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The Italian box office sensation THERE’S STILL TOMORROW (C’È ANCORA DOMANI) will be launched across Vue’s UK and Ireland cinemas from 26 April, with tickets now on sale.<br/><br/>The comedy-drama, which is lead actor Paola Cortellesi’s directorial debut, has broken Italian records becoming the most-watched 2023 release, performing better than Barbie or Oppenheimer by box office. It also sold out a record number of screenings at its recent London preview at Cinema Made In Italy festival. The film is now the third-largest Italian film in the last 10 years and one of Italy’s top 10 highest grossing films of all time, not to mention the largest Italian film directed by a woman, in history.<br/><br/>Set in Rome in 1946 on the eve of women gaining the right to vote, the film plays out against a backdrop of poverty, domestic violence and toxic masculinity, centring around one woman’s determination to break the cycle of abuse. A contemporary take on classic neorealism, the film counters its tough themes with unexpected comic moments and an optimistic outlook around female empowerment. It features a modern soundtrack including music by the Jon Spencer Blues Explosion.<br/><br/>In post-war Rome, a city torn between its newfound liberation and the miserable aftermath of the Second World War, Delia (Paola Cortellesi) is seemingly resigned to her traditional role of wife and mother. Her husband Ivano (Valerio Mastandrea) is the undisputed master of the family. Delia sees her daughter Marcella’s (Romana Maggiora Vergano) engagement to her middle-class boyfriend, Giulio (Francesco Centorame), as Marcella’s chance to avoid the same fate as her. Everything suddenly changes when a mysterious letter arrives and fires up Delia’s courage to overturn convention and start wishing for a better life – and not just for herself.<br/><br/>The move into feature film distribution marks a first for Vue, an exhibitor, which operates 92 cinemas in the UK and Ireland and is the largest privately owned cinema operator in Europe. Until now, Vue has primarily released pre-school programming, concerts and big screen sports events but following the incredible success of THERE’S STILL TOMORROW in Vue’s Italian sites, Vue saw an opportunity to bring its customers even more choice.<br/><br/>\
⏲ 2:19 👁 1.3M
Letters and Sounds for Home and School
⏲ 19 minutes 33 seconds 👁 308.6K
Epic Phonics
⏲ 1 minute 47 seconds 👁 116.2K
The mastermind of an armed robbery that ended in a police officer being shot dead has been found guilty of her murder.<br/><br/>Piran Ditta Khan has been convicted almost 20 years after Pc Sharon Beshenivsky was killed while interrupting a raid at family-run Universal Express travel agents in Bradford, West Yorkshire, in November 2005.<br/><br/>She and her colleague Pc Teresa Milburn, who were both unarmed, were shot at point-blank range by one of the three men who had just carried out the robbery as he emerged from the door of the business.<br/><br/>Almost two decades on, Khan is the last of the seven men involved in the robbery to be convicted.<br/><br/>The 75-year-old flew to Pakistan two months after Pc Beshenivsky’s death and remained at liberty there until he was arrested by Pakistani authorities in January 2020 and then extradited to the UK last year.<br/><br/>Prosecutors said former takeaway boss Khan was the group’s ringleader and, although he did not leave the safety of a lookout car during the raid, played a “pivotal” role in planning it and knew that loaded firearms were to be used.<br/><br/>They told jurors this made him guilty of PC Beshenivsky’s murder “as surely as if he had pulled the trigger on that pistol himself”.
⏲ 3:56 👁 14.6M
Alphablocks
⏲ 50 minutes 35 seconds 👁 18.8M
Preschool Prep Company
⏲ 1 hour 7 minutes 10 seconds 👁 2.6M
STORY: Mr. Raj Kapoor (Ashwin Kaushal), a resident of Sunflower housing society, is found dead in his apartment. When the police officers begin their investigations, majority of the residents and frequent visitors become suspects. Will the cops be able to crack this case?<br/><br/>REVIEW: Based in Mumbai, ‘Sunflower’ revolves around a murder that occurs in a middle-class housing society of the same name. When Mumbai police officers— Digendra (Ranvir Shorey) and Chetan Tambe (Girish Kulkarni) begin investigating the case, they suspect nearly everyone. However, Sonu Singh (Sunil Grover), a simpleton living in the same society, is drawn into the murder mystery and becomes the prime suspect. What happens next forms the crux of the story.<br/><br/>This engaging eight-part situational crime comedy is co-written by Vikas Bahl (writer-director of popular Bollywood films 'Queen' and 'Super30') and Chaitali Parmar. Along with Rahul Sengupta, Vikas wears the director's hat in this series, which marks his digital debut as well. Right from the start, the audience is aware of how one of the society's occupants (Raj Kapoor) died. But it’s the narrative—which revolves around the investigation proceedings and how everyone fits into the suspect category—that has been interestingly penned down with a dash of humour and plenty of thrills.<br/><br/>The screenplay is intriguing throughout, thanks to its quirky characters with odd tics and characteristics that define them, as well as the subplots that blend well into this character-driven plot. For instance, Sonu Singh, a 35-year-old eccentric salesperson with Obsessive-compulsive disorder (OCD), keeps everything perfectly organised—from his foot mat to everything on his work table. Dilip Iyer (Ashish Vidyarthi) is another character who aspires to be the chairman of Sunflower Society in order to make it a happier place to live. Imagine he has a committee of members that interview everyone who wishes to stay in this society and have stringent rules against allowing unmarried people, divorcees, queers, and so on. Then there's Mr Ahuja (Mukul Chadda), a lecturer by profession with a smirky appearance and a courteous demeanour, and his ever-supportive wife (Radha Bhatt). Overall, the majority of the scenes revolve around a small group of society members, depicting everything from internal society politics to nosy neighbours.<br/><br/>While the first few episodes keep you hooked primarily due to the involvement of so many characters and their personal lives, as well as their link to the crime, there are some that drag on, especially those involving Sonu caring for Mr. Tondon (Sameer Kakkar). Ideally, the shorter episodes and tight editing (by Konark Saxena) would have aided the plot's progression while maintaining the show's pace. The background score composed by Sahej Bakshi and Vesh Shrivastava is interesting and complements the story well.<br/><br/>Sunil Grover plays Sonu Singh to perfection, never straying from his role as a lonely man with no social circle d
⏲ 35:6 👁 3.3M
Epic Phonics
⏲ 2 minutes 24 seconds 👁 4.3M
EASYLEARNING WITH TEACHER NELY
⏲ 12 minutes 37 seconds 👁 1M
STORY: Mr. Raj Kapoor (Ashwin Kaushal), a resident of Sunflower housing society, is found dead in his apartment. When the police officers begin their investigations, majority of the residents and frequent visitors become suspects. Will the cops be able to crack this case?<br/><br/>REVIEW: Based in Mumbai, ‘Sunflower’ revolves around a murder that occurs in a middle-class housing society of the same name. When Mumbai police officers— Digendra (Ranvir Shorey) and Chetan Tambe (Girish Kulkarni) begin investigating the case, they suspect nearly everyone. However, Sonu Singh (Sunil Grover), a simpleton living in the same society, is drawn into the murder mystery and becomes the prime suspect. What happens next forms the crux of the story.<br/><br/>This engaging eight-part situational crime comedy is co-written by Vikas Bahl (writer-director of popular Bollywood films 'Queen' and 'Super30') and Chaitali Parmar. Along with Rahul Sengupta, Vikas wears the director's hat in this series, which marks his digital debut as well. Right from the start, the audience is aware of how one of the society's occupants (Raj Kapoor) died. But it’s the narrative—which revolves around the investigation proceedings and how everyone fits into the suspect category—that has been interestingly penned down with a dash of humour and plenty of thrills.<br/><br/>The screenplay is intriguing throughout, thanks to its quirky characters with odd tics and characteristics that define them, as well as the subplots that blend well into this character-driven plot. For instance, Sonu Singh, a 35-year-old eccentric salesperson with Obsessive-compulsive disorder (OCD), keeps everything perfectly organised—from his foot mat to everything on his work table. Dilip Iyer (Ashish Vidyarthi) is another character who aspires to be the chairman of Sunflower Society in order to make it a happier place to live. Imagine he has a committee of members that interview everyone who wishes to stay in this society and have stringent rules against allowing unmarried people, divorcees, queers, and so on. Then there's Mr Ahuja (Mukul Chadda), a lecturer by profession with a smirky appearance and a courteous demeanour, and his ever-supportive wife (Radha Bhatt). Overall, the majority of the scenes revolve around a small group of society members, depicting everything from internal society politics to nosy neighbours.<br/><br/>While the first few episodes keep you hooked primarily due to the involvement of so many characters and their personal lives, as well as their link to the crime, there are some that drag on, especially those involving Sonu caring for Mr. Tondon (Sameer Kakkar). Ideally, the shorter episodes and tight editing (by Konark Saxena) would have aided the plot's progression while maintaining the show's pace. The background score composed by Sahej Bakshi and Vesh Shrivastava is interesting and complements the story well.<br/><br/>Sunil Grover plays Sonu Singh to perfection, never straying from his role as a lonely man with no social circle d
⏲ 42:42 👁 2.4M
Preschool Prep Company
⏲ 1 hour 2 minutes 45 seconds 👁 3M
Kiddos World TV
⏲ 13 minutes 24 seconds 👁 1.3M
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