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UNSTOPPABLE DEATH MACHINES - \
⏲ 1 min 64 sec ✓ 16-Nov-2010
2008 Disgust Αηδίασμα
⏲ 2 min 85 sec ✓ 03-Apr-2013
THE DISGUST REEL - DAY 10
⏲ 6 sec ✓ 11-Feb-2022
The Joy of Slime - NOWNESS
⏲ 1 min 17 sec ✓ 08-Nov-2018
L'età dell'horror The Age of Horror teaser
⏲ 55 sec ✓ 27-Sep-2016
twenty l one l pilots live at venue 42 (lebanon, ohio) 12 5 11
⏲ 28 min 96 sec ✓ 12-Dec-2011
Eat it Too
⏲ 3 min 96 sec ✓ 27-Dec-2012
[hand-in] Expressions - Fear (3 6)
⏲ 46 sec ✓ 23-Mar-2013
Slime Dynamics
⏲ 69 sec ✓ 24-Nov-2017
Yamba Slamba
⏲ 1 min 75 sec ✓ 13-Jul-2015
otolab, derelicta
⏲ 18 min 19 sec ✓ 04-Dec-2010
Spoil Boy Teaser Trailer
⏲ 35 sec ✓ 23-Aug-2014
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_eat-it-too.jpg "Let Her Eat Cake is a series of three performances that occurred over the span 8 months. nThe first two performances ran for two hours each, and the third ran for ten hours.nnWhen I first started working with cake as a material in my performances, it became a way for me to theorize and symbolize my own developing femme identity. I see queer femme as an intentional, discerning performance of femininity that has nothing to do with biological gender. Femme is raucous, self-defining and non-complace")
_unstoppable-death-machines-92.webp "Brooklyn based distorto-noise-punks, UNSTOPPABLE DEATH MACHINES, exclusively premiere the music video for the titled track, ‘Slumlord,’ off their debut 7” EP, released on Last Ever. The brothers-death-machines collaborate with indie-prog-rock music video director, Scott Cramer, who directed the debut solo single, ‘Dark Art,’ from Hella drummer, Zach Hill-which premiered on Pitchfork.com, Electropaste.com, PasteMagazine.com and Fader.com.nn“‘Slumlord,’” says the Village Voice,")
_2008-disgust.webp "Performance based on the prose writings Disgust and Cockroaches by N.G.Pentzikis.n n“What is it I swallowed? It blocks my throat.nThe esophagus, a straight tight black tube, rubbery.nA tire tube you try to puncture with your finger.”n nPerformance nfor three actors and two microphonesnfor ennui and patentnfor bugs and foodn nOur vertiginous relation to matter / The mumble of a metaphysics of cheapnessn nOne hundred years since the birth of N.G.Pe")
_the-disgust-reel-day-10.webp "THE DISGUST REEL - DAY 10 from disgust")
_the-joy-of-slime-nowness.webp "In a new editorial collaboration between NOWNESS and Dazed Beauty, filmmaker Amy Gwatkin presents this satisfyingly sensual study of slime.")
_l39et-dell39horror-the-age-of-horror-teaser.webp "NEXT SHOWSn19 Sep 2019, The Place for Dance, London, UK premieren30-31 Oct 2019, Gender Bender Festival, Bologna/ITnn'An enlightened artistic meditation' (Il Giornale della Danza)nnA project born at the end of 2015, L’età dell’horror / The Age of Horror has found its origin and development in a series of polarities visible in the title. L’età dell’horror in fact sounds like “l’età dell’oro”, which in Italian means The Golden Age. The mythical period of primordial harmony an")
_twenty-l-one-l-pilots-live-at-venue-42-lebanon-ohio-12-5-11.webp "video shot and edited by: George Forstenn2011 idgf undergroundnnwww.facebook.com/gforstenwww.myspace.com/idgfundergroundnwww.youtube.com/twentyonepilotsnwww.twentyonepilots.comnwww.myspace.com/twentyonepilotsnwww.twitter.com/twentyonepilotsnndisclaimer: This video is released with permission from the band.This video is for FREE PROMOTION ONLY.No profit is to be made off of this video.nnband members:nTyler JosephnJosh Dunnnwho: ntwenty one pilots has decided to manifest itself as two guys.nnw")
_eat-it-too.webp "Let Her Eat Cake is a series of three performances that occurred over the span 8 months. nThe first two performances ran for two hours each, and the third ran for ten hours.nnWhen I first started working with cake as a material in my performances, it became a way for me to theorize and symbolize my own developing femme identity. I see queer femme as an intentional, discerning performance of femininity that has nothing to do with biological gender. Femme is raucous, self-defining and non-complace")
_hand-in-expressions-fear-3-6.webp "As a part of my self directed study I decided to look into how we communicate with body language and facial expression. I found that there are a lot of cultural differences in how people communicate using non-verbal signals; yet there are six specific facial expressions that are used to mean the same emotions worldwide: joy, fear, disgust, surprise, sadness and anger. I filmed myself and Tim (timmarriott.co.uk/) making these expressions on a high-speed camera, in order to understand exactly what")
_slime-dynamics.webp "Wet, fluid, glitchy – How can we think and feel in times of global Liquefaction, where the planet, and other bodies are under pressure. In a world in which the human and the non-human, the familiar and the alien are deeply implicated with each other. The performance explores these unsayable worlds, of fleshy geometries and liquefied landscapes.nSLIME DYNAMICS is a collaboration between light, drool, speech, sound, 3 female bodies and 200 liters of artificial slime, wood and plastic. Together t")
_yamba-slamba.webp "Surfing well in competitive settings is hard. To catch and ride two waves better* than your competitors, keeping cool under time restrictions, while handling the numerous uncertainties Huey throws at you, is difficult. Sometimes these conditions get the better of us and we hang up the rashy with a feeling of disgust in how well we could have surfed but didn't. Throw in the low probability of actually scoring good surf in a contest and most people don't bother. The recent contest in Northern New")
_otolab-derelicta.webp "derelictanlive audiovisual performancenn")
_spoil-boy-teaser-trailer.webp "This is a test render I created for a short film I am making titled “Spoil Boy”.As you can see he is quite spoiled.At this point in the story he had just tried to gain friends by demonstrating his new rocket.As he set it in flight from his window high above the playground below a malfunction occurred and it crashed causing chaos.The children threw the rocket back knocking the boy back down his toys.With disgust he sulks on his toy box with his ruined toy.As the narration reads fo")
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