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Search Results - Showing 84 - 96 Of 120
Welcome to Brera
⏲ 4 min 68 sec ✓ 31-Jan-2019
Ole Bouman: Risk Conference at Taubman College
⏲ 13 min 1 sec ✓ 19-Apr-2012
Manila Biennale : Open City 2018
⏲ 65 sec ✓ 05-Mar-2018
Musica Viva Sessions: Alice Giles
⏲ 19 sec ✓ 07-Aug-2019
Wish I Was There: Dementia Care at the Seaside
⏲ 9 min 35 sec ✓ 12-Jun-2020
TCU Lupton Stadium ft. TEE™ Cable
⏲ 44 sec ✓ 01-Oct-2019
Francys Chenier Résidence de recherche
⏲ 3 min 0 sec ✓ 23-Jun-2017
VIVA TEL
⏲ 2 min 30 sec ✓ 12-Apr-2016
StrangeMoods_MoisMulti
⏲ 2 min 87 sec ✓ 09-Mar-2018
The Statler Dallas | Hotels and Residences
⏲ 1 min 57 sec ✓ 27-Apr-2018
Strange moods and dissonant feelings (work of the dancer: a short-term archival device)
⏲ 4 min 14 sec ✓ 13-Oct-2017
Karimah Ashadu in conversation with Osei Bonsu
⏲ 41 min 18 sec ✓ 06-Jul-2022
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_welcome-to-brera.webp "Official video of the Pinacoteca di BreranA tour inside the Pinacoteca di Brera, the architecture, the institutes, the rooms and the masterpieces from its permanent collection.nJames M. Bradburne will guide you to discover one of the most beautiful museums in Italy.nnWith the contribution of Amici di Breran––––––––nnVideo production Viva! | www.vivaonweb.comn––––––––nDirector & Editor - Giulio FioritonCinematographer - Giulia RosconCamera Operator - Marco Chiz")
_ole-bouman-risk-conference-at-taubman-college.webp "Ole Bouman: Risk Conference at Taubman College on March 30, 2012nnOle Bouman has been director of the Netherlands Architecture Institute (NAI) since April 2007. Before taking up that position he was editor-in-chief of the periodical Volume, a cooperative venture of Stichting Archis, AMO (the research bureau of OMA/Rem Koolhaas) and the Graduate School of Architecture, Planning and Preservation of Columbia University. He has curated a series of public events for the reconstruction of the public d")
_manila-biennale-open-city-2018.webp "“It’s about bringing back the soul of the city of Intramuros.” nnThe first Manila Biennale was set inside the walled city ofIntramuros from February 3 until March 5, 2018. For an entire month, its many gardens, plazas, chambers, and museums will be transformed into platforms for art, performance and expression.nnManila Biennale: Open City 2018 is a collaboration between major art institutions in Manila. It has collated the programming of Anthology Architecture and Design Festival, The Cult")
_musica-viva-sessions-alice-giles.webp "Experience the warmth and beauty of the harp at our first Musica Viva Sessions for 2019, featuring one of the world’s leading harpists, Alice Giles.nnSet within the inspiring architecture and memorials of the Sydney Jewish Museum, Alice presents an intimate solo recital of some of her favourite works, performed on her electro-acoustic harp.nnJoin us for pre-concert drinks or arrive from 5.30pm to view the Museum’s exhibitions, including the celebratory exploration of music in Jewish life –")
_wish-i-was-there-dementia-care-at-the-seaside.webp "Viva presentation for the MPhil in Architecture and Urban Design at Cambridge University")
_tcu-lupton-stadium-ft-tee-cable.webp "TEE™ Cable Railing System is a contemporary minimalistic design for a cable railing application. The structural “T” section offers the post stability against the tension from cable strands while concealing cable mounting hardware.Stainless steel cable infills available in 3/16” diameter cables and new 1/2″ diameter multiline “rods”.TEE stainless steel cable railing system is available in both top and fascia mount. Also sometimes referred to as wire rope railings, these are wide")
_francys-chenier-residence-de-recherche.webp "LA CHAMBRE BLANCHE est heureuse d’accueillir l’artiste Francys Chenier pour une résidence de recherche au centre de documentation du 3 avril au 7 mai. Le public est convié à une journée d’étude : La bibliothèque en tant que forme malléable (collection, meuble, bâtiment) à la fois contenant et contenu le 4 mai 2017, de 13h à 17h au centre de documentation de LA CHAMBRE BLANCHE. nnPour cette recherche, Chenier entend poursuivre la réflexion entamée dans le cadre de sa maîtrise p")
_viva-tel.webp "Discover TEL AVIV: colors, culture, architecture and nature in and all around the white city!!!nFilmed and edited by Maria Cristina Ramasco and Nicolò Roccatagliata.nItalian narration by Andrea Gado.")
_strangemoods-moismulti.webp "Video installation: performance, projection, video delayn42 minutesnn“I’m a dancer. When I trained to be a dancer, I was taught to be malleable, flexible, available, strong and to learn the movements of others as quickly as I possibly could. I was essentially training to be a manual labourer.” - Sarah WendtnnThis piece is both a finished work and an evolving creative process. It draws from texts such as “In praise of the dancing body” by Sylvia Federici, and Sara Wookey’s “Disappea")
_the-statler-dallas-124-hotels-and-residences.webp "The Statler Hotel was completed in 1956 and it was the first of its kind to feature new techniques and building materials in the architecture industry.Created by William B. Tabler, Statler features over 20 floors and over 1,000 guest rooms an in its opening year, The Stater Hotel came to be the “best block of 1950’s architecture in the city.A historic icon of Downtown, a soon to be $230 million renovations began several years later.A pool, bar and lounge area housed the top floor and g")
_strange-moods-and-dissonant-feelings-work-of-the-dancer-a-short-term-archival-device.webp "Excerpt from performance (40 min duration) at Confederation Centre of the Arts, Charlottetown, September, 2017. Event: Flotilla, creation: Sarah Wendt and Pascal Dufaux.nnVideo installation: performance, projection, video delayn42 minutesnn“I’m a dancer. When I trained to be a dancer, I was taught to be malleable, flexible, available, strong and to learn the movements of others as quickly as I possibly could. I was essentially training to be a manual labourer.” - Sarah WendtnnThis piece is")
_karimah-ashadu-in-conversation-with-osei-bonsu.webp "Vanishing Points, the public program curated by Bianca Stoppani and Paola Ugolini to accompany Penumbra, kicked off on June 6, 2022, with a conversation between artist Karimah Ashadu and Osei Bonsu, Curator for International Art at Tate Modern, London.nnThe conversation centred on Ashadu’s filmic practice, which is concerned with the perception of self and space, as well as with labour and notions of independence pertaining to the social, economic and cultural context of Nigeria and West Afric")
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