania | 115 min | 2023 | oil-painting animation | Polish<br/><br/>THE PEASANTS tells the story of Jagna, a young woman determined to forge her own path within the confines of a late 19th century Polish village – a hotbed of gossip and on-going feuds, held together, rich and poor, by pride in their land, adherence to colourful traditions and a deep-rooted patriarchy. When Jagna finds herself caught between the conflicting desires of the village’s richest farmer, his eldest son and other leading men of the community, her resistance puts her on a tragic collision course with the community around her.<br/><br/>Credits <br/><br/>Director: DK Welchman (aka Kobiela), Hugh Welchman<br/>Screenplay: DK Welchman, Hugh Welchman<br/>Cinematography: Radosław Ładczuk, Kamil Polak, Szymon Kuriata<br/>Director of Animation: Piotr Dominiak<br/>Editing: DK Welchman, Patrycja Piróg,Miki Węcel <br/>Production Design: Elwira Pluta<br/>Costume Design: Katarzyna Lewińska<br/>Music / Composer:Łukasz „L.U.C.” Rostkowski<br/>Hair and Make-Up:Waldemar PokromskiMirosława Wojtczak<br/><br/>Cast: Kamila Urzędowska, Robert Gulaczyk, Mirosław Baka, Sonia Mietielica, Ewa Kasprzyk, Cezary Łukaszewicz, Małgorzata Kożuchowska, Sonia Bohosiewicz, Dorota Stalińska, Andrzej Konopka, Mateusz Rusin, and Maciej Musiał. <br/><br/>Produced by: Breakthru Films (LOVING VINCENT)<br/>Co-produced by: Digitalkraft d o.o., Art. Shot vsį, Breakthru Productions Sp. z o.o., Canal + Polska S.A., Narodowy Centrum Kultury, Mazowiecki Instytut Kultury, SKP Ślusarek Kubiak Pieczyk Sp. k.<br/><br/>With the support of: Polish Film Institute, Film Center Serbia, Lithuanian Film Center<br/>Co-financed by: The Polish National Foundation<br/><br/>Financed by funds from the Minister of Culture and National Heritage<br/><br/>From the creators of Oscar-nominated LOVING VINCENT<br/><br/>Official Entry: Poland – Best International Feature Film | 96th Academy Awards®<br/><br/>https://neweuropefilmsales.com/movies/the-peasants/
⏲ 1:50 👁 15K
Video Presentation By Advance Makeupartistry Student of Lakme Academy Rashbehari, Kolkata, Lakmé Academy rashbehari Kolkata powered by Aptech is a partnership between two industry stalwarts - Lakmé & Aptech with decades of experience in beauty and training. With job-oriented training in all aspects of beauty & wellness including Makeup, Hair Care, Cosmetology, Skin Care and Nail Art, Lakmé Academy Kolkata empowers you for careers in the beauty industry.<br/><br/>https://sites.google.com/view/lakmeacademykolkatarashbehari/home<br/><br/><br/>Ph No. - 6289907503 / 6289907504
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Saweetie's hair \
⏲ 1:28 👁 10K
This artist aimed to demonstrate how to correct ink errors when using a ballpoint pen for drawing.<br/><br/>He embarked on this journey armed with just a drawing pad and his trusty ballpoint pen. Initially appearing as a whimsical sketch, the artist skillfully transformed his strokes into the delicate features of a girl, captivating viewers with his talent.<br/><br/>As he delicately drew her hair, he strayed some strands onto her face.<br/><br/>Instead of despairing, the artist embraced this unexpected twist, turning it into a unique and endearing aspect of his creation. With finesse and creativity, he seamlessly integrated the ink mistake into the portrait and turned what might have been perceived as an error into a captivating element of the artwork.<br/>Location: Jawa Barat, Indonesia<br/>WooGlobe Ref : WGA510995<br/>For licensing and to use this video, please email licensing@wooglobe.com
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The Penguins Of Madagascar Season 3 Episode 7 Hair Apparent
⏲ 13:40 👁 10K
Geet MP3 and GK Digital Present a Multi-Artist Album, \
⏲ 3:33 👁 85K
See how the hair and makeup specialists of Shōgun tackled the herculean challenge to prepare hundreds of actors and extras to meld seamlessly into the world of feudal Japan. FX's Shōgun is now streaming on Hulu.
⏲ 7:23 👁 40K
AMNA and Noelle aka Am and Noey are sisters. Not a couple, not twins, not brothers; but sisters. Noey - who is one year younger than Am - told truly: “How I would describe our relationship as sisters now, is first and foremost best friends.” The pair dressed as they pleased until high school when they said they felt more societal pressure to be feminine presenting. But after coming out to one another when they were at university and getting their hair cut short at the same time; their style started evolving. Noey said: “Now that we are expressing ourselves more masculine, one thing that we've started to realise in our personal opinion, is masculinity and femininity - it's just an energy or an essence. It doesn't mean that boys have to be masculine and girls have to be feminine.” The sisters have a big presence on TikTok and have received judgement on their pages regarding their sexuality and their style. Am explained: “One of the biggest common misconceptions about the way that we look is that people assume we are trying to look like men. We are wearing clothing that makes us feel good and it's as simple as that.” However, Am and Noey try to respond to hate with love and have recently launched a podcast called Metamorphosis (emphasis on the sis). They are going to a suit shop to try on their first ever custom-designed suits and will be revealing the look to their mom, Genevieve. Of their style she said: “What I love the most about it is the number of people that I see trying to mimic that style… Including me!”
⏲ 12:16 👁 20K
Flowers to all the DJs Playing our favorite music The melodies of my life The rhythm so therapeutic Everything that comes my way I'll turn around and get right to it It's good to be so alive On my way Check it out y'all To the beat y’all Baby I'm on my way Check it out y'all To the beat y’all Uno, dos, tres Can I kick it? Yes you can! Like we on a soccer field with something that y’all can feel Ya sick of negative vibes I got the pill And it won’t cost you a dollar bill 'cause I'm for real This is for my Raza Started getting dough but now the kitchens making maza Representation matters you dealin' with a monster Started from the bottom Now my dinner is a lobster The shrimp is in the pasta I'm 'bout to be a star like Al Pacino And Leo DiCaprio I'm stackin' C-notes So add a zero Had to go bag the baddest Leo I'm suited up Valentino, no cappuccino girl Let’s hold hands under the full Moon I got you long stem roses they in full bloom All you gotta do is get dressed I'm talking to her and success Baby I'm on my way! I hit you when I arrive We can hop in da ride We can hop on ya live Baby I'm on my way An amazing night We can play some Phife My mama raised me right Baby I'm on my way In this crazy life You my favorite type You move side to side Baby I'm on my way And my game is tight And ya frame is right Forget ya pain and strife Baby I'm on my way Flowers to all the DJs Playing our favorite music The melodies of my life The rhythm so therapeutic Everything that comes my way I'll turn around and get right to it It's good to be so alive On my way If you headed to the top this the song to play You gotta a good girl listen to this song today And envision all of your problems getting blown away Feeling good like you sippin' a bottle This is the motto My chick is a model I feel like I'm winnin’ the lotto You got ya hair done? Yup Ya Nails done? Yup Yea Wanna have fun? Yup! Ok! Baby I'm on my way! I hit you when I arrive We can hop in da ride We can hop on ya live Baby I'm on my way An amazing night We can play some Phife My mama raised me right Baby I'm on my way In this crazy life You my favorite type You move side to side Baby I'm on my way And my game is tight And ya frame is right Forget ya pain and strife Baby I'm on my way Baby I'm on my way
⏲ 3:13 👁 10K
Oh, I love it when you show, when you show <br/>When you show that you got my back <br/>If they ever try to roll, try to roll <br/>Try to roll on your name, I black <br/> <br/>How you hit 'em with the clothes and the stare <br/>And the hips and the hair like that <br/>Got me all up in the zone, in the zone <br/>In the zone, in the zone, like <br/> <br/>I don't wanna waste no time <br/>I don't wanna waste no time 'cause <br/>You are the, you are the crown <br/>I just wanna take your time and <br/>Everything is on the line, but I <br/>Would rather be dead <br/>If it's gonna mean a life that's lived without you, baby <br/> <br/>I guess that's love like this <br/>Usually, I never wanna jump like this <br/>But I think I wanna dump my chips 'cause <br/>I cannot go back <br/>I guess that's faith like this <br/>Give you everything and you can skate like this (woo) <br/>But I think I gotta take that risk 'cause <br/>I cannot go back <br/> <br/>And I'm lovin' what you say, what you say <br/>What you say when you're on my line <br/>If I never make it back, make it back <br/>Make it back from the chase, I'm fine <br/>Doesn't matter if it's left or it's right <br/>Your direction is on my mind <br/>Got me all up in the zone, in the zone <br/>In the zone, in the zone, like <br/> <br/>I don't wanna waste no time <br/>I don't wanna waste no time 'cause <br/>You are the, you are the crown <br/>I just wanna take your time and <br/>Everything is on the line, but I <br/>Would rather be dead <br/>If it's gonna mean a life that's lived without you, baby <br/> <br/>I guess that's love like this <br/>Usually, I never wanna jump like this <br/>But I think I wanna dump my chips 'cause <br/>I cannot go back <br/>I guess that's faith like this <br/>Give you everything and you can skate like this (woo) <br/>But I think I gotta take that risk 'cause <br/>I cannot go back <br/> <br/>One kiss, I am wrapped <br/>Two, four, six, my jack <br/>All I know is that <br/>I cannot go back <br/>One kiss, I am wrapped <br/>Two and I'm attached <br/>All I know is that <br/>I cannot go back <br/> <br/>I don't wanna waste no time <br/>You are the, you are the crown <br/>Everything is on the line, but I <br/>Would rather be dead <br/>If it's gonna mean a life that's lived without you, baby (babe) <br/> <br/>I guess that's love like this <br/>Usually, I never wanna jump like this <br/>But I think I wanna dump my chips 'cause <br/>I cannot go back <br/>I guess that's faith like this <br/>Give you everything and you can skate like this <br/>But I think I gotta take that risk 'cause <br/>I cannot go back <br/> <br/>(I cannot go back) <br/>I cannot go back <br/>But I think I gotta take that risk 'cause <br/>I cannot go back
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Boy Meets World Season 4 Episode 2 Hair Today, Goon Tomorrow
⏲ 25:9 👁 10K
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