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Jesse Cooday's 'Split Second on the Street' SeriesnnA split second is how long a Street Photographer has. The Black and White Street Photos from 1971 to 1982 were inspired by Diane Arbus.nThe 1985 photo of Artists from the exhibition, Women of Sweetgrass, Cedar and Sage, friends and community members outside the American Indian Community House Gallery, on Broadway by Jesse Cooday was inspired by the energy of the Artists and their Fans.nnn1. A photograph I took 'Portrait of two cannery workers i

A photograph I took 'Portrait in Kake Alaska during the raising of the World’s Largest Totem Pole in 1971'

⏲ 17 sec ✓ 26-Apr-2021

Post-film discussion with Stephanie Benally (Utah Foster Care) and Dena Ned (Associate Professor/Lecturer at the University of Utah College of Social Work), moderated by Utah Film Center's Russell Roots. Recorded live after the premiere of our free virtual screening of Brooke Swaney's film DAUGHTER OF A LOST BIRD on Ap 12, 2022, as part of our weekly Free Film Tuesday screenings.nnLearn more about Utah Film Center and our programming at https://www.utahfilmcenter.org.nnAbout the film:nThe docume

Daughter of a Lost Bird Post-Film Discussion

⏲ 24 min 53 sec ✓ 12-May-2022

File Name: MSC-18-100180nnTitle: Native Waters Youth Leadership Flat Iron Sooyii Camp Out Pt.1nnDescription: The video explores culture: songs, and dances of the Blackfeet people. The students listened to songs and were taught how to do certain dances. Soon after the elders talked about their school days, and how they were treated in school for being Indian. Including how many miles they had to travel to school, both winter and spring; some rode horseback, and others walked. Each student gave a

Native Waters Youth Leadership Flat Iron Sooyii Camp Out Pt.1

⏲ 38 min 64 sec ✓ 22-May-2019

Jesse Cooday's 'Split Second on the Street' SeriesnnA split second is how long a Street Photographer has. The Black and White Street Photos from 1971 to 1982 were inspired by Diane Arbus.nThe 1985 photo of Artists from the exhibition, Women of Sweetgrass, Cedar and Sage, friends and community members outside the American Indian Community House Gallery, on Broadway by Jesse Cooday was inspired by the energy of the Artists and their Fans.nnn1. A photograph I took 'Portrait of two cannery workers i

Jesse Cooday created an Animated photo of 'Door Man for Gayety Live Burlesk' on The Block, Baltimore' from the mid-70s Photo

⏲ 15 sec ✓ 25-Apr-2021

Jesse Cooday's 'Split Second on the Street' SeriesnnA split second is how long a Street Photographer has. The Black and White Street Photos from 1971 to 1982 were inspired by Diane Arbus.nThe 1985 photo of Artists from the exhibition, Women of Sweetgrass, Cedar and Sage, friends and community members outside the American Indian Community House Gallery, on Broadway by Jesse Cooday was inspired by the energy of the Artists and their Fans.nnn1. A photograph I took 'Portrait of two cannery workers i

A photograph I took 'Portrait in Greenwich Village, New York City' in 1982

⏲ 17 sec ✓ 26-Apr-2021

Jesse Cooday's 'Split Second on the Street' SeriesnnA split second is how long a Street Photographer has. The Black and White Street Photos from 1971 to 1982 were inspired by Diane Arbus.nThe 1985 photo of Artists from the exhibition, Women of Sweetgrass, Cedar and Sage, friends and community members outside the American Indian Community House Gallery, on Broadway by Jesse Cooday was inspired by the energy of the Artists and their Fans.nnn1. A photograph I took 'Portrait of two cannery workers i

A photograph I took 'Door Man for Gayety Live Burlesk on The Block, Baltimore' in the mid-70s

⏲ 17 sec ✓ 25-Apr-2021

Jesse Cooday's 'Split Second on the Street' SeriesnnA split second is how long a Street Photographer has. The Black and White Street Photos from 1971 to 1982 were inspired by Diane Arbus.nThe 1985 photo of Artists from the exhibition, Women of Sweetgrass, Cedar and Sage, friends and community members outside the American Indian Community House Gallery, on Broadway by Jesse Cooday was inspired by the energy of the Artists and their Fans.nnn1. A photograph I took 'Portrait of two cannery workers i

Jesse Cooday created an Animated photo of 'Portrait on Fifth Avenue, New York City' from 1981

⏲ 17 sec ✓ 26-Apr-2021

Jesse Cooday's 'Split Second on the Street' SeriesnnA split second is how long a Street Photographer has. The Black and White Street Photos from 1971 to 1982 were inspired by Diane Arbus.nThe 1985 photo of Artists from the exhibition, Women of Sweetgrass, Cedar and Sage, friends and community members outside the American Indian Community House Gallery, on Broadway by Jesse Cooday was inspired by the energy of the Artists and their Fans.nnn1. A photograph I took 'Portrait of two cannery workers i

Jesse Cooday created an Animated photo of 'Portrait in Greenwich Village, New York City' from the 1982 Photo

⏲ 10 sec ✓ 26-Apr-2021

Jesse Cooday's 'Split Second on the Street' SeriesnnA split second is how long a Street Photographer has. The Black and White Street Photos from 1971 to 1982 were inspired by Diane Arbus.nThe 1985 photo of Artists from the exhibition, Women of Sweetgrass, Cedar and Sage, friends and community members outside the American Indian Community House Gallery, on Broadway by Jesse Cooday was inspired by the energy of the Artists and their Fans.nnn1. A photograph I took 'Portrait of two cannery workers i

Jesse Cooday created an Animated photo of 'Portrait in Kake Alaska during raising of the World’s Largest Totem Pole in 1971'

⏲ 15 sec ✓ 26-Apr-2021

“I must learn English fast!”ntI held in my arms a small stack of slim white unlabeled boxes of maybe six tubes of toothpaste in each; also two symbolic urgent hours 9:00am and 12:20pm, and underneath finally adding a ‘deep sorrow’. In one troubled glimpse I saw my entire journey from my age 13 first year New York to now, lying in bed this very morning at a real quite old age of eighty-eight. And also, after having scribbled on awakening these words and thoughts on a clipboard beside my b

the compulsive newyorker – 051521

⏲ 16 min 82 sec ✓ 15-May-2021

A photograph I took 'Portrait of two cannery workers in Seet Kah (Petersburg) Alaska, with Sons of Norway in the background' in 1971nnJesse Cooday's 'Split Second on the Street' SeriesnnA split second is how long a Street Photographer has. The Black and White Street Photos from 1971 to 1982 were inspired by Diane Arbus.nThe 1985 photo of Artists from the exhibition, Women of Sweetgrass, Cedar and Sage, friends and community members outside the American Indian Community House Gallery, on Broadway

A photograph I took 'Portrait of two cannery workers in Seet Kah (Petersburg) Alaska 1971

⏲ 17 sec ✓ 03-May-2021

Jesse Cooday's 'Split Second on the Street' SeriesnnA split second is how long a Street Photographer has. The Black and White Street Photos from 1971 to 1982 were inspired by Diane Arbus.nThe 1985 photo of Artists from the exhibition, Women of Sweetgrass, Cedar and Sage, friends and community members outside the American Indian Community House Gallery, on Broadway by Jesse Cooday was inspired by the energy of the Artists and their Fans.nnn1. A photograph I took 'Portrait of two cannery workers i

A photograph I took 'Split Second on The Bowery, New York City' in 1980

⏲ 17 sec ✓ 26-Apr-2021

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