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Astrobotic's Peregrine moon lander that suffered a propulsion system anomaly shortly after separation from its Vulcan Centaur rocket upper stage. A new image of the spacecraft shows \
⏲ 1:30 👁 3.3M
SILENCE 2: THE NIGHT OWL BAR SHOOTOUT is the story of a heinous crime. ACP Avinash Verma (Manoj Bajpayee) heads the Special Crime Unit. He's joined by Sanjana Bhatia (Prachi Desai), Amit Chauhan (Sahil Vaid), Raj Gupta (Vaquar Shaikh) and Javed (Nimesh Balaji Shinde). After the events of the last film, the unit has expanded though there's pressure on Commissioner Mayank Sharma (Manuj Bhaskar) to shut it down. One night, a deadly shootout takes place at Night Owl Bar where several people are killed. Avinash is asked to head the cast as the PA of a minister also dies in the shootout. Avinash and his team begin the investigation assuming that the shootout took place to eliminate the PA. But they soon realize that a girl present at the bar, Azma Khan (Surbhi Rohra), is the reason why the killings happened. She was present at the bar with her friend Irrfan and both were eliminated. As they investigate, the unit realizes that Azma was an escort. Meanwhile, the dead body of a girl named Tara Sachdev is found in Jaipur. Avinash realizes that there's a connection between the two murders. But it's not easy to zero in on a suspect as there are too many players involved, all with their own motives. What happens next forms the rest of the film.<br/><br/>Aban Bharucha Deohans' story is intriguing. Aban Bharucha Deohans' screenplay is captivating in places. In no time, one gets sucked into the goings-on. The writing is also peppered with a lot of unexpected developments. However, it gets too stretched in the middle. Aban Bharucha Deohans' dialogues have an impact but a few one-liners seem forced.<br/><br/>Aban Bharucha Deohans' direction is uncomplicated, which is very important since a lot happens in the film and there are too many suspects. As it happens in most whodunits, the director makes viewers guess who must be behind the killings and the motive for doing so. There’s also a human trafficking angle that adds a lot to the plot. In fact, the Jaipur episode keeps viewers on the edge of their seats. The suspense is unpredictable.<br/><br/>On the flipside, the film is 2 hours and 22 minutes long. It drags at some places. Though the makers try their best to keep the narrative simple, a few developments are confusing. The flashback of the killing at the bar is very unconvincing. How exactly the killer killed so many without a hindrance is not easy to digest. Also, the motive behind it is weak. A few developments are not depicted visually and are given a raw deal. It hampers the impact to some extent.
⏲ 2:22:15 👁 120K
 All Links: ☠️ More Movie Rumble https://rumble.com/c/c-5999868/videos BiliBili https://www.bilibili.tv/en/space/2055644159 dailymotion https://www.dailymotion.com/alexmapeli Copyright Disclaimer: - Under section 107 of the copyright Act 1976, allowance is mad for FAIR USE for purpose such a as criticism, comment, news reporting, teaching, scholarship and research. Fair use is a use permitted by copyright statues that might otherwise be infringing. Non- Profit, educational or personal use tips the balance in favor of FAIR USE. alexmapliejack@gmile.com
⏲ 3:19 👁 110K
One year after a love affair bound him up in a murder case, a foolish DJ has a one-night encounter that leads to even bigger kerfuffles related to his past.
⏲ 1:52:44 👁 140K
☕If you want to support the channel: https://ko-fi.com/rollthedices<br/>❤️‍ To support the project: https://www.kickstarter.com/projects/paulbrinkkemper/money-maker-the-goldsmiths-tale/description<br/>⭐ Website: https://www.moneymaker.games/<br/><br/> 2-6 players<br/> Ages 11+<br/>⌛90+ minutes<br/><br/>Introducing Money Maker – the board game that lets you live out the dream of printing your own money in the heart of the Golden Age of Amsterdam! Ever dreamt of making it big, of rolling in riches and conquering the world of finance? Well, grab your top hat and monocle, because it's time to turn those dreams into a reality!<br/><br/>In the 17th century, Amsterdam hit the jackpot with its Golden Age. The city became the ultimate global trading hotspot thanks to companies bringing in treasures from around the world. <br/><br/>The streets were buzzing with famous painters like Rembrandt and Vermeer, whose masterpieces still shine today. Amsterdam's iconic canals and charming canal houses were built during this time, making it a watery wonderland. <br/><br/>This is the scene of Money Maker, and here you play as an enterprising goldsmith who invented the most profitable business model in history: Banking
⏲ 2:59 👁 155K
I starring Chiyaan Vikram, Amy Jackson, Santhanam, Suresh Gopi, Ramkumar, Upen Patel, Powerstar Srinivasan, Yogi Babu and Ojas Rajani.<br/>I, the film, has three distinct acts. The first is of Lingesan (Vikram) obsessing over supermodel Diya (Amy Jackson), who smiles down at him from billboards and through the television and in newspapers. His fascination for her results in some bizarre manifestations like the song sequence where his handset and motorcycle (and even a fish in a supermarket) take Diya’s form.<br/><br/>When he is not being just a tad bit leery, Lingesan trains at Arnold Gym (very subtle nod to his idol) to prepare for the Mr. Tamil competition. When a bulky rival tries to scare him away, Lingesan challenges him to beat him at his game and not ask him to back away like a woman. (Bombast dialogue = 1. Notions of gender = 0). The competition plays with the standard masala humourthroughsongs like ‘Made in India’ and ‘Marhaba’to jolt you out of the staleness-induced stupor.<br/><br/><br/>There is a fight scene after that with a few muscled competitors and the hero, because winning graciously is a lost art on them. After punches and bodies fly thick through the air, there is a moment when the men regroup on the hero to jiggle their moobs at him. That is only beginning of the cringe-worthy scenes that are to follow.<br/>Meanwhile, Diya is constantly badgered by her co-model John (Upen Patel) for a date. She does not comply and he uses his clout to remove her from key assignments. Act 2 has Diya grooming Lingesan into Lee, a more enticing professional counterpart. Here, the makers throw in a transgender makeup artist (Ojas M Rajani), the stereotyping making the most hardened viewer recoil. Act 3 features a gruesome sabotage of the hero’s appearance, which morphs into a revenge drama. Lingesan, seething, disfigured and vengeful, will give it as good as he has gotten.<br/><br/><br/>I may not have an original concept, but a less tiresome execution could have worked immensely in its favour. The beginning may seem made with the quintessential flair of a standard potboiler, but the sequences shot in China are truly breathtaking. This happens in Act 2,when the proceedings are still light and Diya-Lee team up for a perfume advertisement. A fight scene shot on the rooftops, with murderous cyclists, is the only one that stands out in the entire film.<br/>Despite being a love story, the romance angle is uninspired. Diya does not seem drawn to Lingesan, except for his machismo.<br/><br/><br/>The dramatic scenes in the latter half of the film are heavy-handed and replete with ham moments that could give a butcher a complex. Lavishly shot song sequences to dot the narrative, end up stretching the film’s running time and the audience’s patience. Despite some stunning visuals, the songs offer little by way of melody.<br/><br/>Even Santhanam, as Lingesan’s friend, can do little to lighten up the dull story. The film is anchored by a good performance from Vikram in Quasimodo mode (that’s some great makeup there), which
⏲ 3:9:3 👁 390K
Threecops will have to go undercover to catch a ruthless movie who is murdering young runaway girls. Three female cops will have to go undercover to catch a ruthless movie maker who is murdering young runaway girls.
⏲ 1:15:39 👁 540K
Pushpa 2 - The Rule - Written and Directed by Sukumar. Produced by Naveen Yerneni and Y. Ravi Shankar of Mythri Movie Makers in Association with Sukumar Writings, the Film Stars Allu Arjun, Fahadh Faasil, Rashmika Mandanna, Dhanunjay, Rao Ramesh, Sunil, Anasuya Bharadwaj & Ajay Ghosh. The film's Music Is Composed by Devi Sri Prasad.<br/><br/>Song Credits:<br/>Singer: Mika Singh , Nakash Aziz<br/>Music: Rockstar DSP (Devi Sri Prasad)<br/>Music Label: T-Series<br/><br/>Film Credits:<br/>Story: Screenplay-Direction Sukumar Bandreddi<br/>Producers: Naveen Yerneni, Ravi Shankar Yalamanchili <br/>CEO: Cherry<br/>Music: Devi Sri Prasad<br/>Cinematographer: Miresłow Kuba Brożek<br/>Production Designer: S. Ramakrishna - Monica Nigotre<br/>Lyricist: Raqueeb Alam<br/>VFX Supervisor: Kamala Kannan<br/>Costume Designers: Deepali Noor - Sheetal Sharma<br/>Fights: Peter Hein, Kecha Kamphakdee, ”Dragon” Prakash, Nabakanta<br/>Choreographers: Prem Rakshith, Ganesh Acharya, Vijay Polaki, Shrashti Verma<br/>Character Designer: Preeti Sheel Singh <br/>CFO: Ch Nagabhushanam<br/>Executive Producer: Baba Sai Kumar Mamidipalli<br/>Chief Executive Producer: Kvv Bala Subramaniam<br/>Co-Director: Vishnu<br/>Banners: Mythri Movie Makers in Association with Sukumar Writings<br/>Pro: Eluru Srinu, Maduri Madhu<br/>Marketing - First Show Online Services Pvt Ltd <br/>Publicity: Max Media <br/>Branding: K R Siddharth<br/>Mix Engineer - Bipin<br/>DI & Sound Mixing: Annapurna Studios<br/>Sound Design: Resul Pookutty and Vijay Kumar<br/>Visual Promotion Team -Meganathan, Newton Prabhu, Yogi D.F.Tech, Vensan W, Dinesh
⏲ 4:20 👁 85K
Ittefaq talks about a challenging investigation of a double murder case. Dev, a police officer interrogates two witnesses who are also the suspects in a murder case to find out the truth. The screenplay was written by Abhay Chopra, Shreyas Jain, and Nikhil Mehrotra. The film was produced by Shah Rukh Khan, Karan Johar, Gauri Khan, Renu Ravi Chopra, and Hiroo Yash Johar and directed by Abhay Chopra. The makers of the film disclosed that the film will have a different climax than the original film Ittefaq (1969). This 2017 mysterious thriller stars Sidharth Malhotra, Akshaye Khanna, and Sonakshi Sinha. Clear cut editing by Nitin Baid and adept cinematography by Michal Luka makes it a watchable movie. It was released on 3 November 2017 and was distributed by AA Films. The music was composed by Tanishk Bagchi. The film was made on a budget of ₹29 crores and it collected ₹ 56.26 crores at the box office. The Censor Board has categorized the movie under UA certification and occupies a screen time of 107 minutes. The film has a non-stop schedule and was completed in 50 days.<br/>Karan Johar and Shah Rukh Khan have come together to bring to us a brand new Ittefaq in their 10th collaboration. A remake of the 1969 film Ittefaq, directed by Yash Chopra, the film has Sidharth Malhotra stepping into the shoes of Rajesh Khanna, Sonakshi Sinha in Nanda’s character and Akshaye Khanna as a cop played by Iftekhar in the original. The trailers promised an edge of the seat drama for all those who haven’t seen the original. But what about those who already have? I was really looking forward to find out what’s new in Sidharth-Sonakshi’s Ittefaq.<br/>One rainy night in Mumbai, two murders, two versions, two suspects, one truth. UK based novelist Vikram Sethi (Sidharth) is a prime suspect in two murders. One, of his wife Catherine and another of Maya’s (Sonakshi) husband Shekhar. While he has been pleading not guilty, Maya has been accusing him of killing her husband. For investigating officer Dev (Akshaye), both are suspects till he unearths the truth and finds Vikram’s motive behind killing Shekhar. Both Sidharth and Maya’s versions of the night when it all happened are believable, leaving you confused about who the real killer is. Are they really innocent or is one of them lying? Could there be a third person who’s actually committed the crime? Does the police truly want to nab the killer or just close this high profile case ASAP? Are these two murders on the same night, just hours away from each other an Ittefaq or have a connection?<br/>
⏲ 1:45:32 👁 45K
All Links: ☠️ More Movie Rumble https://rumble.com/c/c-5999868/videos BiliBili https://www.bilibili.tv/en/space/2055644159 dailymotion https://www.dailymotion.com/alexmapeli Copyright Disclaimer: - Under section 107 of the copyright Act 1976, allowance is mad for FAIR USE for purpose such a as criticism, comment, news reporting, teaching, scholarship and research. Fair use is a use permitted by copyright statues that might otherwise be infringing. Non- Profit, educational or personal use tips the balance in favor of FAIR USE. alexmapliejack@gmile.com
⏲ 0:40 👁 70K
The great Spanish guitar maker Pablo Requena explains here in this video how he makes the head Nut on the classical guitar.Apparently a piece that for many guitarists goes unnoticed but which is of great importance and which directly influences the playability of the instrument, and the avoidance of unwanted noises that annoy us guitarists so much. As always, it is a process in which we have to pay a lot of attention to build it well and take into account many very important details in order to finally have an ideal set up in our guitars.
⏲ 11:47 👁 40K
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⏲ 9:2 👁 35K
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