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EVIDENCE 5:<br/>MUHAMMAD NUH AL-AZHAR PERFORMED DOWNSCALING ON CCTV 1 FOOTAGE FR0M 15:46 TO 18:30 LOCAL TIME, REDUCING THE FRAME DIMENSIONS TO 960x576 px AND THE FRAME RATE TO 10 FPS. <br/><br/>According to point 27 in the interrogation report (BAP - Berita Acara Pemeriksaan) of Muhammad Nuh Al-Azhar, the dimensions should have been 1920x1080 px. <br/>During this time interval, tracking Rangga's movement in making coffee was necessary, yet Muhammad Nuh Al-Azhar blurred it instead.<br/><br/>Analysis<br/>The forensic impact of Muhammad Nuh Al-Azhar's downscaling of CCTV 1 footage from 15:46 to 18:30 local time is significant. By reducing the frame dimensions to 960 x 576px and the frame rate to 10 fps, crucial details were obscured. According to point 27 in the interrogation report of Muhammad Nuh Al-Azhar, the dimensions should have remained at 1920 x1080 px. This intentional manipulation of the video's resolution and frame rate raises questions about the integrity of the evidence presented in court.<br/><br/>During this time interval, tracking Rangga's movement in making coffee was essential for understanding the sequence of events. The downscaling of the CCTV 1 footage, orchestrated by Muhammad Nuh Al-Azhar, severely impacts the ability to analyze whether the coffee and milk were not mixed (remained as two layers) or not in the cup before the alleged poisoning incident. During the crucial time interval, tracking Rangga's movements in preparing the coffee was essential for reconstructing the sequence of events leading up to the alleged crime. However, Muhammad Nuh Al-Azhar's actions blurred this crucial aspect instead of preserving it. By reducing the frame dimensions and frame rate, the clarity and accuracy of the footage were compromised, hindering forensic analysis and potentially distorting the portrayal of events. This manipulation could lead to misinterpretation and false conclusions during legal proceedings.<br/><br/>The decision to downscale the CCTV footage precisely during the time when Rangga was preparing the coffee and milk raises significant questions about the potential motives behind this manipulation. One possible explanation is that reducing the frame dimensions and frame rate during this critical period was intended to obscure or conceal any suspicious activity related to the introduction of any substance into the coffee.<br/><br/>By reducing the clarity and detail of the footage precisely during the preparation of the beverage, Muhammad Nuh Al-Azhar may have sought to create ambiguity or uncertainty regarding the events leading up to the alleged poisoning. This manipulation could have been strategically employed to make it more difficult for forensic analysts to determine definitively whether any substance was introduced into the coffee during Rangga's preparation process.<br/><br/>Additionally, the timing of the downscaling coinciding with Rangga's actions suggests that Muhammad Nuh Al-Azhar may have sought to hide any potential evidence of tampering or foul play during the coffee ...

EVIDENCE 5: The Most Brutal and Barbaric Case of Digital Tampering Ever Done! BY KRISHNA MURTI

⏲ 9:39 👁 5K

Obscure Bangladesh

Obscure - Nijhum Rater Adhar (Unplugged Audio)

⏲ 4 minutes 40 seconds 👁 23.4K

Obscure Bangladesh

Nijhum Raater Adhare - Obscure Unplugged - Live at Channel i

⏲ 6 minutes 53 seconds 👁 63.9K

EVIDENCE 3:<br/>ANALYZING THE POSITION OF THE STIRRER (PIPET) WHILE REDUCING THE FRAME DIMENSIONS FR0M 1920x1080 PIXELS TO 960x576 PIXELS<br/><br/>Christopher Hariman Rianto deliberately cut CCTV 7 footage just before Mirna Salihin arrived at Olivier café at 17:18 Local Time:<br/><br/>Segment 1: 15:57 – 17:17 Local Time<br/>Frame dimensions remain full high definition (FHD, 1920x1080px) and frame rate remains at 25 frames per second<br/><br/>Segment 2: 17:17 – 18:39 Local Time<br/>Dimensions of the frame are reduced to 960x576px and frame rate is reduced to 10 fps.<br/>It is in this segment that the position of the stirrer needs to be analyzed, yet it is blurred by Christopher Hariman Rianto.<br/><br/>Analysis of the Impact of Both Reducing Frame Dimension and Frame Rate on Mirna Salihin’s Hand<br/>Reducing the frame dimension and frame rate can significantly affect the determination of whether Mirna's hand took the stirrer from the table or immediately stirred with the stirrer already in the coffee glass:<br/>1. Loss of Visual Clarity: The reduction in frame dimension diminishes the visual clarity of the footage, making it difficult to discern fine details such as the precise movement of Mirna's hand and the stirrer. This loss of clarity can obscure critical visual cues needed to determine the sequence of events accurately, leading to ambiguity in interpreting Mirna's actions.<br/><br/>2. Decreased Resolution: With the decrease in resolution resulting from the reduced frame dimension, important details such as the position of the stirrer and the actions of Mirna's hand may become less distinct or identifiable. Fine details crucial for determining whether Mirna took the stirrer from the table or stirred directly with it already in the coffee glass may be lost, compromising the reliability of the analysis.<br/><br/>3. Distortion of Motion: The reduction in frame rate affects the smoothness and fluidity of motion in the footage, potentially distorting the timing and sequence of Mirna's actions. Rapid movements, such as reaching for the stirrer or stirring the coffee, may appear jerky or disjointed, making it challenging to accurately assess the sequence of events leading up to Mirna's actions.<br/><br/>4. Loss of Temporal Detail: The combination of reduced frame dimension and frame rate results in a loss of temporal detail within the video, making it difficult to reconstruct the timeline of events accurately. Subtle movements or changes in the environment crucial for determining whether Mirna took the stirrer from the table or stirred directly with it may not be adequately captured or represented, leading to uncertainty in the interpretation of Mirna's actions.<br/><br/>Overall, the manipulation of frame dimension and frame rate complicates the determination of whether Mirna took the stirrer from the table or stirred directly with it already in the coffee glass. It underscores the importance of conducting thorough and meticulous analysis to mitigate the impact of such alterations on the interpretation of events depicted in the footage

EVIDENCE 3: The Most Brutal and Barbaric Case of Digital Tampering Ever Done! BY KRISHNA MURTI

⏲ 11:38 👁 5K

Obscure Bangladesh

Nijhum Rater Adhar

⏲ 5 minutes 10 seconds 👁 2.4K

kayes8

nijhum rater adhare-obscure

⏲ 5 minutes 3 seconds 👁 176.6K

EVIDENCE 6:<br/>CCTV VIDEO 2 FR0M 13:55 TO 16:02 LOCAL TIME WAS REDUCED IN FRAME DIMENSIONS TO 960x576 PIXELS<br/><br/>Muhammad Nuh Al-Azhar deliberately performed downscaling on CCTV 2 footage from 13:55 to 16:02 local time, reducing the frame dimensions to 960 x 576px. According to question 27 in the interrogation report (BAP - Berita Acara Pemeriksaan) of Muhammad Nuh Al-Azhar, the dimensions should have been 1920 x 1080 px.<br/><br/>Analysis<br/>Muhammad Nuh Al-Azhar's deliberate downscaling of CCTV 2 footage from 13:55 to 16:02 local time had significant forensic implications. By reducing the frame dimensions to 960 x 576px, crucial details that could have been captured in the original high-resolution footage were obscured. This intentional manipulation raises questions about the integrity of the evidence presented in court and suggests potential ulterior motives behind altering the footage.<br/><br/>The original CCTV 2 footage should have captured remnants of the coffee consumed by Mirna Salihin, which was brought from table 54 by eyewitness Devi Siagian. However, by downscaling the footage, Muhammad Nuh Al-Azhar effectively hindered any analysis of the coffee residue, making it difficult to determine its composition or any potential contaminants, such as cyanide. This manipulation undermines the ability to gather critical evidence related to the case and could potentially impact the accuracy of forensic analyses.<br/><br/>The impact of downscaling on CCTV footage, particularly in cases involving suspected poisoning with substances like cyanide, is crucial for forensic pathologists in several ways. Firstly, downscaling can significantly degrade the quality and clarity of the footage, making it more challenging for pathologists to observe subtle details and nuances in the subject's behavior and physical condition. This reduction in visual fidelity may hinder the accurate identification and interpretation of specific symptoms or reactions exhibited by the individual after consuming the alleged poisoned substance.<br/><br/>Secondly, downscaling may obscure important visual cues that could provide valuable insights into the individual's physiological responses to cyanide poisoning. For example, changes in facial expression, skin tone, or bodily movements that typically accompany cyanide exposure may be less discernible or entirely lost due to the diminished resolution and frame rate of the footage. As a result, pathologists may struggle to assess the severity of the victim's condition or determine the presence of characteristic symptoms associated with cyanide poisoning, such as respiratory distress, convulsions, or loss of consciousness.<br/><br/>Moreover, the distortion or loss of critical visual information resulting from downscaling could impede the accurate reconstruction of events leading up to and following the alleged poisoning incident. Pathologists rely on comprehensive and unaltered video footage to establish timelines, identify potential sources of contamination, and correlate observed

EVIDENCE 6: The Most Brutal and Barbaric Case of Digital Tampering Ever Done! BY KRISHNA MURTI

⏲ 9:18 ✓ 15-Apr-2024

Nahid Music Gallery

Nijhum Rater Adhare by Obscure 01

⏲ 4 minutes 19 seconds 👁 5

হৃদয়গ্রাহী গান

Obscure: Nijhum raater ahadharey. original version

⏲ 5 minutes 4 seconds 👁 49

Obscure Bangladesh

Nijhum Rater Adhare by Obscure (DeshTV Live 2014)

⏲ 4 minutes 1 second 👁 35.3K

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Nijhum Rater Adhare Jonakira Miti Miti Jole

⏲ 5 minutes 1 second 👁 29.2K

E for Entertainment

OBSCURE : VOL#1(1986)

⏲ 46 minutes 24 seconds 👁 15.3K

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