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Search Results - Showing 72 - 84 Of 139
PN18OYP
⏲ 71 sec ✓ 31-Oct-2023
OYP_CARROUSEL
⏲ 1 min 28 sec ✓ 31-Jan-2012
OYP Fruit Punch
⏲ 12 sec ✓ 07-Sep-2011
Waltz for one: Sophie's dance
⏲ 3 min 60 sec ✓ 16-Sep-2015
March 14, 2019 - Planning Commission Meeting
⏲ 125 min 40 sec ✓ 19-Mar-2019
OYP Jun22 - LP Vid 1
⏲ 1 min 33 sec ✓ 25-May-2022
So gone OYP Challenege
⏲ 1 min 21 sec ✓ 19-Aug-2016
March 12, 2020 - Planning Commission Meeting
⏲ 122 min 30 sec ✓ 16-Mar-2020
And What if I Ran? (excerpts)
⏲ 1 min 54 sec ✓ 11-Sep-2014
March 11, 2021 - Planning Commission (Virtual Meeting)
⏲ 129 min 52 sec ✓ 12-Mar-2021
And What if I Ran (Full-Studio)
⏲ 5 min 48 sec ✓ 11-Sep-2014
LOT # 0388 -- 2016 Ausa D1000AP
⏲ 55 sec ✓ 31-Jul-2021
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_oyp-carrousel.jpg "Anita Sto is a professional conceptual artist, who works with different media from drawings to paintings, photographs and stop-motion videos. From November 11th 2010, she has been engaged in a one-year performance piece, which mainly consisted in not looking at her-self in any kind of mirrors and/or reflecting surfaces.nn")
_pn18oyp.webp "PN18OYP from oyp")
_oyp-carrousel.webp "Anita Sto is a professional conceptual artist, who works with different media from drawings to paintings, photographs and stop-motion videos. From November 11th 2010, she has been engaged in a one-year performance piece, which mainly consisted in not looking at her-self in any kind of mirrors and/or reflecting surfaces.nn")
_oyp-fruit-punch.webp "Proposed motion graphic treatment for OYP Fruit Punch.")
_waltz-for-one-sophie39s-dance.webp "Ironically this dance for one, made as a gift for my wonderful dance teacher, Sophie, was made as a result of 12 micro-collaborations. Using the idea of a3/4 step, which I often find so difficult to count accurately, I asked for my colloboraters to dance with me and give me their waltz steps. I was given so many, and although the essence of these encounters is still in the dance the movements all contracted into a walking step which it became apparent in one lesson with Sophie that I have cons")
_march-14-2019-planning-commission-meeting.webp "1. Roll call: 0:04:00n4. Postponements: 0:05:17n4. Consent items: 0:06:38n. Resolution honoring Arthur Seymoir: 0:13:20n5. 3-A-19-OA: 0:16:06n8. 3-A-19-OYP: 0:18:05n10. 3-SB-19-C: 0:19:29n14 & 34. 12-SC-18-F / 12-E-18-UR: 1:10:26n. Break: 1:12:13n27. 3-C-19-RZ: 1:59:57n29. 3-E-19-RZ: 2:01:58n30. 3-F-19-RZ: 2:06:46n31. 3-B-19-SP / 3-G-19-RZ: 2:27:29n36. 3-B-19-UR: 2:53:35n42. 3-J-19-UR: 3:04:10")
_oyp-jun22-lp-vid-1.webp "OYP Jun22 - LP Vid 1 from oyp")
_so-gone-oyp-challenege.webp "Playing")
_march-12-2020-planning-commission-meeting.webp "1. Roll call: 0:04:23n4. Postponements: 0:05:40n4. Withdrawals: 0:07:29n4. Consent items: 0:08:39n5. 3-A-20-OYP: 0:14:26n7. 2-E-20-RZ/2-F-20-RZ/3-H-20-RZ: 0:18:34n7. 2-E-20-RZheard alone to postpone: 0:22:07n8. 2-F-20-RZ heard alone to postpone: 0:22:56n16. 3-H-20-RZ heard alone to postpone: 0:23:12n9. 3-A-20-RZ: 0:23:36n13. 3-E-20-RZ: 0:25:49n17. 3-I-20-RZ: 0:49:35n18. 3-A-20-SP: 0:51:26n19. 1-SA-20-C: 0:54:14n22. 2-A-20-UR: 1:06:26n. Break: 1:36:18n23. 3-A-20-UR: 1:50:31n24. 3-B-20-UR: 1:56:")
_and-what-if-i-ran-excerpts.webp "This piece was originally devised and submitted as my final assessment in the choreography component of my recent postgraduate studies at Trinity Laban Conservatoire of Music and Dance, and was later selected to be remounted on the Bonnie Bird Theatre. The creative process with the dancers began as an exploration of ‘relocation,’ which grew into an exploration of running, repetition, the mundaneness of cycles, the desire to break from routine and the relationships formed in the process. The")
_march-11-2021-planning-commission-virtual-meeting.webp ". Call to order: 0:01:43n1. Roll call: 0:01:47n. Governor Lee order: 0:02:46n1. Invocation/Pledge: 0:07:25n4. Postponements: 0:08:27n4. Withdrawals: 0:15:03n4. Consent items: 0:16:15n. Approve 30 &12 be heard together & approve agenda 522842282: 0:20:10n. Level 1 Hillside Protection : 0:21:26n11. 3-A-21-OYP: 0:22:46n30. 12-C-20-SU: 0:24:17n12. 12-B-20-RZ: 0:58:04n13. 1-E-21-SP/1-E-21-PA/1-C-21-RZ: 1:07:29n14. 2-E-21-RZ: 1:31:13n15. 3-A-21-RZ: 2:10:48n19. 3-B-21-SP/3-F-21-RZ: 2:16:21n21.")
_and-what-if-i-ran-full-studio.webp "This piece was originally devised and submitted as my final assessment in the choreography component of my recent postgraduate studies at Trinity Laban Conservatoire of Music and Dance, and was later selected to be remounted on the Bonnie Bird Theatre. The creative process with the dancers began as an exploration of ‘relocation,’ which grew into an exploration of running, repetition, the mundaneness of cycles, the desire to break from routine and the relationships formed in the process. The")
_lot-0388-2016-ausa-d1000ap.webp "2016 Ausa D1000AP 10 Ton Dumper, Roll Bar - KY16 OYP - 63274625nnBW")
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